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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3D1D8 it is the complementary color #4C2E27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3D1D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B3D1D8: #B8D1D3, #C9E3E6, #DAF5F9, #EBFFFF and #FCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3D1D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B3D1D8: #B3D1D8, #A2BFC5, #91ADB2, #809B9F and #6F898C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 3 / 0 / 15

HEX #B3D1D8

RGB 179 209 216

HSL 191.35, 0.32%, 0.77%

LAB 81.92, -8.48, -6.81

 

Complementary color

CMYK 0 / 39 / 49 / 70

HEX #4C2E27

RGB 76 46 39

HSL 11.35, 0.32%, 0.23%

LAB 22.43, 12.83, 10.24

 

CMYK 13 / 1 / 0 / 17

HEX #B8D1D3

RGB 184 209 211

HSL 184.44, 0.23%, 0.77%

LAB 82.11, -7.93, -3.83

 

CMYK 13 / 1 / 0 / 10

HEX #C9E3E6

RGB 201 227 230

HSL 186.21, 0.37%, 0.85%

LAB 88.48, -7.94, -4.37

 

CMYK 12 / 2 / 0 / 2

HEX #DAF5F9

RGB 218 245 249

HSL 187.74, 0.72%, 0.92%

LAB 94.76, -7.97, -4.91

 

CMYK 8 / 0 / 0 / 0

HEX #EBFFFF

RGB 235 255 255

HSL 180, 1%, 0.96%

LAB 98.59, -6.47, -2.24

 

CMYK 1 / 0 / 0 / 0

HEX #FCFFFF

RGB 252 255 255

HSL 180, 1%, 0.99%

LAB 99.78, -0.98, -0.36

 

CMYK 17 / 3 / 0 / 15

HEX #B3D1D8

RGB 179 209 216

HSL 191.35, 0.32%, 0.77%

LAB 81.92, -8.48, -6.81

 

CMYK 18 / 3 / 0 / 23

HEX #A2BFC5

RGB 162 191 197

HSL 190.29, 0.23%, 0.7%

LAB 75.44, -8.48, -6.3

 

CMYK 19 / 3 / 0 / 30

HEX #91ADB2

RGB 145 173 178

HSL 189.09, 0.18%, 0.63%

LAB 68.84, -8.48, -5.78

 

CMYK 19 / 3 / 0 / 38

HEX #809B9F

RGB 128 155 159

HSL 187.74, 0.14%, 0.56%

LAB 62.11, -8.49, -5.24

 

CMYK 21 / 2 / 0 / 45

HEX #6F898C

RGB 111 137 140

HSL 186.21, 0.12%, 0.49%

LAB 55.24, -8.52, -4.68

 

CMYK 17 / 3 / 0 / 15

HEX #B3D1D8

RGB 179 209 216

HSL 191.35, 0.32%, 0.77%

LAB 81.92, -8.48, -6.81

 

CMYK 18 / 7 / 0 / 16

HEX #B1C9D7

RGB 177 201 215

HSL 202.11, 0.32%, 0.77%

LAB 79.63, -5.14, -9.69

 

CMYK 18 / 9 / 0 / 16

HEX #B1C3D7

RGB 177 195 215

HSL 211.58, 0.32%, 0.77%

LAB 78.04, -1.96, -12.06

 

CMYK 18 / 12 / 0 / 16

HEX #B1BDD7

RGB 177 189 215

HSL 221.05, 0.32%, 0.77%

LAB 76.47, 1.25, -14.42

 

CMYK 18 / 15 / 0 / 16

HEX #B1B7D7

RGB 177 183 215

HSL 230.53, 0.32%, 0.77%

LAB 74.9, 4.5, -16.77

 

CMYK 17 / 3 / 0 / 15

HEX #B3D1D8

RGB 179 209 216

HSL 191.35, 0.32%, 0.77%

LAB 81.92, -8.48, -6.81

 

CMYK 17 / 0 / 0 / 95

HEX #0A0C0C

RGB 10 12 12

HSL 180, 0.09%, 0.04%

LAB 3.2, -0.55, -0.2

 

CMYK 17 / 3 / 0 / 75

HEX #343D3F

RGB 52 61 63

HSL 190.91, 0.1%, 0.23%

LAB 25.03, -3.21, -2.49

 

CMYK 18 / 4 / 0 / 55

HEX #5E6E72

RGB 94 110 114

HSL 192, 0.1%, 0.41%

LAB 45.28, -5.04, -4.24

 

CMYK 17 / 3 / 0 / 35

HEX #89A0A5

RGB 137 160 165

HSL 190.71, 0.13%, 0.59%

LAB 64.3, -6.92, -5.3

 

CMYK 17 / 3 / 0 / 15

HEX #B3D1D8

RGB 179 209 216

HSL 191.35, 0.32%, 0.77%

LAB 81.92, -8.48, -6.81

 

CMYK 11 / 18 / 0 / 16

HEX #BFB1D7

RGB 191 177 215

HSL 262.11, 0.32%, 0.77%

LAB 74.46, 12.28, -17.33

 

CMYK 0 / 4 / 18 / 16

HEX #D7CEB1

RGB 215 206 177

HSL 45.79, 0.32%, 0.77%

LAB 82.79, -1.63, 15.55

 

CMYK 17 / 3 / 0 / 15

HEX #B3D1D8

RGB 179 209 216

HSL 191.35, 0.32%, 0.77%

LAB 81.92, -8.48, -6.81

 

CMYK 0 / 18 / 3 / 16

HEX #D7B1D0

RGB 215 177 208

HSL 311.05, 0.32%, 0.77%

LAB 76.34, 18.96, -10.48

 

CMYK 3 / 0 / 18 / 16

HEX #D0D7B1

RGB 208 215 177

HSL 71.05, 0.32%, 0.77%

LAB 84.58, -8.83, 17.98

 

CMYK 17 / 3 / 0 / 15

HEX #B3D1D8

RGB 179 209 216

HSL 191.35, 0.32%, 0.77%

LAB 81.92, -8.48, -6.81

 

CMYK 11 / 18 / 0 / 16

HEX #BFB1D7

RGB 191 177 215

HSL 262.11, 0.32%, 0.77%

LAB 74.46, 12.28, -17.33

 

CMYK 0 / 14 / 18 / 16

HEX #D7B8B1

RGB 215 184 177

HSL 11.05, 0.32%, 0.77%

LAB 77.22, 9.98, 7.66

 

CMYK 7 / 0 / 18 / 16

HEX #C8D7B1

RGB 200 215 177

HSL 83.68, 0.32%, 0.77%

LAB 83.99, -11.7, 17.08

 

CMYK 17 / 3 / 0 / 15

HEX #B3D1D8

RGB 179 209 216

HSL 191.35, 0.32%, 0.77%

LAB 81.92, -8.48, -6.81

 

CMYK 6 / 18 / 0 / 16

HEX #CBB1D7

RGB 203 177 215

HSL 281.05, 0.32%, 0.77%

LAB 75.48, 16.24, -15.69

 

CMYK 0 / 14 / 18 / 16

HEX #D7B8B1

RGB 215 184 177

HSL 11.05, 0.32%, 0.77%

LAB 77.22, 9.98, 7.66

 

CMYK 12 / 0 / 18 / 16

HEX #BDD7B1

RGB 189 215 177

HSL 101.05, 0.32%, 0.77%

LAB 83.23, -15.59, 15.89

 

Description

Color code: HEX #B3D1D8 | qconv.com Color code: HEX #B3D1D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 209 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 209 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 3 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 3% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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