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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF7D67 it is the complementary color #508298. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF7D67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AF7D67: #B47D62, #C58F75, #D6A188, #E7B39B and #F8C5AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF7D67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AF7D67: #AF7D67, #9E6B54, #8D5941, #7C472E and #6B351B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 41 / 31

HEX #AF7D67

RGB 175 125 103

HSL 18.33, 0.31%, 0.55%

LAB 56.84, 16.57, 19.69

 

Complementary color

CMYK 47 / 14 / 0 / 40

HEX #508298

RGB 80 130 152

HSL 198.33, 0.31%, 0.45%

LAB 51.77, -10.62, -17.04

 

CMYK 0 / 31 / 46 / 29

HEX #B47D62

RGB 180 125 98

HSL 19.76, 0.35%, 0.55%

LAB 57.32, 18.08, 23.27

 

CMYK 0 / 27 / 41 / 23

HEX #C58F75

RGB 197 143 117

HSL 19.5, 0.41%, 0.62%

LAB 64, 17.14, 21.9

 

CMYK 0 / 25 / 36 / 16

HEX #D6A188

RGB 214 161 136

HSL 19.23, 0.49%, 0.69%

LAB 70.57, 16.33, 20.65

 

CMYK 0 / 23 / 33 / 9

HEX #E7B39B

RGB 231 179 155

HSL 18.95, 0.61%, 0.76%

LAB 77.04, 15.61, 19.51

 

CMYK 0 / 21 / 30 / 3

HEX #F8C5AE

RGB 248 197 174

HSL 18.65, 0.84%, 0.83%

LAB 83.41, 14.97, 18.45

 

CMYK 0 / 29 / 41 / 31

HEX #AF7D67

RGB 175 125 103

HSL 18.33, 0.31%, 0.55%

LAB 56.84, 16.57, 19.69

 

CMYK 0 / 32 / 47 / 38

HEX #9E6B54

RGB 158 107 84

HSL 18.65, 0.31%, 0.47%

LAB 50.01, 17.56, 21.11

 

CMYK 0 / 37 / 54 / 45

HEX #8D5941

RGB 141 89 65

HSL 18.95, 0.37%, 0.4%

LAB 43.05, 18.72, 22.73

 

CMYK 0 / 43 / 63 / 51

HEX #7C472E

RGB 124 71 46

HSL 19.23, 0.46%, 0.33%

LAB 35.96, 20.12, 24.6

 

CMYK 0 / 50 / 75 / 58

HEX #6B351B

RGB 107 53 27

HSL 19.5, 0.6%, 0.26%

LAB 28.78, 21.79, 26.73

 

CMYK 0 / 29 / 41 / 31

HEX #AF7D67

RGB 175 125 103

HSL 18.33, 0.31%, 0.55%

LAB 56.84, 16.57, 19.69

 

CMYK 0 / 22 / 41 / 31

HEX #AF8968

RGB 175 137 104

HSL 27.89, 0.31%, 0.55%

LAB 59.89, 9.96, 23.23

 

CMYK 0 / 15 / 41 / 31

HEX #AF9568

RGB 175 149 104

HSL 38.03, 0.31%, 0.55%

LAB 63.02, 3.3, 27.36

 

CMYK 0 / 8 / 41 / 31

HEX #AFA168

RGB 175 161 104

HSL 48.17, 0.31%, 0.55%

LAB 66.22, -3.23, 31.51

 

CMYK 0 / 1 / 41 / 31

HEX #AFAD68

RGB 175 173 104

HSL 58.31, 0.31%, 0.55%

LAB 69.47, -9.61, 35.67

 

CMYK 0 / 29 / 41 / 31

HEX #AF7D67

RGB 175 125 103

HSL 18.33, 0.31%, 0.55%

LAB 56.84, 16.57, 19.69

 

CMYK 0 / 29 / 41 / 11

HEX #E2A185

RGB 226 161 133

HSL 18.06, 0.62%, 0.7%

LAB 71.79, 20.7, 24.17

 

CMYK 0 / 27 / 41 / 91

HEX #16100D

RGB 22 16 13

HSL 20, 0.26%, 0.07%

LAB 5.15, 1.92, 2.3

 

CMYK 0 / 29 / 41 / 71

HEX #49342B

RGB 73 52 43

HSL 18, 0.26%, 0.23%

LAB 23.83, 8.03, 9.39

 

CMYK 0 / 28 / 41 / 51

HEX #7C5949

RGB 124 89 73

HSL 18.82, 0.26%, 0.39%

LAB 41.07, 12.18, 14.94

 

CMYK 0 / 29 / 41 / 31

HEX #AF7D67

RGB 175 125 103

HSL 18.33, 0.31%, 0.55%

LAB 56.84, 16.57, 19.69

 

CMYK 20 / 0 / 41 / 31

HEX #8CAF68

RGB 140 175 104

HSL 89.58, 0.31%, 0.55%

LAB 67.45, -24.49, 32.57

 

CMYK 41 / 37 / 0 / 31

HEX #686FAF

RGB 104 111 175

HSL 234.08, 0.31%, 0.55%

LAB 48.77, 13.85, -34.96

 

CMYK 0 / 29 / 41 / 31

HEX #AF7D67

RGB 175 125 103

HSL 18.33, 0.31%, 0.55%

LAB 56.84, 16.57, 19.69

 

CMYK 41 / 0 / 28 / 31

HEX #68AF7E

RGB 104 175 126

HSL 138.59, 0.31%, 0.55%

LAB 65.83, -33.21, 18.29

 

CMYK 28 / 41 / 0 / 31

HEX #7E68AF

RGB 126 104 175

HSL 258.59, 0.31%, 0.55%

LAB 48.8, 24.36, -34.78

 

CMYK 0 / 29 / 41 / 31

HEX #AF7D67

RGB 175 125 103

HSL 18.33, 0.31%, 0.55%

LAB 56.84, 16.57, 19.69

 

CMYK 20 / 0 / 41 / 31

HEX #8CAF68

RGB 140 175 104

HSL 89.58, 0.31%, 0.55%

LAB 67.45, -24.49, 32.57

 

CMYK 41 / 12 / 0 / 31

HEX #689AAF

RGB 104 154 175

HSL 197.75, 0.31%, 0.55%

LAB 60.91, -11.15, -16.22

 

CMYK 20 / 41 / 0 / 31

HEX #8C68AF

RGB 140 104 175

HSL 270.42, 0.31%, 0.55%

LAB 50.18, 28.57, -32.52

 

CMYK 0 / 29 / 41 / 31

HEX #AF7D67

RGB 175 125 103

HSL 18.33, 0.31%, 0.55%

LAB 56.84, 16.57, 19.69

 

CMYK 33 / 0 / 41 / 31

HEX #76AF68

RGB 118 175 104

HSL 108.17, 0.31%, 0.55%

LAB 66.14, -32.44, 30.62

 

CMYK 41 / 12 / 0 / 31

HEX #689AAF

RGB 104 154 175

HSL 197.75, 0.31%, 0.55%

LAB 60.91, -11.15, -16.22

 

CMYK 8 / 41 / 0 / 31

HEX #A168AF

RGB 161 104 175

HSL 288.17, 0.31%, 0.55%

LAB 52.48, 35.08, -28.76

 

Description

Color code: HEX #AF7D67 | qconv.com Color code: HEX #AF7D67 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 125 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 125 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 41 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 41% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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