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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADA692 it is the complementary color #52596D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADA692. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #ADA692: #B2A68D, #C3B8A0, #D4CAB3, #E5DCC6 and #F6EED9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADA692. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #ADA692: #ADA692, #9C947F, #8B826C, #7A7059 and #695E46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 16 / 32

HEX #ADA692

RGB 173 166 146

HSL 44.44, 0.14%, 0.63%

LAB 68.19, -0.94, 11.26

 

Complementary color

CMYK 25 / 18 / 0 / 57

HEX #52596D

RGB 82 89 109

HSL 224.44, 0.14%, 0.37%

LAB 37.92, 2.15, -12.33

 

CMYK 0 / 7 / 21 / 30

HEX #B2A68D

RGB 178 166 141

HSL 40.54, 0.19%, 0.63%

LAB 68.5, 0.19, 14.52

 

CMYK 0 / 6 / 18 / 24

HEX #C3B8A0

RGB 195 184 160

HSL 41.14, 0.23%, 0.7%

LAB 75.09, -0.09, 13.6

 

CMYK 0 / 5 / 16 / 17

HEX #D4CAB3

RGB 212 202 179

HSL 41.82, 0.28%, 0.77%

LAB 81.56, -0.34, 12.73

 

CMYK 0 / 4 / 14 / 10

HEX #E5DCC6

RGB 229 220 198

HSL 42.58, 0.37%, 0.84%

LAB 87.93, -0.57, 11.9

 

CMYK 0 / 3 / 12 / 4

HEX #F6EED9

RGB 246 238 217

HSL 43.45, 0.62%, 0.91%

LAB 94.21, -0.78, 11.12

 

CMYK 0 / 4 / 16 / 32

HEX #ADA692

RGB 173 166 146

HSL 44.44, 0.14%, 0.63%

LAB 68.19, -0.94, 11.26

 

CMYK 0 / 5 / 19 / 39

HEX #9C947F

RGB 156 148 127

HSL 43.45, 0.13%, 0.55%

LAB 61.46, -0.69, 12.17

 

CMYK 0 / 6 / 22 / 45

HEX #8B826C

RGB 139 130 108

HSL 42.58, 0.13%, 0.48%

LAB 54.59, -0.4, 13.15

 

CMYK 0 / 8 / 27 / 52

HEX #7A7059

RGB 122 112 89

HSL 41.82, 0.16%, 0.41%

LAB 47.56, -0.05, 14.22

 

CMYK 0 / 10 / 33 / 59

HEX #695E46

RGB 105 94 70

HSL 41.14, 0.2%, 0.34%

LAB 40.33, 0.37, 15.4

 

CMYK 0 / 4 / 16 / 32

HEX #ADA692

RGB 173 166 146

HSL 44.44, 0.14%, 0.63%

LAB 68.19, -0.94, 11.26

 

CMYK 0 / 1 / 15 / 32

HEX #ADAB93

RGB 173 171 147

HSL 55.38, 0.14%, 0.63%

LAB 69.55, -3.47, 12.63

 

CMYK 1 / 0 / 15 / 32

HEX #ACAD93

RGB 172 173 147

HSL 62.31, 0.14%, 0.63%

LAB 70.01, -4.92, 13.26

 

CMYK 3 / 0 / 15 / 32

HEX #A7AD93

RGB 167 173 147

HSL 73.85, 0.14%, 0.63%

LAB 69.62, -6.79, 12.65

 

CMYK 6 / 0 / 15 / 32

HEX #A3AD93

RGB 163 173 147

HSL 83.08, 0.14%, 0.63%

LAB 69.31, -8.28, 12.18

 

CMYK 0 / 4 / 16 / 32

HEX #ADA692

RGB 173 166 146

HSL 44.44, 0.14%, 0.63%

LAB 68.19, -0.94, 11.26

 

CMYK 0 / 4 / 16 / 12

HEX #E0D7BD

RGB 224 215 189

HSL 44.57, 0.36%, 0.81%

LAB 86.07, -1.19, 13.94

 

CMYK 0 / 5 / 15 / 92

HEX #141311

RGB 20 19 17

HSL 40, 0.08%, 0.07%

LAB 5.92, 0, 1.28

 

CMYK 0 / 4 / 15 / 72

HEX #47443C

RGB 71 68 60

HSL 43.64, 0.08%, 0.26%

LAB 28.9, -0.37, 5.3

 

CMYK 0 / 4 / 16 / 52

HEX #7A7567

RGB 122 117 103

HSL 44.21, 0.08%, 0.44%

LAB 49.3, -0.67, 8.41

 

CMYK 0 / 4 / 16 / 32

HEX #ADA692

RGB 173 166 146

HSL 44.44, 0.14%, 0.63%

LAB 68.19, -0.94, 11.26

 

CMYK 14 / 0 / 15 / 32

HEX #95AD93

RGB 149 173 147

HSL 115.38, 0.14%, 0.63%

LAB 68.3, -13.36, 10.61

 

CMYK 10 / 15 / 0 / 32

HEX #9C93AD

RGB 156 147 173

HSL 260.77, 0.14%, 0.63%

LAB 62.47, 8.48, -12.39

 

CMYK 0 / 4 / 16 / 32

HEX #ADA692

RGB 173 166 146

HSL 44.44, 0.14%, 0.63%

LAB 68.19, -0.94, 11.26

 

CMYK 15 / 0 / 4 / 32

HEX #93ADA6

RGB 147 173 166

HSL 163.85, 0.14%, 0.63%

LAB 68.64, -10.37, 0.58

 

CMYK 4 / 15 / 0 / 32

HEX #A693AD

RGB 166 147 173

HSL 283.85, 0.14%, 0.63%

LAB 63.34, 11.93, -11

 

CMYK 0 / 4 / 16 / 32

HEX #ADA692

RGB 173 166 146

HSL 44.44, 0.14%, 0.63%

LAB 68.19, -0.94, 11.26

 

CMYK 14 / 0 / 15 / 32

HEX #95AD93

RGB 149 173 147

HSL 115.38, 0.14%, 0.63%

LAB 68.3, -13.36, 10.61

 

CMYK 15 / 11 / 0 / 32

HEX #939AAD

RGB 147 154 173

HSL 223.85, 0.14%, 0.63%

LAB 63.62, 1.49, -10.75

 

CMYK 1 / 15 / 0 / 32

HEX #AC93AD

RGB 172 147 173

HSL 297.69, 0.14%, 0.63%

LAB 63.88, 14.03, -10.13

 

CMYK 0 / 4 / 16 / 32

HEX #ADA692

RGB 173 166 146

HSL 44.44, 0.14%, 0.63%

LAB 68.19, -0.94, 11.26

 

CMYK 15 / 0 / 12 / 32

HEX #93AD99

RGB 147 173 153

HSL 133.85, 0.14%, 0.63%

LAB 68.31, -12.95, 7.29

 

CMYK 15 / 11 / 0 / 32

HEX #939AAD

RGB 147 154 173

HSL 223.85, 0.14%, 0.63%

LAB 63.62, 1.49, -10.75

 

CMYK 0 / 15 / 3 / 32

HEX #AD93A7

RGB 173 147 167

HSL 313.85, 0.14%, 0.63%

LAB 63.79, 13.24, -6.87

 

Description

Color code: HEX #ADA692 | qconv.com Color code: HEX #ADA692 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 166 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 166 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 16 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 16% 32% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

56% - Oneris
Link: http://oneris.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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