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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF181D it is the complementary color #50E7E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF181D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AF181D: #B41818, #C52A2B, #D63C3E, #E74E51 and #F86064

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF181D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AF181D: #AF181D, #9E060A, #8D0000, #7C0000 and #6B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 83 / 31

HEX #AF181D

RGB 175 24 29

HSL 358.01, 0.76%, 0.39%

LAB 37.58, 57.38, 38.71

 

Complementary color

CMYK 65 / 0 / 2 / 9

HEX #50E7E2

RGB 80 231 226

HSL 178.01, 0.76%, 0.61%

LAB 84.15, -40.21, -9.27

 

CMYK 0 / 87 / 87 / 29

HEX #B41818

RGB 180 24 24

HSL 0, 0.76%, 0.4%

LAB 38.59, 58.65, 42.63

 

CMYK 0 / 79 / 78 / 23

HEX #C52A2B

RGB 197 42 43

HSL 359.61, 0.65%, 0.47%

LAB 43.8, 59.54, 38.62

 

CMYK 0 / 72 / 71 / 16

HEX #D63C3E

RGB 214 60 62

HSL 359.22, 0.65%, 0.54%

LAB 49.34, 59.59, 34.84

 

CMYK 0 / 66 / 65 / 9

HEX #E74E51

RGB 231 78 81

HSL 358.82, 0.76%, 0.61%

LAB 55.11, 59.14, 31.55

 

CMYK 0 / 61 / 60 / 3

HEX #F86064

RGB 248 96 100

HSL 358.42, 0.92%, 0.67%

LAB 60.99, 58.38, 28.73

 

CMYK 0 / 86 / 83 / 31

HEX #AF181D

RGB 175 24 29

HSL 358.01, 0.76%, 0.39%

LAB 37.58, 57.38, 38.71

 

CMYK 0 / 96 / 94 / 38

HEX #9E060A

RGB 158 6 10

HSL 358.42, 0.93%, 0.32%

LAB 32.75, 55.32, 42.59

 

CMYK 0 / 100 / 100 / 45

HEX #8D0000

RGB 141 0 0

HSL 0, 1%, 0.28%

LAB 28.55, 51.54, 41.86

 

CMYK 0 / 100 / 100 / 51

HEX #7C0000

RGB 124 0 0

HSL 0, 1%, 0.24%

LAB 24.59, 46.97, 36.84

 

CMYK 0 / 100 / 100 / 58

HEX #6B0000

RGB 107 0 0

HSL 0, 1%, 0.21%

LAB 20.54, 42.28, 31.36

 

CMYK 0 / 86 / 83 / 31

HEX #AF181D

RGB 175 24 29

HSL 358.01, 0.76%, 0.39%

LAB 37.58, 57.38, 38.71

 

CMYK 0 / 75 / 87 / 31

HEX #AF2C17

RGB 175 44 23

HSL 8.29, 0.77%, 0.39%

LAB 39.54, 51.58, 43.51

 

CMYK 0 / 61 / 87 / 31

HEX #AF4517

RGB 175 69 23

HSL 18.16, 0.77%, 0.39%

LAB 43.41, 41.14, 46.73

 

CMYK 0 / 46 / 87 / 31

HEX #AF5E17

RGB 175 94 23

HSL 28.03, 0.77%, 0.39%

LAB 48.49, 28.27, 50.94

 

CMYK 0 / 32 / 87 / 31

HEX #AF7717

RGB 175 119 23

HSL 37.89, 0.77%, 0.39%

LAB 54.42, 14.39, 55.82

 

CMYK 0 / 86 / 83 / 31

HEX #AF181D

RGB 175 24 29

HSL 358.01, 0.76%, 0.39%

LAB 37.58, 57.38, 38.71

 

CMYK 0 / 86 / 84 / 11

HEX #E21F25

RGB 226 31 37

HSL 358.15, 0.77%, 0.5%

LAB 48.61, 70.01, 48.49

 

CMYK 0 / 86 / 82 / 91

HEX #160304

RGB 22 3 4

HSL 356.84, 0.76%, 0.05%

LAB 2.21, 6.27, 1.78

 

CMYK 0 / 86 / 84 / 71

HEX #490A0C

RGB 73 10 12

HSL 358.1, 0.76%, 0.16%

LAB 13.59, 29.09, 16.08

 

CMYK 0 / 86 / 83 / 51

HEX #7C1115

RGB 124 17 21

HSL 357.76, 0.76%, 0.28%

LAB 25.98, 43.93, 28.27

 

CMYK 0 / 86 / 83 / 31

HEX #AF181D

RGB 175 24 29

HSL 358.01, 0.76%, 0.39%

LAB 37.58, 57.38, 38.71

 

CMYK 15 / 0 / 87 / 31

HEX #95AF17

RGB 149 175 23

HSL 70.26, 0.77%, 0.39%

LAB 67.36, -27.1, 65.54

 

CMYK 87 / 49 / 0 / 31

HEX #1759AF

RGB 23 89 175

HSL 213.95, 0.77%, 0.39%

LAB 38.59, 13.17, -51.42

 

CMYK 0 / 86 / 83 / 31

HEX #AF181D

RGB 175 24 29

HSL 358.01, 0.76%, 0.39%

LAB 37.58, 57.38, 38.71

 

CMYK 84 / 0 / 87 / 31

HEX #1CAF17

RGB 28 175 23

HSL 118.03, 0.77%, 0.39%

LAB 62.48, -62.41, 59.43

 

CMYK 87 / 84 / 0 / 31

HEX #171CAF

RGB 23 28 175

HSL 238.03, 0.77%, 0.39%

LAB 24.02, 51.13, -75.3

 

CMYK 0 / 86 / 83 / 31

HEX #AF181D

RGB 175 24 29

HSL 358.01, 0.76%, 0.39%

LAB 37.58, 57.38, 38.71

 

CMYK 15 / 0 / 87 / 31

HEX #95AF17

RGB 149 175 23

HSL 70.26, 0.77%, 0.39%

LAB 67.36, -27.1, 65.54

 

CMYK 87 / 0 / 3 / 31

HEX #17AFA9

RGB 23 175 169

HSL 177.63, 0.77%, 0.39%

LAB 64.73, -37.09, -7.36

 

CMYK 72 / 87 / 0 / 31

HEX #3117AF

RGB 49 23 175

HSL 250.26, 0.77%, 0.39%

LAB 24.83, 54.5, -73.92

 

CMYK 0 / 86 / 83 / 31

HEX #AF181D

RGB 175 24 29

HSL 358.01, 0.76%, 0.39%

LAB 37.58, 57.38, 38.71

 

CMYK 41 / 0 / 87 / 31

HEX #68AF17

RGB 104 175 23

HSL 88.03, 0.77%, 0.39%

LAB 64.7, -44.63, 62.22

 

CMYK 87 / 0 / 3 / 31

HEX #17AFA9

RGB 23 175 169

HSL 177.63, 0.77%, 0.39%

LAB 64.73, -37.09, -7.36

 

CMYK 46 / 87 / 0 / 31

HEX #5E17AF

RGB 94 23 175

HSL 268.03, 0.77%, 0.39%

LAB 29.63, 58.66, -65.82

 

Description

Color code: HEX #AF181D | qconv.com Color code: HEX #AF181D | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 24 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 24 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 83 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 83% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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