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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF6B5C it is the complementary color #5094A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF6B5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF6B5C shade: #B46B57, #C57D6A, #D68F7D, #E7A190 and #F8B3A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF6B5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF6B5C shade: #AF6B5C, #9E5949, #8D4736, #7C3523 and #6B2310

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF6B5C shade: #AE6A5B and #AE5B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF6B5C shade: #AE6A5B, #AE805B, #AE975B, #AEAD5B and #99AE5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF6B5C shade matches the following richer shades: #AE6A5B, #C25D47, #D65133, #EA4420 and #FD370C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF6B5C shade: #AE6A5B, #9A776F, #878383, #739096 and #5F9DAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF6B5C shade: #AE5B7A, #AE5B63, #AE695B, #AE7F5B and #AE955B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF6B5C shade: #7A483C, #96584A, #AE6A5B, #BC8377 and #C99C92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF6B5C shade: #AF6B5C, #90AE5B and #5B6EAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF6B5C shade: #AF6B5C, #5BAE69 and #695BAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF6B5C shade: #AF6B5C, #90AE5B, #5BA0AE and #7A5BAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF6B5C shade: #AF6B5C, #77AE5B, #5BA0AE and #925BAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 47 / 31

HEX #AF6B5C

RGB 175 107 92

HSL 10.84, 0.34%, 0.52%

LAB 52.29, 25.45, 19.89

 

Complementary color

CMYK 51 / 9 / 0 / 36

HEX #5094A3

RGB 80 148 163

HSL 190.84, 0.34%, 0.48%

LAB 57.59, -17.29, -14.55

 

CMYK 0 / 41 / 52 / 29

HEX #B46B57

RGB 180 107 87

HSL 12.9, 0.38%, 0.52%

LAB 52.85, 26.99, 23.64

 

CMYK 0 / 37 / 46 / 23

HEX #C57D6A

RGB 197 125 106

HSL 12.53, 0.44%, 0.59%

LAB 59.51, 25.83, 22.02

 

CMYK 0 / 33 / 42 / 16

HEX #D68F7D

RGB 214 143 125

HSL 12.13, 0.52%, 0.66%

LAB 66.08, 24.8, 20.59

 

CMYK 0 / 30 / 38 / 9

HEX #E7A190

RGB 231 161 144

HSL 11.72, 0.64%, 0.74%

LAB 72.56, 23.88, 19.3

 

CMYK 0 / 28 / 34 / 3

HEX #F8B3A3

RGB 248 179 163

HSL 11.29, 0.86%, 0.81%

LAB 78.95, 23.06, 18.12

 

CMYK 0 / 39 / 47 / 31

HEX #AF6B5C

RGB 175 107 92

HSL 10.84, 0.34%, 0.52%

LAB 52.29, 25.45, 19.89

 

CMYK 0 / 44 / 54 / 38

HEX #9E5949

RGB 158 89 73

HSL 11.29, 0.37%, 0.45%

LAB 45.49, 26.67, 21.61

 

CMYK 0 / 50 / 62 / 45

HEX #8D4736

RGB 141 71 54

HSL 11.72, 0.45%, 0.38%

LAB 38.61, 28.05, 23.65

 

CMYK 0 / 57 / 72 / 51

HEX #7C3523

RGB 124 53 35

HSL 12.13, 0.56%, 0.31%

LAB 31.7, 29.56, 26.08

 

CMYK 0 / 67 / 85 / 58

HEX #6B2310

RGB 107 35 16

HSL 12.53, 0.74%, 0.24%

LAB 24.84, 31.09, 28.87

 

CMYK 0 / 39 / 48 / 32

HEX #AE6A5B

RGB 174 106 91

HSL 10.84, 0.34%, 0.52%

LAB 51.91, 25.5, 19.93

 

CMYK 0 / 48 / 48 / 32

HEX #AE5B5B

RGB 174 91 91

HSL 0, 0.34%, 0.52%

LAB 48.56, 33.7, 15.39

 

CMYK 0 / 39 / 48 / 32

HEX #AE6A5B

RGB 174 106 91

HSL 10.84, 0.34%, 0.52%

LAB 51.91, 25.5, 19.93

 

CMYK 0 / 26 / 48 / 32

HEX #AE805B

RGB 174 128 91

HSL 26.75, 0.34%, 0.52%

LAB 57.26, 13.15, 27

 

CMYK 0 / 13 / 48 / 32

HEX #AE975B

RGB 174 151 91

HSL 43.37, 0.34%, 0.52%

LAB 63.25, 0.39, 34.62

 

CMYK 0 / 1 / 48 / 32

HEX #AEAD5B

RGB 174 173 91

HSL 59.28, 0.34%, 0.52%

LAB 69.21, -11.36, 41.95

 

CMYK 12 / 0 / 48 / 32

HEX #99AE5B

RGB 153 174 91

HSL 75.18, 0.34%, 0.52%

LAB 67.87, -20.48, 39.95

 

CMYK 0 / 39 / 48 / 32

HEX #AE6A5B

RGB 174 106 91

HSL 10.84, 0.34%, 0.52%

LAB 51.91, 25.5, 19.93

 

CMYK 0 / 52 / 63 / 24

HEX #C25D47

RGB 194 93 71

HSL 10.73, 0.5%, 0.52%

LAB 51.56, 38.7, 31.56

 

CMYK 0 / 62 / 76 / 16

HEX #D65133

RGB 214 81 51

HSL 11.04, 0.67%, 0.52%

LAB 52.31, 50.74, 44.18

 

CMYK 0 / 71 / 86 / 8

HEX #EA4420

RGB 234 68 32

HSL 10.69, 0.83%, 0.52%

LAB 53.74, 62.03, 55.76

 

CMYK 0 / 78 / 95 / 1

HEX #FD370C

RGB 253 55 12

HSL 10.71, 0.98%, 0.52%

LAB 55.73, 71.49, 65.34

 

CMYK 0 / 39 / 48 / 32

HEX #AE6A5B

RGB 174 106 91

HSL 10.84, 0.34%, 0.52%

LAB 51.91, 25.5, 19.93

 

CMYK 0 / 23 / 28 / 40

HEX #9A776F

RGB 154 119 111

HSL 11.16, 0.18%, 0.52%

LAB 53.18, 12.45, 9.65

 

CMYK 0 / 3 / 3 / 47

HEX #878383

RGB 135 131 131

HSL 0, 0.02%, 0.52%

LAB 55.1, 1.5, 0.53

 

CMYK 23 / 4 / 0 / 41

HEX #739096

RGB 115 144 150

HSL 190.29, 0.14%, 0.52%

LAB 57.84, -8.75, -6.55

 

CMYK 44 / 8 / 0 / 33

HEX #5F9DAA

RGB 95 157 170

HSL 190.4, 0.31%, 0.52%

LAB 61.18, -16.49, -13.04

 

CMYK 0 / 48 / 30 / 32

HEX #AE5B7A

RGB 174 91 122

HSL 337.59, 0.34%, 0.52%

LAB 49.36, 37.4, -2.06

 

CMYK 0 / 48 / 43 / 32

HEX #AE5B63

RGB 174 91 99

HSL 354.22, 0.34%, 0.52%

LAB 48.74, 34.55, 10.86

 

CMYK 0 / 40 / 48 / 32

HEX #AE695B

RGB 174 105 91

HSL 10.12, 0.34%, 0.52%

LAB 51.68, 26.05, 19.62

 

CMYK 0 / 27 / 48 / 32

HEX #AE7F5B

RGB 174 127 91

HSL 26.02, 0.34%, 0.52%

LAB 57.01, 13.72, 26.67

 

CMYK 0 / 14 / 48 / 32

HEX #AE955B

RGB 174 149 91

HSL 41.93, 0.34%, 0.52%

LAB 62.72, 1.48, 33.96

 

CMYK 0 / 41 / 51 / 52

HEX #7A483C

RGB 122 72 60

HSL 11.61, 0.34%, 0.36%

LAB 36.17, 19.95, 16.28

 

CMYK 0 / 41 / 51 / 41

HEX #96584A

RGB 150 88 74

HSL 11.05, 0.34%, 0.44%

LAB 44.17, 24.02, 19.08

 

CMYK 0 / 39 / 48 / 32

HEX #AE6A5B

RGB 174 106 91

HSL 10.84, 0.34%, 0.52%

LAB 51.91, 25.5, 19.93

 

CMYK 0 / 30 / 37 / 26

HEX #BC8377

RGB 188 131 119

HSL 10.43, 0.34%, 0.6%

LAB 60.12, 20.4, 15.3

 

CMYK 0 / 22 / 27 / 21

HEX #C99C92

RGB 201 156 146

HSL 10.91, 0.34%, 0.68%

LAB 68.22, 15.28, 11.67

 

CMYK 0 / 39 / 47 / 31

HEX #AF6B5C

RGB 175 107 92

HSL 10.84, 0.34%, 0.52%

LAB 52.29, 25.45, 19.89

 

CMYK 17 / 0 / 48 / 32

HEX #90AE5B

RGB 144 174 91

HSL 81.69, 0.34%, 0.52%

LAB 67.24, -24.05, 39.03

 

CMYK 48 / 37 / 0 / 32

HEX #5B6EAE

RGB 91 110 174

HSL 226.27, 0.34%, 0.52%

LAB 47.54, 10.75, -36.38

 

CMYK 0 / 39 / 47 / 31

HEX #AF6B5C

RGB 175 107 92

HSL 10.84, 0.34%, 0.52%

LAB 52.29, 25.45, 19.89

 

CMYK 48 / 0 / 40 / 32

HEX #5BAE69

RGB 91 174 105

HSL 130.12, 0.34%, 0.52%

LAB 64.58, -40.32, 27.81

 

CMYK 40 / 48 / 0 / 32

HEX #695BAE

RGB 105 91 174

HSL 250.12, 0.34%, 0.52%

LAB 43.57, 26.09, -42.6

 

CMYK 0 / 39 / 47 / 31

HEX #AF6B5C

RGB 175 107 92

HSL 10.84, 0.34%, 0.52%

LAB 52.29, 25.45, 19.89

 

CMYK 17 / 0 / 48 / 32

HEX #90AE5B

RGB 144 174 91

HSL 81.69, 0.34%, 0.52%

LAB 67.24, -24.05, 39.03

 

CMYK 48 / 8 / 0 / 32

HEX #5BA0AE

RGB 91 160 174

HSL 190.12, 0.34%, 0.52%

LAB 62.02, -17.96, -14.05

 

CMYK 30 / 48 / 0 / 32

HEX #7A5BAE

RGB 122 91 174

HSL 262.41, 0.34%, 0.52%

LAB 45.19, 30.69, -39.93

 

CMYK 0 / 39 / 47 / 31

HEX #AF6B5C

RGB 175 107 92

HSL 10.84, 0.34%, 0.52%

LAB 52.29, 25.45, 19.89

 

CMYK 32 / 0 / 48 / 32

HEX #77AE5B

RGB 119 174 91

HSL 99.76, 0.34%, 0.52%

LAB 65.71, -33.41, 36.8

 

CMYK 48 / 8 / 0 / 32

HEX #5BA0AE

RGB 91 160 174

HSL 190.12, 0.34%, 0.52%

LAB 62.02, -17.96, -14.05

 

CMYK 16 / 48 / 0 / 32

HEX #925BAE

RGB 146 91 174

HSL 279.76, 0.34%, 0.52%

LAB 47.81, 37.57, -35.6

 

Description

Color code: HEX #AF6B5C | qconv.com Color code: HEX #AF6B5C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 107 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 107 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 47 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 47% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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