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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B18345 it is the complementary color #4E7CBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B18345. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B18345: #B68340, #C79553, #D8A766, #E9B979 and #FACB8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B18345. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B18345: #B18345, #A07132, #8F5F1F, #7E4D0C and #6D3B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 61 / 31

HEX #B18345

RGB 177 131 69

HSL 34.44, 0.44%, 0.48%

LAB 58.05, 10.82, 39.87

 

Complementary color

CMYK 58 / 33 / 0 / 27

HEX #4E7CBA

RGB 78 124 186

HSL 214.44, 0.44%, 0.52%

LAB 51.36, 3.1, -37.36

 

CMYK 0 / 28 / 65 / 29

HEX #B68340

RGB 182 131 64

HSL 34.07, 0.48%, 0.48%

LAB 58.55, 12.66, 43.13

 

CMYK 0 / 25 / 58 / 22

HEX #C79553

RGB 199 149 83

HSL 34.14, 0.51%, 0.55%

LAB 65.17, 11.43, 41.7

 

CMYK 0 / 23 / 53 / 15

HEX #D8A766

RGB 216 167 102

HSL 34.21, 0.59%, 0.62%

LAB 71.69, 10.39, 40.29

 

CMYK 0 / 21 / 48 / 9

HEX #E9B979

RGB 233 185 121

HSL 34.29, 0.72%, 0.69%

LAB 78.11, 9.49, 38.94

 

CMYK 0 / 19 / 44 / 2

HEX #FACB8C

RGB 250 203 140

HSL 34.36, 0.92%, 0.76%

LAB 84.45, 8.71, 37.64

 

CMYK 0 / 26 / 61 / 31

HEX #B18345

RGB 177 131 69

HSL 34.44, 0.44%, 0.48%

LAB 58.05, 10.82, 39.87

 

CMYK 0 / 29 / 69 / 37

HEX #A07132

RGB 160 113 50

HSL 34.36, 0.52%, 0.41%

LAB 51.28, 12.15, 41.28

 

CMYK 0 / 34 / 78 / 44

HEX #8F5F1F

RGB 143 95 31

HSL 34.29, 0.64%, 0.34%

LAB 44.41, 13.77, 42.45

 

CMYK 0 / 39 / 90 / 51

HEX #7E4D0C

RGB 126 77 12

HSL 34.21, 0.83%, 0.27%

LAB 37.43, 15.75, 42.75

 

CMYK 0 / 46 / 100 / 57

HEX #6D3B00

RGB 109 59 0

HSL 32.48, 1%, 0.21%

LAB 30.35, 18.15, 40.65

 

CMYK 0 / 26 / 61 / 31

HEX #B18345

RGB 177 131 69

HSL 34.44, 0.44%, 0.48%

LAB 58.05, 10.82, 39.87

 

CMYK 0 / 16 / 61 / 31

HEX #B09344

RGB 176 147 68

HSL 43.89, 0.44%, 0.48%

LAB 62.1, 1.46, 44.99

 

CMYK 0 / 6 / 61 / 31

HEX #B0A544

RGB 176 165 68

HSL 53.89, 0.44%, 0.48%

LAB 66.94, -8.23, 50.38

 

CMYK 4 / 0 / 61 / 31

HEX #A9B044

RGB 169 176 68

HSL 63.89, 0.44%, 0.48%

LAB 69.4, -16.93, 52.88

 

CMYK 14 / 0 / 61 / 31

HEX #97B044

RGB 151 176 68

HSL 73.89, 0.44%, 0.48%

LAB 68.06, -24.42, 51.03

 

CMYK 0 / 26 / 61 / 31

HEX #B18345

RGB 177 131 69

HSL 34.44, 0.44%, 0.48%

LAB 58.05, 10.82, 39.87

 

CMYK 0 / 26 / 61 / 11

HEX #E4A959

RGB 228 169 89

HSL 34.53, 0.72%, 0.62%

LAB 73.28, 13.31, 49

 

CMYK 0 / 25 / 63 / 91

HEX #181209

RGB 24 18 9

HSL 36, 0.45%, 0.06%

LAB 5.84, 1.14, 5.07

 

CMYK 0 / 25 / 61 / 71

HEX #4B381D

RGB 75 56 29

HSL 35.22, 0.44%, 0.2%

LAB 24.99, 4.69, 19.96

 

CMYK 0 / 26 / 61 / 51

HEX #7E5D31

RGB 126 93 49

HSL 34.29, 0.44%, 0.34%

LAB 41.98, 8.19, 30.17

 

CMYK 0 / 26 / 61 / 31

HEX #B18345

RGB 177 131 69

HSL 34.44, 0.44%, 0.48%

LAB 58.05, 10.82, 39.87

 

CMYK 47 / 0 / 61 / 31

HEX #5DB044

RGB 93 176 68

HSL 106.11, 0.44%, 0.48%

LAB 64.8, -45.61, 46.5

 

CMYK 51 / 61 / 0 / 31

HEX #5644B0

RGB 86 68 176

HSL 250, 0.44%, 0.48%

LAB 36.46, 36.32, -55.3

 

CMYK 0 / 26 / 61 / 31

HEX #B18345

RGB 177 131 69

HSL 34.44, 0.44%, 0.48%

LAB 58.05, 10.82, 39.87

 

CMYK 61 / 0 / 27 / 31

HEX #44B081

RGB 68 176 129

HSL 153.89, 0.44%, 0.48%

LAB 64.85, -42.12, 15.08

 

CMYK 27 / 61 / 0 / 31

HEX #8144B0

RGB 129 68 176

HSL 273.89, 0.44%, 0.48%

LAB 41.11, 45.95, -47.55

 

CMYK 0 / 26 / 61 / 31

HEX #B18345

RGB 177 131 69

HSL 34.44, 0.44%, 0.48%

LAB 58.05, 10.82, 39.87

 

CMYK 47 / 0 / 61 / 31

HEX #5DB044

RGB 93 176 68

HSL 106.11, 0.44%, 0.48%

LAB 64.8, -45.61, 46.5

 

CMYK 61 / 35 / 0 / 31

HEX #4473B0

RGB 68 115 176

HSL 213.89, 0.44%, 0.48%

LAB 47.78, 3.15, -37.24

 

CMYK 14 / 61 / 0 / 31

HEX #9744B0

RGB 151 68 176

HSL 286.11, 0.44%, 0.48%

LAB 44.01, 51.38, -42.75

 

CMYK 0 / 26 / 61 / 31

HEX #B18345

RGB 177 131 69

HSL 34.44, 0.44%, 0.48%

LAB 58.05, 10.82, 39.87

 

CMYK 61 / 0 / 57 / 31

HEX #44B04B

RGB 68 176 75

HSL 123.89, 0.44%, 0.48%

LAB 63.99, -51.51, 42.09

 

CMYK 61 / 35 / 0 / 31

HEX #4473B0

RGB 68 115 176

HSL 213.89, 0.44%, 0.48%

LAB 47.78, 3.15, -37.24

 

CMYK 0 / 61 / 4 / 31

HEX #B044A9

RGB 176 68 169

HSL 303.89, 0.44%, 0.48%

LAB 47.27, 56.49, -33.23

 

Description

Color code: HEX #B18345 | qconv.com Color code: HEX #B18345 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 131 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 131 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 61 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 61% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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