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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFD223 it is the complementary color #502DDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFD223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AFD223: #B4D21E, #C5E431, #D6F644, #E7FF57 and #F8FF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFD223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AFD223: #AFD223, #9EC010, #8DAE00, #7C9C00 and #6B8A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 83 / 18

HEX #AFD223

RGB 175 210 35

HSL 72, 0.71%, 0.48%

LAB 79.23, -32.59, 73.63

 

Complementary color

CMYK 64 / 80 / 0 / 14

HEX #502DDC

RGB 80 45 220

HSL 252, 0.71%, 0.52%

LAB 35.5, 60.65, -82.58

 

CMYK 14 / 0 / 86 / 18

HEX #B4D21E

RGB 180 210 30

HSL 70, 0.75%, 0.47%

LAB 79.55, -30.71, 75.12

 

CMYK 14 / 0 / 79 / 11

HEX #C5E431

RGB 197 228 49

HSL 70.39, 0.77%, 0.54%

LAB 85.8, -31.62, 76.41

 

CMYK 13 / 0 / 72 / 4

HEX #D6F644

RGB 214 246 68

HSL 70.79, 0.91%, 0.62%

LAB 91.96, -32.36, 76.83

 

CMYK 9 / 0 / 66 / 0

HEX #E7FF57

RGB 231 255 87

HSL 68.57, 1%, 0.67%

LAB 95.66, -28.84, 74.24

 

CMYK 3 / 0 / 58 / 0

HEX #F8FF6A

RGB 248 255 106

HSL 62.82, 1%, 0.71%

LAB 97.03, -20.95, 68.57

 

CMYK 17 / 0 / 83 / 18

HEX #AFD223

RGB 175 210 35

HSL 72, 0.71%, 0.48%

LAB 79.23, -32.59, 73.63

 

CMYK 18 / 0 / 92 / 25

HEX #9EC010

RGB 158 192 16

HSL 71.59, 0.85%, 0.41%

LAB 72.9, -31.59, 71.52

 

CMYK 19 / 0 / 100 / 32

HEX #8DAE00

RGB 141 174 0

HSL 71.38, 1%, 0.34%

LAB 66.47, -30.4, 67.99

 

CMYK 21 / 0 / 100 / 39

HEX #7C9C00

RGB 124 156 0

HSL 72.31, 1%, 0.31%

LAB 59.94, -28.96, 62.56

 

CMYK 22 / 0 / 100 / 46

HEX #6B8A00

RGB 107 138 0

HSL 73.48, 1%, 0.27%

LAB 53.28, -27.51, 57.01

 

CMYK 17 / 0 / 83 / 18

HEX #AFD223

RGB 175 210 35

HSL 72, 0.71%, 0.48%

LAB 79.23, -32.59, 73.63

 

CMYK 31 / 0 / 83 / 18

HEX #91D123

RGB 145 209 35

HSL 82.07, 0.71%, 0.48%

LAB 77.13, -43.77, 71.1

 

CMYK 44 / 0 / 83 / 18

HEX #74D123

RGB 116 209 35

HSL 92.07, 0.71%, 0.48%

LAB 75.72, -53.76, 69.33

 

CMYK 58 / 0 / 83 / 18

HEX #57D123

RGB 87 209 35

HSL 102.07, 0.71%, 0.48%

LAB 74.67, -61.98, 67.99

 

CMYK 72 / 0 / 83 / 18

HEX #3AD123

RGB 58 209 35

HSL 112.07, 0.71%, 0.48%

LAB 73.95, -67.99, 67.07

 

CMYK 17 / 0 / 83 / 18

HEX #AFD223

RGB 175 210 35

HSL 72, 0.71%, 0.48%

LAB 79.23, -32.59, 73.63

 

CMYK 17 / 0 / 83 / 98

HEX #050601

RGB 5 6 1

HSL 72, 0.71%, 0.01%

LAB 1.49, -0.96, 1.8

 

CMYK 16 / 0 / 84 / 78

HEX #303909

RGB 48 57 9

HSL 71.25, 0.73%, 0.13%

LAB 22.21, -11.55, 26.79

 

CMYK 17 / 0 / 83 / 58

HEX #5A6C12

RGB 90 108 18

HSL 72, 0.71%, 0.25%

LAB 42.68, -19.35, 43.87

 

CMYK 16 / 0 / 83 / 38

HEX #859F1B

RGB 133 159 27

HSL 71.82, 0.71%, 0.36%

LAB 61.53, -25.96, 59.18

 

CMYK 17 / 0 / 83 / 18

HEX #AFD223

RGB 175 210 35

HSL 72, 0.71%, 0.48%

LAB 79.23, -32.59, 73.63

 

CMYK 83 / 0 / 50 / 18

HEX #23D169

RGB 35 209 105

HSL 144.14, 0.71%, 0.48%

LAB 74.18, -63.93, 39.81

 

CMYK 17 / 83 / 0 / 18

HEX #AE23D1

RGB 174 35 209

HSL 287.93, 0.71%, 0.48%

LAB 45.36, 74.28, -59.63

 

CMYK 17 / 0 / 83 / 18

HEX #AFD223

RGB 175 210 35

HSL 72, 0.71%, 0.48%

LAB 79.23, -32.59, 73.63

 

CMYK 83 / 17 / 0 / 18

HEX #23AED1

RGB 35 174 209

HSL 192.07, 0.71%, 0.48%

LAB 65.93, -23.1, -27.73

 

CMYK 0 / 83 / 17 / 18

HEX #D123AE

RGB 209 35 174

HSL 312.07, 0.71%, 0.48%

LAB 49.27, 75.46, -32.66

 

CMYK 17 / 0 / 83 / 18

HEX #AFD223

RGB 175 210 35

HSL 72, 0.71%, 0.48%

LAB 79.23, -32.59, 73.63

 

CMYK 83 / 0 / 50 / 18

HEX #23D169

RGB 35 209 105

HSL 144.14, 0.71%, 0.48%

LAB 74.18, -63.93, 39.81

 

CMYK 67 / 83 / 0 / 18

HEX #4623D1

RGB 70 35 209

HSL 252.07, 0.71%, 0.48%

LAB 32.05, 60.88, -81.96

 

CMYK 0 / 83 / 33 / 18

HEX #D1238B

RGB 209 35 139

HSL 324.14, 0.71%, 0.48%

LAB 47.78, 71.31, -14.07

 

CMYK 17 / 0 / 83 / 18

HEX #AFD223

RGB 175 210 35

HSL 72, 0.71%, 0.48%

LAB 79.23, -32.59, 73.63

 

CMYK 83 / 0 / 25 / 18

HEX #23D19D

RGB 35 209 157

HSL 162.07, 0.71%, 0.48%

LAB 75.07, -53.72, 14.16

 

CMYK 67 / 83 / 0 / 18

HEX #4623D1

RGB 70 35 209

HSL 252.07, 0.71%, 0.48%

LAB 32.05, 60.88, -81.96

 

CMYK 0 / 83 / 58 / 18

HEX #D12357

RGB 209 35 87

HSL 342.07, 0.71%, 0.48%

LAB 46.24, 66.84, 15.62

 

Description

Color code: HEX #AFD223 | qconv.com Color code: HEX #AFD223 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 210 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 210 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 83 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 83% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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