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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD1641 it is the complementary color #52E9BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD1641. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AD1641: #B2163C, #C3284F, #D43A62, #E54C75 and #F65E88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD1641. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AD1641: #AD1641, #9C042E, #8B001B, #7A0008 and #690000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 62 / 32

HEX #AD1641

RGB 173 22 65

HSL 342.91, 0.77%, 0.38%

LAB 37.55, 58.8, 16.54

 

Complementary color

CMYK 65 / 0 / 18 / 9

HEX #52E9BE

RGB 82 233 190

HSL 162.91, 0.77%, 0.62%

LAB 83.86, -49.84, 9.28

 

CMYK 0 / 88 / 66 / 30

HEX #B2163C

RGB 178 22 60

HSL 345.38, 0.78%, 0.39%

LAB 38.49, 59.84, 21.15

 

CMYK 0 / 79 / 59 / 24

HEX #C3284F

RGB 195 40 79

HSL 344.9, 0.66%, 0.46%

LAB 43.78, 61.31, 16.8

 

CMYK 0 / 73 / 54 / 17

HEX #D43A62

RGB 212 58 98

HSL 344.42, 0.64%, 0.53%

LAB 49.38, 61.88, 13.28

 

CMYK 0 / 67 / 49 / 10

HEX #E54C75

RGB 229 76 117

HSL 343.92, 0.75%, 0.6%

LAB 55.19, 61.85, 10.42

 

CMYK 0 / 62 / 45 / 4

HEX #F65E88

RGB 246 94 136

HSL 343.42, 0.89%, 0.67%

LAB 61.11, 61.47, 8.06

 

CMYK 0 / 87 / 62 / 32

HEX #AD1641

RGB 173 22 65

HSL 342.91, 0.77%, 0.38%

LAB 37.55, 58.8, 16.54

 

CMYK 0 / 97 / 71 / 39

HEX #9C042E

RGB 156 4 46

HSL 343.42, 0.95%, 0.31%

LAB 32.6, 56.14, 21.73

 

CMYK 0 / 100 / 81 / 45

HEX #8B001B

RGB 139 0 27

HSL 348.35, 1%, 0.27%

LAB 28.3, 51.59, 28

 

CMYK 0 / 100 / 93 / 52

HEX #7A0008

RGB 122 0 8

HSL 356.07, 1%, 0.24%

LAB 24.18, 46.58, 33.01

 

CMYK 0 / 100 / 100 / 59

HEX #690000

RGB 105 0 0

HSL 0, 1%, 0.21%

LAB 20.06, 41.72, 30.68

 

CMYK 0 / 87 / 62 / 32

HEX #AD1641

RGB 173 22 65

HSL 342.91, 0.77%, 0.38%

LAB 37.55, 58.8, 16.54

 

CMYK 0 / 87 / 75 / 33

HEX #AB162A

RGB 171 22 42

HSL 351.95, 0.77%, 0.38%

LAB 36.74, 57.11, 29.98

 

CMYK 0 / 84 / 87 / 33

HEX #AB1B16

RGB 171 27 22

HSL 2.01, 0.77%, 0.38%

LAB 36.93, 55.39, 41.47

 

CMYK 0 / 70 / 87 / 33

HEX #AB3416

RGB 171 52 22

HSL 12.08, 0.77%, 0.38%

LAB 39.87, 47.21, 43.93

 

CMYK 0 / 55 / 87 / 33

HEX #AB4D16

RGB 171 77 22

HSL 22.15, 0.77%, 0.38%

LAB 44.27, 35.59, 47.57

 

CMYK 0 / 87 / 62 / 32

HEX #AD1641

RGB 173 22 65

HSL 342.91, 0.77%, 0.38%

LAB 37.55, 58.8, 16.54

 

CMYK 0 / 88 / 63 / 12

HEX #E01C54

RGB 224 28 84

HSL 342.86, 0.78%, 0.49%

LAB 48.66, 71.85, 21.23

 

CMYK 0 / 85 / 60 / 92

HEX #140308

RGB 20 3 8

HSL 342.35, 0.74%, 0.05%

LAB 2.09, 5.94, -0.05

 

CMYK 0 / 87 / 62 / 72

HEX #47091B

RGB 71 9 27

HSL 342.58, 0.78%, 0.16%

LAB 13.32, 29.77, 6.09

 

CMYK 0 / 87 / 62 / 52

HEX #7A102E

RGB 122 16 46

HSL 343.02, 0.77%, 0.27%

LAB 25.88, 44.86, 11.57

 

CMYK 0 / 87 / 62 / 32

HEX #AD1641

RGB 173 22 65

HSL 342.91, 0.77%, 0.38%

LAB 37.55, 58.8, 16.54

 

CMYK 0 / 9 / 87 / 33

HEX #AB9C16

RGB 171 156 22

HSL 53.96, 0.77%, 0.38%

LAB 63.75, -7.8, 63.51

 

CMYK 87 / 26 / 0 / 33

HEX #167EAB

RGB 22 126 171

HSL 198.12, 0.77%, 0.38%

LAB 49.54, -11.43, -31.68

 

CMYK 0 / 87 / 62 / 32

HEX #AD1641

RGB 173 22 65

HSL 342.91, 0.77%, 0.38%

LAB 37.55, 58.8, 16.54

 

CMYK 61 / 0 / 87 / 33

HEX #43AB16

RGB 67 171 22

HSL 101.88, 0.77%, 0.38%

LAB 61.98, -54.28, 59.52

 

CMYK 87 / 61 / 0 / 33

HEX #1643AB

RGB 22 67 171

HSL 221.88, 0.77%, 0.38%

LAB 32.09, 26.28, -59.6

 

CMYK 0 / 87 / 62 / 32

HEX #AD1641

RGB 173 22 65

HSL 342.91, 0.77%, 0.38%

LAB 37.55, 58.8, 16.54

 

CMYK 0 / 9 / 87 / 33

HEX #AB9C16

RGB 171 156 22

HSL 53.96, 0.77%, 0.38%

LAB 63.75, -7.8, 63.51

 

CMYK 87 / 0 / 26 / 33

HEX #16AB7E

RGB 22 171 126

HSL 161.88, 0.77%, 0.38%

LAB 62.34, -47.08, 13.09

 

CMYK 87 / 78 / 0 / 33

HEX #1625AB

RGB 22 37 171

HSL 233.96, 0.77%, 0.38%

LAB 25.06, 45.24, -71.18

 

CMYK 0 / 87 / 62 / 32

HEX #AD1641

RGB 173 22 65

HSL 342.91, 0.77%, 0.38%

LAB 37.55, 58.8, 16.54

 

CMYK 18 / 0 / 87 / 33

HEX #8DAB16

RGB 141 171 22

HSL 72.08, 0.77%, 0.38%

LAB 65.63, -28.56, 64.08

 

CMYK 87 / 0 / 26 / 33

HEX #16AB7E

RGB 22 171 126

HSL 161.88, 0.77%, 0.38%

LAB 62.34, -47.08, 13.09

 

CMYK 70 / 87 / 0 / 33

HEX #3416AB

RGB 52 22 171

HSL 252.08, 0.77%, 0.38%

LAB 24.46, 53.94, -72.11

 

Description

Color code: HEX #AD1641 | qconv.com Color code: HEX #AD1641 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 22 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 22 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 62 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 62% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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