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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFB2D34C it is the complementary color #504D2C4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFB2D34C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFB2D34C shade: #B4B2CE4C, #C5C4E14C, #D6D6F44C, #E7E8FF4C and #F8FAFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFB2D34C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFB2D34C shade: #AFB2D34C, #9EA0C04C, #8D8EAD4C, #7C7C9A4C and #6B6A874C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFB2D34C shade: #B0B3D4, #B7B0D4, #C0B0D4, #CAB0D4 and #D3B0D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFB2D34C shade: #B0B3D4 and #B0B0D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFB2D34C shade matches the following richer shades: #B0B3D4, #A6ABDD, #9CA3E7, #929AF1 and #8892FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFB2D34C shade: #B0B3D4, #BABBCA, #C4C4C0, #CECCB6 and #D8D4AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFB2D34C shade: #B0C6D4, #B0BCD4, #B0B3D4, #B7B0D4 and #C0B0D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFB2D34C shade: #7B80B6, #9599C5, #B0B3D4, #CBCDE2 and #E5E6F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFB2D34C shade: #AFB2D3, #D4B0CF and #C1D4B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFB2D34C shade: #AFB2D3, #D4B0B3 and #B3D4B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFB2D34C shade: #AFB2D3, #D4B0CF, #D4D1B0 and #B0D4B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFB2D34C shade: #AFB2D3, #D4B0C5, #D4D1B0 and #B0D4BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 5 / 0 / 5

HEX #AFB2D34C

RGBA 175 178 211 0.3

HSLA 235, 0.29%, 0.76%, 0.3

LABA 73.32, 5.71, -16.99, 0.3

 

Complementary color

CMYK 0 / 1 / 14 / 21

HEX #504D2C4C

RGBA 80 77 44 0.3

HSLA 55, 0.29%, 0.24%, 0.3

LABA 32.25, -4.37, 20, 0.3

 

CMYK 4 / 4 / 0 / 6

HEX #B4B2CE4C

RGBA 180 178 206 0.3

HSLA 244.29, 0.22%, 0.75%, 0.3

LABA 73.55, 6.26, -13.89, 0.3

 

CMYK 4 / 4 / 0 / 4

HEX #C5C4E14C

RGBA 197 196 225 0.3

HSLA 242.07, 0.33%, 0.83%, 0.3

LABA 80.06, 6.01, -14.27, 0.3

 

CMYK 4 / 4 / 0 / 1

HEX #D6D6F44C

RGBA 214 214 244 0.3

HSLA 240, 0.58%, 0.9%, 0.3

LABA 86.46, 5.77, -14.65, 0.3

 

CMYK 3 / 3 / 0 / 0

HEX #E7E8FF4C

RGBA 231 232 255 0.3

HSLA 237.5, 1%, 0.95%, 0.3

LABA 92.54, 3.97, -11.21, 0.3

 

CMYK 1 / 1 / 0 / 0

HEX #F8FAFF4C

RGBA 248 250 255 0.3

HSLA 222.86, 1%, 0.99%, 0.3

LABA 98.25, 0.24, -2.63, 0.3

 

CMYK 5 / 5 / 0 / 5

HEX #AFB2D34C

RGBA 175 178 211 0.3

HSLA 235, 0.29%, 0.76%, 0.3

LABA 73.32, 5.71, -16.99, 0.3

 

CMYK 5 / 5 / 0 / 7

HEX #9EA0C04C

RGBA 158 160 192 0.3

HSLA 236.47, 0.21%, 0.69%, 0.3

LABA 66.69, 5.98, -16.67, 0.3

 

CMYK 6 / 5 / 0 / 10

HEX #8D8EAD4C

RGBA 141 142 173 0.3

HSLA 238.13, 0.16%, 0.62%, 0.3

LABA 59.91, 6.28, -16.37, 0.3

 

CMYK 6 / 6 / 0 / 12

HEX #7C7C9A4C

RGBA 124 124 154 0.3

HSLA 240, 0.13%, 0.55%, 0.3

LABA 52.99, 6.6, -16.08, 0.3

 

CMYK 6 / 6 / 0 / 14

HEX #6B6A874C

RGBA 107 106 135 0.3

HSLA 242.07, 0.12%, 0.47%, 0.3

LABA 45.88, 6.96, -15.82, 0.3

 

CMYK 17 / 16 / 0 / 17

HEX #B0B3D4

RGB 176 179 212

HSL 235, 0.3%, 0.76%

LAB 73.69, 5.71, -16.97

 

CMYK 14 / 17 / 0 / 17

HEX #B7B0D4

RGB 183 176 212

HSL 251.67, 0.3%, 0.76%

LAB 73.46, 9.6, -17.27

 

CMYK 9 / 17 / 0 / 17

HEX #C0B0D4

RGB 192 176 212

HSL 266.67, 0.3%, 0.76%

LAB 74.2, 12.54, -16.09

 

CMYK 5 / 17 / 0 / 17

HEX #CAB0D4

RGB 202 176 212

HSL 283.33, 0.3%, 0.76%

LAB 75.05, 15.86, -14.71

 

CMYK 0 / 17 / 0 / 17

HEX #D3B0D4

RGB 211 176 212

HSL 298.33, 0.3%, 0.76%

LAB 75.86, 18.88, -13.43

 

CMYK 17 / 16 / 0 / 17

HEX #B0B3D4

RGB 176 179 212

HSL 235, 0.3%, 0.76%

LAB 73.69, 5.71, -16.97

 

CMYK 17 / 17 / 0 / 17

HEX #B0B0D4

RGB 176 176 212

HSL 240, 0.3%, 0.76%

LAB 72.91, 7.35, -18.15

 

CMYK 17 / 16 / 0 / 17

HEX #B0B3D4

RGB 176 179 212

HSL 235, 0.3%, 0.76%

LAB 73.69, 5.71, -16.97

 

CMYK 25 / 23 / 0 / 13

HEX #A6ABDD

RGB 166 171 221

HSL 234.55, 0.45%, 0.76%

LAB 71.18, 9.06, -25.78

 

CMYK 32 / 29 / 0 / 9

HEX #9CA3E7

RGB 156 163 231

HSL 234.4, 0.61%, 0.76%

LAB 68.77, 13.09, -35.03

 

CMYK 39 / 36 / 0 / 5

HEX #929AF1

RGB 146 154 241

HSL 234.95, 0.77%, 0.76%

LAB 66.19, 18.18, -44.6

 

CMYK 46 / 42 / 0 / 2

HEX #8892FB

RGB 136 146 251

HSL 234.78, 0.93%, 0.76%

LAB 63.96, 23.17, -53.64

 

CMYK 17 / 16 / 0 / 17

HEX #B0B3D4

RGB 176 179 212

HSL 235, 0.3%, 0.76%

LAB 73.69, 5.71, -16.97

 

CMYK 8 / 7 / 0 / 21

HEX #BABBCA

RGB 186 187 202

HSL 236.25, 0.13%, 0.76%

LAB 76.22, 2.55, -7.67

 

CMYK 0 / 0 / 2 / 23

HEX #C4C4C0

RGB 196 196 192

HSL 60, 0.03%, 0.76%

LAB 79.05, -0.72, 1.99

 

CMYK 0 / 1 / 12 / 19

HEX #CECCB6

RGB 206 204 182

HSL 55, 0.2%, 0.76%

LAB 81.67, -3.09, 11.21

 

CMYK 0 / 2 / 20 / 15

HEX #D8D4AC

RGB 216 212 172

HSL 54.55, 0.36%, 0.76%

LAB 84.31, -5.11, 20.33

 

CMYK 17 / 7 / 0 / 17

HEX #B0C6D4

RGB 176 198 212

HSL 203.33, 0.3%, 0.76%

LAB 78.68, -4.52, -9.5

 

CMYK 17 / 11 / 0 / 17

HEX #B0BCD4

RGB 176 188 212

HSL 220, 0.3%, 0.76%

LAB 76.04, 0.82, -13.44

 

CMYK 17 / 16 / 0 / 17

HEX #B0B3D4

RGB 176 179 212

HSL 235, 0.3%, 0.76%

LAB 73.69, 5.71, -16.97

 

CMYK 14 / 17 / 0 / 17

HEX #B7B0D4

RGB 183 176 212

HSL 251.67, 0.3%, 0.76%

LAB 73.46, 9.6, -17.27

 

CMYK 9 / 17 / 0 / 17

HEX #C0B0D4

RGB 192 176 212

HSL 266.67, 0.3%, 0.76%

LAB 74.2, 12.54, -16.09

 

CMYK 32 / 30 / 0 / 29

HEX #7B80B6

RGB 123 128 182

HSL 234.92, 0.29%, 0.6%

LAB 55.1, 11.01, -29.01

 

CMYK 24 / 22 / 0 / 23

HEX #9599C5

RGB 149 153 197

HSL 235, 0.29%, 0.68%

LAB 64.33, 8.23, -23.12

 

CMYK 17 / 16 / 0 / 17

HEX #B0B3D4

RGB 176 179 212

HSL 235, 0.3%, 0.76%

LAB 73.69, 5.71, -16.97

 

CMYK 10 / 9 / 0 / 11

HEX #CBCDE2

RGB 203 205 226

HSL 234.78, 0.28%, 0.84%

LAB 82.83, 3.36, -10.61

 

CMYK 5 / 5 / 0 / 5

HEX #E5E6F1

RGB 229 230 241

HSL 235, 0.3%, 0.92%

LAB 91.51, 1.68, -5.45

 

CMYK 17 / 16 / 0 / 17

HEX #AFB2D3

RGB 175 178 211

HSL 235, 0.29%, 0.76%

LAB 73.32, 5.71, -16.99

 

CMYK 0 / 17 / 2 / 17

HEX #D4B0CF

RGB 212 176 207

HSL 308.33, 0.3%, 0.76%

LAB 75.79, 18.3, -10.78

 

CMYK 9 / 0 / 17 / 17

HEX #C1D4B0

RGB 193 212 176

HSL 91.67, 0.3%, 0.76%

LAB 82.68, -12.83, 15.69

 

CMYK 17 / 16 / 0 / 17

HEX #AFB2D3

RGB 175 178 211

HSL 235, 0.29%, 0.76%

LAB 73.32, 5.71, -16.99

 

CMYK 0 / 17 / 16 / 17

HEX #D4B0B3

RGB 212 176 179

HSL 355, 0.3%, 0.76%

LAB 75.02, 13.5, 3.35

 

CMYK 16 / 0 / 17 / 17

HEX #B3D4B0

RGB 179 212 176

HSL 115, 0.3%, 0.76%

LAB 81.73, -17.71, 14.22

 

CMYK 17 / 16 / 0 / 17

HEX #AFB2D3

RGB 175 178 211

HSL 235, 0.29%, 0.76%

LAB 73.32, 5.71, -16.99

 

CMYK 0 / 17 / 2 / 17

HEX #D4B0CF

RGB 212 176 207

HSL 308.33, 0.3%, 0.76%

LAB 75.79, 18.3, -10.78

 

CMYK 0 / 1 / 17 / 17

HEX #D4D1B0

RGB 212 209 176

HSL 55, 0.3%, 0.76%

LAB 83.3, -4.44, 16.77

 

CMYK 17 / 0 / 15 / 17

HEX #B0D4B4

RGB 176 212 180

HSL 126.67, 0.3%, 0.76%

LAB 81.63, -18.03, 11.92

 

CMYK 17 / 16 / 0 / 17

HEX #AFB2D3

RGB 175 178 211

HSL 235, 0.29%, 0.76%

LAB 73.32, 5.71, -16.99

 

CMYK 0 / 17 / 7 / 17

HEX #D4B0C5

RGB 212 176 197

HSL 325, 0.3%, 0.76%

LAB 75.5, 16.51, -5.77

 

CMYK 0 / 1 / 17 / 17

HEX #D4D1B0

RGB 212 209 176

HSL 55, 0.3%, 0.76%

LAB 83.3, -4.44, 16.77

 

CMYK 17 / 0 / 10 / 17

HEX #B0D4BF

RGB 176 212 191

HSL 145, 0.3%, 0.76%

LAB 81.88, -15.99, 6.44

 

Description

Color code: HEX #AFB2D34C | qconv.com Color code: HEX #AFB2D34C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 178 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 178 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 5 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 5% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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