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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B05A7E it is the complementary color #4FA581. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B05A7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B05A7E shade: #B55A79, #C66C8C, #D77E9F, #E890B2 and #F9A2C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B05A7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B05A7E shade: #B05A7E, #9F486B, #8E3658, #7D2445 and #6C1232

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B05A7E shade: #AF5A7E, #AF5A67 and #AF5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B05A7E shade: #AF5A7E, #AF5A95, #AF5AAC, #9C5AAF and #855AAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B05A7E shade matches the following richer shades: #AF5A7E, #C3467A, #D73277, #EB1E74 and #FF0B71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B05A7E shade: #AF5A7E, #9C6E81, #888184, #749587 and #60A98B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B05A7E shade: #AF5AAD, #AF5A96, #AF5A7F, #AF5A68 and #AF625A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B05A7E shade: #7B3B56, #97496A, #AF5A7E, #BD7693 and #CA91A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B05A7E shade: #B05A7E, #AF9B5A and #5AA1AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B05A7E shade: #B05A7E, #7FAF5A and #5A7FAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B05A7E shade: #B05A7E, #AF9B5A, #5AAF8A and #5A6EAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B05A7E shade: #B05A7E, #AAAF5A, #5AAF8A and #5F5AAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 28 / 31

HEX #B05A7E

RGB 176 90 126

HSL 334.88, 0.35%, 0.52%

LAB 49.56, 39.18, -4.13

 

Complementary color

CMYK 52 / 0 / 22 / 35

HEX #4FA581

RGB 79 165 129

HSL 154.88, 0.35%, 0.48%

LAB 61.79, -34.76, 10.84

 

CMYK 0 / 50 / 33 / 29

HEX #B55A79

RGB 181 90 121

HSL 339.56, 0.38%, 0.53%

LAB 50.12, 40.27, -0.23

 

CMYK 0 / 45 / 29 / 22

HEX #C66C8C

RGB 198 108 140

HSL 338.67, 0.44%, 0.6%

LAB 56.71, 39.39, -1.53

 

CMYK 0 / 41 / 26 / 16

HEX #D77E9F

RGB 215 126 159

HSL 337.75, 0.53%, 0.67%

LAB 63.24, 38.52, -2.64

 

CMYK 0 / 38 / 23 / 9

HEX #E890B2

RGB 232 144 178

HSL 336.82, 0.66%, 0.74%

LAB 69.69, 37.69, -3.61

 

CMYK 0 / 35 / 21 / 2

HEX #F9A2C5

RGB 249 162 197

HSL 335.86, 0.88%, 0.81%

LAB 76.08, 36.9, -4.49

 

CMYK 0 / 49 / 28 / 31

HEX #B05A7E

RGB 176 90 126

HSL 334.88, 0.35%, 0.52%

LAB 49.56, 39.18, -4.13

 

CMYK 0 / 55 / 33 / 38

HEX #9F486B

RGB 159 72 107

HSL 335.86, 0.38%, 0.45%

LAB 42.86, 40, -2.75

 

CMYK 0 / 62 / 38 / 44

HEX #8E3658

RGB 142 54 88

HSL 336.82, 0.45%, 0.38%

LAB 36.16, 40.69, -1.01

 

CMYK 0 / 71 / 45 / 51

HEX #7D2445

RGB 125 36 69

HSL 337.75, 0.55%, 0.32%

LAB 29.54, 41.01, 1.32

 

CMYK 0 / 83 / 54 / 58

HEX #6C1232

RGB 108 18 50

HSL 338.67, 0.71%, 0.25%

LAB 23.17, 40.5, 4.6

 

CMYK 0 / 49 / 28 / 31

HEX #AF5A7E

RGB 175 90 126

HSL 334.59, 0.35%, 0.52%

LAB 49.41, 38.83, -4.36

 

CMYK 0 / 49 / 41 / 31

HEX #AF5A67

RGB 175 90 103

HSL 350.82, 0.35%, 0.52%

LAB 48.77, 35.91, 8.52

 

CMYK 0 / 49 / 49 / 31

HEX #AF5A5A

RGB 175 90 90

HSL 0, 0.35%, 0.52%

LAB 48.47, 34.52, 15.89

 

CMYK 0 / 49 / 28 / 31

HEX #AF5A7E

RGB 175 90 126

HSL 334.59, 0.35%, 0.52%

LAB 49.41, 38.83, -4.36

 

CMYK 0 / 49 / 15 / 31

HEX #AF5A95

RGB 175 90 149

HSL 318.35, 0.35%, 0.52%

LAB 50.21, 42.31, -16.86

 

CMYK 0 / 49 / 2 / 31

HEX #AF5AAC

RGB 175 90 172

HSL 302.12, 0.35%, 0.52%

LAB 51.16, 46.29, -28.94

 

CMYK 11 / 49 / 0 / 31

HEX #9C5AAF

RGB 156 90 175

HSL 286.59, 0.35%, 0.52%

LAB 48.85, 41.26, -34.47

 

CMYK 24 / 49 / 0 / 31

HEX #855AAF

RGB 133 90 175

HSL 270.35, 0.35%, 0.52%

LAB 46.17, 34.62, -38.88

 

CMYK 0 / 49 / 28 / 31

HEX #AF5A7E

RGB 175 90 126

HSL 334.59, 0.35%, 0.52%

LAB 49.41, 38.83, -4.36

 

CMYK 0 / 64 / 37 / 24

HEX #C3467A

RGB 195 70 122

HSL 335.04, 0.51%, 0.52%

LAB 48.74, 54.45, -2.59

 

CMYK 0 / 77 / 45 / 16

HEX #D73277

RGB 215 50 119

HSL 334.91, 0.67%, 0.52%

LAB 49.57, 66.99, 0.85

 

CMYK 0 / 87 / 51 / 8

HEX #EB1E74

RGB 235 30 116

HSL 334.83, 0.84%, 0.52%

LAB 51.67, 76.27, 6.18

 

CMYK 0 / 96 / 56 / 0

HEX #FF0B71

RGB 255 11 113

HSL 334.92, 1%, 0.52%

LAB 54.75, 82.81, 12.91

 

CMYK 0 / 49 / 28 / 31

HEX #AF5A7E

RGB 175 90 126

HSL 334.59, 0.35%, 0.52%

LAB 49.41, 38.83, -4.36

 

CMYK 0 / 29 / 17 / 39

HEX #9C6E81

RGB 156 110 129

HSL 335.22, 0.19%, 0.52%

LAB 51.62, 21.25, -3.16

 

CMYK 0 / 5 / 3 / 47

HEX #888184

RGB 136 129 132

HSL 334.29, 0.03%, 0.52%

LAB 54.66, 3.21, -0.68

 

CMYK 22 / 0 / 9 / 42

HEX #749587

RGB 116 149 135

HSL 154.55, 0.13%, 0.52%

LAB 58.93, -14.5, 3.63

 

CMYK 43 / 0 / 18 / 34

HEX #60A98B

RGB 96 169 139

HSL 155.34, 0.3%, 0.52%

LAB 63.94, -29.98, 8.42

 

CMYK 0 / 49 / 1 / 31

HEX #AF5AAD

RGB 175 90 173

HSL 301.41, 0.35%, 0.52%

LAB 51.2, 46.47, -29.45

 

CMYK 0 / 49 / 14 / 31

HEX #AF5A96

RGB 175 90 150

HSL 317.65, 0.35%, 0.52%

LAB 50.25, 42.48, -17.4

 

CMYK 0 / 49 / 27 / 31

HEX #AF5A7F

RGB 175 90 127

HSL 333.88, 0.35%, 0.52%

LAB 49.45, 38.97, -4.91

 

CMYK 0 / 49 / 41 / 31

HEX #AF5A68

RGB 175 90 104

HSL 350.12, 0.35%, 0.52%

LAB 48.79, 36.02, 7.95

 

CMYK 0 / 44 / 49 / 31

HEX #AF625A

RGB 175 98 90

HSL 5.65, 0.35%, 0.52%

LAB 50.2, 30.21, 18.25

 

CMYK 0 / 52 / 30 / 52

HEX #7B3B56

RGB 123 59 86

HSL 334.69, 0.35%, 0.36%

LAB 34.01, 31.13, -3.26

 

CMYK 0 / 52 / 30 / 41

HEX #97496A

RGB 151 73 106

HSL 334.62, 0.35%, 0.44%

LAB 41.82, 36.55, -3.81

 

CMYK 0 / 49 / 28 / 31

HEX #AF5A7E

RGB 175 90 126

HSL 334.59, 0.35%, 0.52%

LAB 49.41, 38.83, -4.36

 

CMYK 0 / 38 / 22 / 26

HEX #BD7693

RGB 189 118 147

HSL 335.49, 0.35%, 0.6%

LAB 57.93, 31.82, -3.94

 

CMYK 0 / 28 / 16 / 21

HEX #CA91A9

RGB 202 145 169

HSL 334.74, 0.35%, 0.68%

LAB 66.27, 25.15, -4.01

 

CMYK 0 / 49 / 28 / 31

HEX #B05A7E

RGB 176 90 126

HSL 334.88, 0.35%, 0.52%

LAB 49.56, 39.18, -4.13

 

CMYK 0 / 11 / 49 / 31

HEX #AF9B5A

RGB 175 155 90

HSL 45.88, 0.35%, 0.52%

LAB 64.4, -1.47, 36.6

 

CMYK 49 / 8 / 0 / 31

HEX #5AA1AF

RGB 90 161 175

HSL 189.88, 0.35%, 0.52%

LAB 62.3, -18.45, -14.18

 

CMYK 0 / 49 / 28 / 31

HEX #B05A7E

RGB 176 90 126

HSL 334.88, 0.35%, 0.52%

LAB 49.56, 39.18, -4.13

 

CMYK 27 / 0 / 49 / 31

HEX #7FAF5A

RGB 127 175 90

HSL 93.88, 0.35%, 0.52%

LAB 66.45, -31.12, 38.32

 

CMYK 49 / 27 / 0 / 31

HEX #5A7FAF

RGB 90 127 175

HSL 213.88, 0.35%, 0.52%

LAB 52.34, 0.55, -29.45

 

CMYK 0 / 49 / 28 / 31

HEX #B05A7E

RGB 176 90 126

HSL 334.88, 0.35%, 0.52%

LAB 49.56, 39.18, -4.13

 

CMYK 0 / 11 / 49 / 31

HEX #AF9B5A

RGB 175 155 90

HSL 45.88, 0.35%, 0.52%

LAB 64.4, -1.47, 36.6

 

CMYK 49 / 0 / 21 / 31

HEX #5AAF8A

RGB 90 175 138

HSL 153.88, 0.35%, 0.52%

LAB 65.49, -34.63, 11.14

 

CMYK 49 / 37 / 0 / 31

HEX #5A6EAF

RGB 90 110 175

HSL 225.88, 0.35%, 0.52%

LAB 47.52, 10.81, -36.99

 

CMYK 0 / 49 / 28 / 31

HEX #B05A7E

RGB 176 90 126

HSL 334.88, 0.35%, 0.52%

LAB 49.56, 39.18, -4.13

 

CMYK 3 / 0 / 49 / 31

HEX #AAAF5A

RGB 170 175 90

HSL 63.53, 0.35%, 0.52%

LAB 69.43, -14.16, 42.63

 

CMYK 49 / 0 / 21 / 31

HEX #5AAF8A

RGB 90 175 138

HSL 153.88, 0.35%, 0.52%

LAB 65.49, -34.63, 11.14

 

CMYK 46 / 49 / 0 / 31

HEX #5F5AAF

RGB 95 90 175

HSL 243.53, 0.35%, 0.52%

LAB 42.52, 24.48, -44.9

 

Description

Color code: HEX #B05A7E | qconv.com Color code: HEX #B05A7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 90 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 90 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 28 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 28% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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