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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADDDC04C it is the complementary color #52223F4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADDDC04C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADDDC04C shade: #B2DDBB4C, #C3EFCE4C, #D4FFE14C, #E5FFF44C and #F6FFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADDDC04C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADDDC04C shade: #ADDDC04C, #9CCBAD4C, #8BB99A4C, #7AA7874C and #6995744C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADDDC04C shade: #ACDCBF, #ACDCB2, #B3DCAC, #C0DCAC and #CDDCAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADDDC04C shade: #ACDCBF, #ACDCCC, #ACDCD9, #ACD3DC and #ACC6DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADDDC04C shade matches the following richer shades: #ACDCBF, #A3E6BD, #99EFBB and #90F9B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADDDC04C shade: #ACDCBF, #B6D3C1, #BFC9C3, #C9C0C5 and #D2B6C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADDDC04C shade: #B4DCAC, #ACDCB2, #ACDCBF, #ACDCCC and #ACDCD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADDDC04C shade: #72C493, #8FD0A9, #ACDCBF, #C9E9D6 and #E6F5EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADDDC04C shade: #ADDDC0, #ACC0DC and #DCACAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADDDC04C shade: #ADDDC0, #BFACDC and #DCBFAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADDDC04C shade: #ADDDC0, #ACC0DC, #DCACCA and #DCC8AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADDDC04C shade: #ADDDC0, #ACB2DC, #DCACCA and #DCD7AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 4 / 4

HEX #ADDDC04C

RGBA 173 221 192 0.3

HSLA 143.75, 0.41%, 0.77%, 0.3

LABA 84.18, -21.27, 9.18, 0.3

 

Complementary color

CMYK 0 / 18 / 7 / 20

HEX #52223F4C

RGBA 82 34 63 0.3

HSLA 323.75, 0.41%, 0.23%, 0.3

LABA 21.2, 26.38, -7.86, 0.3

 

CMYK 6 / 0 / 5 / 4

HEX #B2DDBB4C

RGBA 178 221 187 0.3

HSLA 132.56, 0.39%, 0.78%, 0.3

LABA 84.36, -20.57, 12.12, 0.3

 

CMYK 6 / 0 / 4 / 2

HEX #C3EFCE4C

RGBA 195 239 206 0.3

HSLA 135, 0.58%, 0.85%, 0.3

LABA 90.68, -20.43, 11.32, 0.3

 

CMYK 5 / 0 / 4 / 0

HEX #D4FFE14C

RGBA 212 255 225 0.3

HSLA 138.14, 1%, 0.92%, 0.3

LABA 96.39, -19.34, 9.8, 0.3

 

CMYK 3 / 0 / 1 / 0

HEX #E5FFF44C

RGBA 229 255 244 0.3

HSLA 154.62, 1%, 0.95%, 0.3

LABA 97.92, -10.43, 2.38, 0.3

 

CMYK 1 / 0 / 0 / 0

HEX #F6FFFF4C

RGBA 246 255 255 0.3

HSLA 180, 1%, 0.98%, 0.3

LABA 99.35, -2.94, -1.04, 0.3

 

CMYK 7 / 0 / 4 / 4

HEX #ADDDC04C

RGBA 173 221 192 0.3

HSLA 143.75, 0.41%, 0.77%, 0.3

LABA 84.18, -21.27, 9.18, 0.3

 

CMYK 7 / 0 / 4 / 6

HEX #9CCBAD4C

RGBA 156 203 173 0.3

HSLA 141.7, 0.31%, 0.7%, 0.3

LABA 77.75, -21.45, 9.98, 0.3

 

CMYK 7 / 0 / 5 / 8

HEX #8BB99A4C

RGBA 139 185 154 0.3

HSLA 139.57, 0.25%, 0.64%, 0.3

LABA 71.23, -21.64, 10.83, 0.3

 

CMYK 8 / 0 / 6 / 10

HEX #7AA7874C

RGBA 122 167 135 0.3

HSLA 137.33, 0.2%, 0.57%, 0.3

LABA 64.58, -21.86, 11.74, 0.3

 

CMYK 9 / 0 / 7 / 12

HEX #6995744C

RGBA 105 149 116 0.3

HSLA 135, 0.17%, 0.5%, 0.3

LABA 57.81, -22.11, 12.71, 0.3

 

CMYK 22 / 0 / 13 / 14

HEX #ACDCBF

RGB 172 220 191

HSL 143.75, 0.41%, 0.77%

LAB 83.82, -21.29, 9.19

 

CMYK 22 / 0 / 19 / 14

HEX #ACDCB2

RGB 172 220 178

HSL 127.5, 0.41%, 0.77%

LAB 83.53, -23.67, 15.63

 

CMYK 19 / 0 / 22 / 14

HEX #B3DCAC

RGB 179 220 172

HSL 111.25, 0.41%, 0.77%

LAB 83.83, -22.36, 19.27

 

CMYK 13 / 0 / 22 / 14

HEX #C0DCAC

RGB 192 220 172

HSL 95, 0.41%, 0.77%

LAB 84.67, -17.85, 20.56

 

CMYK 7 / 0 / 22 / 14

HEX #CDDCAC

RGB 205 220 172

HSL 78.75, 0.41%, 0.77%

LAB 85.58, -13.21, 21.95

 

CMYK 22 / 0 / 13 / 14

HEX #ACDCBF

RGB 172 220 191

HSL 143.75, 0.41%, 0.77%

LAB 83.82, -21.29, 9.19

 

CMYK 22 / 0 / 7 / 14

HEX #ACDCCC

RGB 172 220 204

HSL 160, 0.41%, 0.77%

LAB 84.13, -18.75, 2.76

 

CMYK 22 / 0 / 1 / 14

HEX #ACDCD9

RGB 172 220 217

HSL 176.25, 0.41%, 0.77%

LAB 84.47, -16.06, -3.63

 

CMYK 22 / 4 / 0 / 14

HEX #ACD3DC

RGB 172 211 220

HSL 191.25, 0.41%, 0.77%

LAB 82.12, -10.82, -8.69

 

CMYK 22 / 10 / 0 / 14

HEX #ACC6DC

RGB 172 198 220

HSL 207.5, 0.41%, 0.77%

LAB 78.65, -4.02, -13.87

 

CMYK 22 / 0 / 13 / 14

HEX #ACDCBF

RGB 172 220 191

HSL 143.75, 0.41%, 0.77%

LAB 83.82, -21.29, 9.19

 

CMYK 29 / 0 / 18 / 10

HEX #A3E6BD

RGB 163 230 189

HSL 143.28, 0.57%, 0.77%

LAB 86.03, -29.33, 13.32

 

CMYK 36 / 0 / 22 / 6

HEX #99EFBB

RGB 153 239 187

HSL 143.72, 0.73%, 0.77%

LAB 88.01, -36.86, 17.08

 

CMYK 42 / 0 / 26 / 2

HEX #90F9B9

RGB 144 249 185

HSL 143.43, 0.9%, 0.77%

LAB 90.41, -44.19, 21.39

 

CMYK 22 / 0 / 13 / 14

HEX #ACDCBF

RGB 172 220 191

HSL 143.75, 0.41%, 0.77%

LAB 83.82, -21.29, 9.19

 

CMYK 14 / 0 / 9 / 17

HEX #B6D3C1

RGB 182 211 193

HSL 142.76, 0.25%, 0.77%

LAB 82.05, -13.12, 5.67

 

CMYK 5 / 0 / 3 / 21

HEX #BFC9C3

RGB 191 201 195

HSL 144, 0.08%, 0.77%

LAB 80.06, -4.53, 1.8

 

CMYK 0 / 4 / 2 / 21

HEX #C9C0C5

RGB 201 192 197

HSL 326.67, 0.08%, 0.77%

LAB 78.55, 4.05, -1.39

 

CMYK 0 / 13 / 5 / 18

HEX #D2B6C7

RGB 210 182 199

HSL 323.57, 0.24%, 0.77%

LAB 76.85, 12.92, -4.88

 

CMYK 18 / 0 / 22 / 14

HEX #B4DCAC

RGB 180 220 172

HSL 110, 0.41%, 0.77%

LAB 83.9, -22.01, 19.36

 

CMYK 22 / 0 / 19 / 14

HEX #ACDCB2

RGB 172 220 178

HSL 127.5, 0.41%, 0.77%

LAB 83.53, -23.67, 15.63

 

CMYK 22 / 0 / 13 / 14

HEX #ACDCBF

RGB 172 220 191

HSL 143.75, 0.41%, 0.77%

LAB 83.82, -21.29, 9.19

 

CMYK 22 / 0 / 7 / 14

HEX #ACDCCC

RGB 172 220 204

HSL 160, 0.41%, 0.77%

LAB 84.13, -18.75, 2.76

 

CMYK 22 / 0 / 2 / 14

HEX #ACDCD8

RGB 172 220 216

HSL 175, 0.41%, 0.77%

LAB 84.44, -16.27, -3.14

 

CMYK 42 / 0 / 25 / 23

HEX #72C493

RGB 114 196 147

HSL 144.15, 0.41%, 0.61%

LAB 73, -35.98, 16.92

 

CMYK 31 / 0 / 19 / 18

HEX #8FD0A9

RGB 143 208 169

HSL 144, 0.41%, 0.69%

LAB 78.35, -28.77, 12.87

 

CMYK 22 / 0 / 13 / 14

HEX #ACDCBF

RGB 172 220 191

HSL 143.75, 0.41%, 0.77%

LAB 83.82, -21.29, 9.19

 

CMYK 14 / 0 / 8 / 9

HEX #C9E9D6

RGB 201 233 214

HSL 144.38, 0.42%, 0.85%

LAB 89.65, -14.05, 5.72

 

CMYK 6 / 0 / 4 / 4

HEX #E6F5EC

RGB 230 245 236

HSL 144, 0.43%, 0.93%

LAB 95.24, -6.55, 2.62

 

CMYK 22 / 0 / 13 / 13

HEX #ADDDC0

RGB 173 221 192

HSL 143.75, 0.41%, 0.77%

LAB 84.18, -21.27, 9.18

 

CMYK 22 / 13 / 0 / 14

HEX #ACC0DC

RGB 172 192 220

HSL 215, 0.41%, 0.77%

LAB 77.06, -0.81, -16.26

 

CMYK 0 / 22 / 21 / 14

HEX #DCACAD

RGB 220 172 173

HSL 358.75, 0.41%, 0.77%

LAB 74.66, 17.67, 6.22

 

CMYK 22 / 0 / 13 / 13

HEX #ADDDC0

RGB 173 221 192

HSL 143.75, 0.41%, 0.77%

LAB 84.18, -21.27, 9.18

 

CMYK 13 / 22 / 0 / 14

HEX #BFACDC

RGB 191 172 220

HSL 263.75, 0.41%, 0.77%

LAB 73.38, 16.08, -21.69

 

CMYK 0 / 13 / 22 / 14

HEX #DCBFAC

RGB 220 191 172

HSL 23.75, 0.41%, 0.77%

LAB 79.3, 7.36, 13.38

 

CMYK 22 / 0 / 13 / 13

HEX #ADDDC0

RGB 173 221 192

HSL 143.75, 0.41%, 0.77%

LAB 84.18, -21.27, 9.18

 

CMYK 22 / 13 / 0 / 14

HEX #ACC0DC

RGB 172 192 220

HSL 215, 0.41%, 0.77%

LAB 77.06, -0.81, -16.26

 

CMYK 0 / 22 / 8 / 14

HEX #DCACCA

RGB 220 172 202

HSL 322.5, 0.41%, 0.77%

LAB 75.44, 22.33, -8.5

 

CMYK 0 / 9 / 22 / 14

HEX #DCC8AC

RGB 220 200 172

HSL 35, 0.41%, 0.77%

LAB 81.57, 2.61, 16.56

 

CMYK 22 / 0 / 13 / 13

HEX #ADDDC0

RGB 173 221 192

HSL 143.75, 0.41%, 0.77%

LAB 84.18, -21.27, 9.18

 

CMYK 22 / 19 / 0 / 14

HEX #ACB2DC

RGB 172 178 220

HSL 232.5, 0.41%, 0.77%

LAB 73.4, 6.79, -21.8

 

CMYK 0 / 22 / 8 / 14

HEX #DCACCA

RGB 220 172 202

HSL 322.5, 0.41%, 0.77%

LAB 75.44, 22.33, -8.5

 

CMYK 0 / 2 / 22 / 14

HEX #DCD7AC

RGB 220 215 172

HSL 53.75, 0.41%, 0.77%

LAB 85.4, -5.17, 21.88

 

Description

Color code: HEX #ADDDC04C | qconv.com Color code: HEX #ADDDC04C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 221 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 221 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 4 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 4% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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