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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADA20A it is the complementary color #525DF5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADA20A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #ADA20A: #B2A205, #C3B418, #D4C62B, #E5D83E and #F6EA51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADA20A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #ADA20A: #ADA20A, #9C9000, #8B7E00, #7A6C00 and #695A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 94 / 32

HEX #ADA20A

RGB 173 162 10

HSL 55.95, 0.89%, 0.36%

LAB 65.55, -10.29, 67.12

 

Complementary color

CMYK 67 / 62 / 0 / 4

HEX #525DF5

RGB 82 93 245

HSL 235.95, 0.89%, 0.64%

LAB 47.26, 42.83, -77.42

 

CMYK 0 / 9 / 97 / 30

HEX #B2A205

RGB 178 162 5

HSL 54.45, 0.95%, 0.36%

LAB 65.99, -8.12, 68.3

 

CMYK 0 / 8 / 88 / 24

HEX #C3B418

RGB 195 180 24

HSL 54.74, 0.78%, 0.43%

LAB 72.44, -9.67, 71

 

CMYK 0 / 7 / 80 / 17

HEX #D4C62B

RGB 212 198 43

HSL 55.03, 0.66%, 0.5%

LAB 78.79, -11, 72.3

 

CMYK 0 / 6 / 73 / 10

HEX #E5D83E

RGB 229 216 62

HSL 55.33, 0.76%, 0.57%

LAB 85.06, -12.13, 72.63

 

CMYK 0 / 5 / 67 / 4

HEX #F6EA51

RGB 246 234 81

HSL 55.64, 0.9%, 0.64%

LAB 91.25, -13.09, 72.36

 

CMYK 0 / 6 / 94 / 32

HEX #ADA20A

RGB 173 162 10

HSL 55.95, 0.89%, 0.36%

LAB 65.55, -10.29, 67.12

 

CMYK 0 / 8 / 100 / 39

HEX #9C9000

RGB 156 144 0

HSL 55.38, 1%, 0.31%

LAB 58.99, -8.59, 62.99

 

CMYK 0 / 9 / 100 / 45

HEX #8B7E00

RGB 139 126 0

HSL 54.39, 1%, 0.27%

LAB 52.3, -6.68, 57.45

 

CMYK 0 / 11 / 100 / 52

HEX #7A6C00

RGB 122 108 0

HSL 53.11, 1%, 0.24%

LAB 45.45, -4.69, 51.77

 

CMYK 0 / 14 / 100 / 59

HEX #695A00

RGB 105 90 0

HSL 51.43, 1%, 0.21%

LAB 38.4, -2.6, 45.95

 

CMYK 0 / 6 / 94 / 32

HEX #ADA20A

RGB 173 162 10

HSL 55.95, 0.89%, 0.36%

LAB 65.55, -10.29, 67.12

 

CMYK 8 / 0 / 94 / 32

HEX #9FAD0A

RGB 159 173 10

HSL 65.15, 0.89%, 0.36%

LAB 67.49, -22.11, 68.09

 

CMYK 24 / 0 / 94 / 32

HEX #84AD0A

RGB 132 173 10

HSL 75.09, 0.89%, 0.36%

LAB 65.6, -33.47, 65.81

 

CMYK 39 / 0 / 94 / 32

HEX #69AD0A

RGB 105 173 10

HSL 85.03, 0.89%, 0.36%

LAB 64.09, -43.79, 63.97

 

CMYK 55 / 0 / 94 / 32

HEX #4EAD0A

RGB 78 173 10

HSL 94.97, 0.89%, 0.36%

LAB 62.95, -52.43, 62.57

 

CMYK 0 / 6 / 94 / 32

HEX #ADA20A

RGB 173 162 10

HSL 55.95, 0.89%, 0.36%

LAB 65.55, -10.29, 67.12

 

CMYK 0 / 6 / 94 / 12

HEX #E0D20D

RGB 224 210 13

HSL 56.02, 0.89%, 0.46%

LAB 82.9, -12.52, 81.8

 

CMYK 0 / 5 / 95 / 92

HEX #141301

RGB 20 19 1

HSL 56.84, 0.9%, 0.04%

LAB 5.57, -2.43, 7.89

 

CMYK 0 / 7 / 94 / 72

HEX #474204

RGB 71 66 4

HSL 55.52, 0.89%, 0.15%

LAB 27.42, -5.36, 34.6

 

CMYK 0 / 7 / 94 / 52

HEX #7A7207

RGB 122 114 7

HSL 55.83, 0.89%, 0.25%

LAB 47.22, -7.93, 51.53

 

CMYK 0 / 6 / 94 / 32

HEX #ADA20A

RGB 173 162 10

HSL 55.95, 0.89%, 0.36%

LAB 65.55, -10.29, 67.12

 

CMYK 94 / 0 / 83 / 32

HEX #0AAD1D

RGB 10 173 29

HSL 126.99, 0.89%, 0.36%

LAB 61.69, -62.93, 57.19

 

CMYK 46 / 94 / 0 / 32

HEX #5E0AAD

RGB 94 10 173

HSL 270.92, 0.89%, 0.36%

LAB 28.42, 61.23, -66.63

 

CMYK 0 / 6 / 94 / 32

HEX #ADA20A

RGB 173 162 10

HSL 55.95, 0.89%, 0.36%

LAB 65.55, -10.29, 67.12

 

CMYK 94 / 0 / 8 / 32

HEX #0AAD9F

RGB 10 173 159

HSL 174.85, 0.89%, 0.36%

LAB 63.72, -39.78, -3.3

 

CMYK 8 / 94 / 0 / 32

HEX #9F0AAD

RGB 159 10 173

HSL 294.85, 0.89%, 0.36%

LAB 38.91, 70.09, -49.08

 

CMYK 0 / 6 / 94 / 32

HEX #ADA20A

RGB 173 162 10

HSL 55.95, 0.89%, 0.36%

LAB 65.55, -10.29, 67.12

 

CMYK 94 / 0 / 83 / 32

HEX #0AAD1D

RGB 10 173 29

HSL 126.99, 0.89%, 0.36%

LAB 61.69, -62.93, 57.19

 

CMYK 94 / 87 / 0 / 32

HEX #0A17AD

RGB 10 23 173

HSL 235.21, 0.89%, 0.36%

LAB 22.63, 52.36, -76.42

 

CMYK 0 / 94 / 11 / 32

HEX #AD0A9A

RGB 173 10 154

HSL 306.99, 0.89%, 0.36%

LAB 40.3, 69.68, -35.28

 

CMYK 0 / 6 / 94 / 32

HEX #ADA20A

RGB 173 162 10

HSL 55.95, 0.89%, 0.36%

LAB 65.55, -10.29, 67.12

 

CMYK 94 / 0 / 55 / 32

HEX #0AAD4E

RGB 10 173 78

HSL 145.03, 0.89%, 0.36%

LAB 62.08, -57.97, 38.13

 

CMYK 94 / 87 / 0 / 32

HEX #0A17AD

RGB 10 23 173

HSL 235.21, 0.89%, 0.36%

LAB 22.63, 52.36, -76.42

 

CMYK 0 / 94 / 39 / 32

HEX #AD0A69

RGB 173 10 105

HSL 325.03, 0.89%, 0.36%

LAB 38.06, 63.84, -8.38

 

Description

Color code: HEX #ADA20A | qconv.com Color code: HEX #ADA20A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 162 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 162 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 94 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 94% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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CMYK to PANTONE®

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HEX to HKS®

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to RGB

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HKS® to CMYK

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HKS® to RAL®

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to RGB

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PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

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Sherwin Williams® to RGB

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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NCS® to RGBA

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NCS® to CMYK

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NCS® to HEX

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NCS® to RAL®

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NCS® to HKS®

convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)

NCS® to PANTONE®

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NCS® to Sherwin Williams®

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