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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC5A30BF it is the complementary color #53A5CFBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC5A30BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC5A30BF shade: #B15A2BBF, #C26C3EBF, #D37E51BF, #E49064BF and #F5A277BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC5A30BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC5A30BF shade: #AC5A30BF, #9B481DBF, #8A360ABF, #792400BF and #681200BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC5A30BF shade: #AB5A30, #AB3930 and #AB3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC5A30BF shade: #AB5A30, #AB7B30, #AB9C30, #99AB30 and #78AB30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC5A30BF shade matches the following richer shades: #AB5A30, #BD541F and #CF4E0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC5A30BF shade: #AB5A30, #996042, #886554, #766B65 and #647177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC5A30BF shade: #AB3049, #AB3830, #AB5930, #AB7A30 and #AB9B30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC5A30BF shade: #6B381E, #8B4927, #AB5A30, #C86C3C and #D1845D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC5A30BF shade: #AC5A30, #6AAB30 and #3038AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC5A30BF shade: #AC5A30, #30AB59 and #5930AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC5A30BF shade: #AC5A30, #6AAB30, #3082AB and #7230AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC5A30BF shade: #AC5A30, #45AB30, #3082AB and #9730AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 54 / 24

HEX #AC5A30BF

RGBA 172 90 48 0.75

HSLA 20.32, 0.56%, 0.43%, 0.75

LABA 47.36, 30.13, 38.47, 0.75

 

Complementary color

CMYK 45 / 15 / 0 / 14

HEX #53A5CFBF

RGBA 83 165 207 0.75

HSLA 200.32, 0.56%, 0.57%, 0.75

LABA 64.37, -12.59, -28.94, 0.75

 

CMYK 0 / 37 / 57 / 23

HEX #B15A2BBF

RGBA 177 90 43 0.75

HSLA 21.04, 0.61%, 0.43%, 0.75

LABA 48.05, 31.95, 41.99, 0.75

 

CMYK 0 / 33 / 51 / 18

HEX #C26C3EBF

RGBA 194 108 62 0.75

HSLA 20.91, 0.52%, 0.5%, 0.75

LABA 54.6, 30.28, 40.07, 0.75

 

CMYK 0 / 30 / 46 / 13

HEX #D37E51BF

RGBA 211 126 81 0.75

HSLA 20.77, 0.6%, 0.57%, 0.75

LABA 61.1, 28.79, 38.22, 0.75

 

CMYK 0 / 28 / 42 / 8

HEX #E49064BF

RGBA 228 144 100 0.75

HSLA 20.63, 0.7%, 0.64%, 0.75

LABA 67.55, 27.46, 36.49, 0.75

 

CMYK 0 / 25 / 39 / 3

HEX #F5A277BF

RGBA 245 162 119 0.75

HSLA 20.48, 0.86%, 0.71%, 0.75

LABA 73.92, 26.27, 34.9, 0.75

 

CMYK 0 / 36 / 54 / 24

HEX #AC5A30BF

RGBA 172 90 48 0.75

HSLA 20.32, 0.56%, 0.43%, 0.75

LABA 47.36, 30.13, 38.47, 0.75

 

CMYK 0 / 40 / 61 / 29

HEX #9B481DBF

RGBA 155 72 29 0.75

HSLA 20.48, 0.68%, 0.36%, 0.75

LABA 40.72, 31.91, 40.41, 0.75

 

CMYK 0 / 46 / 70 / 34

HEX #8A360ABF

RGBA 138 54 10 0.75

HSLA 20.63, 0.86%, 0.29%, 0.75

LABA 34.11, 33.81, 41.67, 0.75

 

CMYK 0 / 53 / 75 / 39

HEX #792400BF

RGBA 121 36 0 0.75

HSLA 17.85, 1%, 0.24%, 0.75

LABA 27.65, 35.61, 39.38, 0.75

 

CMYK 0 / 62 / 75 / 44

HEX #681200BF

RGBA 104 18 0 0.75

HSLA 10.38, 1%, 0.2%, 0.75

LABA 21.49, 36.66, 32.2, 0.75

 

CMYK 0 / 47 / 72 / 33

HEX #AB5A30

RGB 171 90 48

HSL 20.49, 0.56%, 0.43%

LAB 47.21, 29.72, 38.27

 

CMYK 0 / 67 / 72 / 33

HEX #AB3930

RGB 171 57 48

HSL 4.39, 0.56%, 0.43%

LAB 40.89, 46.05, 31.15

 

CMYK 0 / 72 / 72 / 33

HEX #AB3030

RGB 171 48 48

HSL 0, 0.56%, 0.43%

LAB 39.56, 49.7, 29.59

 

CMYK 0 / 47 / 72 / 33

HEX #AB5A30

RGB 171 90 48

HSL 20.49, 0.56%, 0.43%

LAB 47.21, 29.72, 38.27

 

CMYK 0 / 28 / 72 / 33

HEX #AB7B30

RGB 171 123 48

HSL 36.59, 0.56%, 0.43%

LAB 55.11, 11.31, 46.68

 

CMYK 0 / 9 / 72 / 33

HEX #AB9C30

RGB 171 156 48

HSL 52.68, 0.56%, 0.43%

LAB 63.88, -6.85, 55.52

 

CMYK 11 / 0 / 72 / 33

HEX #99AB30

RGB 153 171 48

HSL 68.78, 0.56%, 0.43%

LAB 66.61, -22.44, 57.69

 

CMYK 30 / 0 / 72 / 33

HEX #78AB30

RGB 120 171 48

HSL 84.88, 0.56%, 0.43%

LAB 64.43, -35.81, 54.81

 

CMYK 0 / 47 / 72 / 33

HEX #AB5A30

RGB 171 90 48

HSL 20.49, 0.56%, 0.43%

LAB 47.21, 29.72, 38.27

 

CMYK 0 / 56 / 84 / 26

HEX #BD541F

RGB 189 84 31

HSL 20.13, 0.72%, 0.43%

LAB 48.58, 39.41, 48.74

 

CMYK 0 / 62 / 94 / 19

HEX #CF4E0D

RGB 207 78 13

HSL 20.1, 0.88%, 0.43%

LAB 50.39, 48.63, 57.65

 

CMYK 0 / 47 / 72 / 33

HEX #AB5A30

RGB 171 90 48

HSL 20.49, 0.56%, 0.43%

LAB 47.21, 29.72, 38.27

 

CMYK 0 / 37 / 57 / 40

HEX #996042

RGB 153 96 66

HSL 20.69, 0.4%, 0.43%

LAB 46.35, 19.97, 26.68

 

CMYK 0 / 26 / 38 / 47

HEX #886554

RGB 136 101 84

HSL 19.62, 0.24%, 0.43%

LAB 45.88, 11.67, 15.12

 

CMYK 0 / 9 / 14 / 54

HEX #766B65

RGB 118 107 101

HSL 21.18, 0.08%, 0.43%

LAB 46.05, 3.21, 4.92

 

CMYK 16 / 5 / 0 / 53

HEX #647177

RGB 100 113 119

HSL 198.95, 0.09%, 0.43%

LAB 46.78, -3.49, -4.97

 

CMYK 0 / 72 / 57 / 33

HEX #AB3049

RGB 171 48 73

HSL 347.8, 0.56%, 0.43%

LAB 40, 51.24, 14.68

 

CMYK 0 / 67 / 72 / 33

HEX #AB3830

RGB 171 56 48

HSL 3.9, 0.56%, 0.43%

LAB 40.73, 46.48, 30.96

 

CMYK 0 / 48 / 72 / 33

HEX #AB5930

RGB 171 89 48

HSL 20, 0.56%, 0.43%

LAB 47, 30.26, 38.03

 

CMYK 0 / 29 / 72 / 33

HEX #AB7A30

RGB 171 122 48

HSL 36.1, 0.56%, 0.43%

LAB 54.86, 11.87, 46.42

 

CMYK 0 / 9 / 72 / 33

HEX #AB9B30

RGB 171 155 48

HSL 52.2, 0.56%, 0.43%

LAB 63.6, -6.31, 55.25

 

CMYK 0 / 48 / 72 / 58

HEX #6B381E

RGB 107 56 30

HSL 20.26, 0.56%, 0.27%

LAB 29.53, 20.2, 25.83

 

CMYK 0 / 47 / 72 / 45

HEX #8B4927

RGB 139 73 39

HSL 20.4, 0.56%, 0.35%

LAB 38.55, 25.07, 32.2

 

CMYK 0 / 47 / 72 / 33

HEX #AB5A30

RGB 171 90 48

HSL 20.49, 0.56%, 0.43%

LAB 47.21, 29.72, 38.27

 

CMYK 0 / 46 / 70 / 22

HEX #C86C3C

RGB 200 108 60

HSL 20.57, 0.56%, 0.51%

LAB 55.41, 32.62, 42.26

 

CMYK 0 / 37 / 56 / 18

HEX #D1845D

RGB 209 132 93

HSL 20.17, 0.56%, 0.59%

LAB 62.38, 25.66, 33.27

 

CMYK 0 / 48 / 72 / 33

HEX #AC5A30

RGB 172 90 48

HSL 20.32, 0.56%, 0.43%

LAB 47.36, 30.13, 38.47

 

CMYK 38 / 0 / 72 / 33

HEX #6AAB30

RGB 106 171 48

HSL 91.71, 0.56%, 0.43%

LAB 63.67, -40.96, 53.81

 

CMYK 72 / 67 / 0 / 33

HEX #3038AB

RGB 48 56 171

HSL 236.1, 0.56%, 0.43%

LAB 30.39, 35.95, -62.34

 

CMYK 0 / 48 / 72 / 33

HEX #AC5A30

RGB 172 90 48

HSL 20.32, 0.56%, 0.43%

LAB 47.36, 30.13, 38.47

 

CMYK 72 / 0 / 48 / 33

HEX #30AB59

RGB 48 171 89

HSL 140, 0.56%, 0.43%

LAB 62.06, -51.57, 32.68

 

CMYK 48 / 72 / 0 / 33

HEX #5930AB

RGB 89 48 171

HSL 260, 0.56%, 0.43%

LAB 32.21, 46.66, -59.22

 

CMYK 0 / 48 / 72 / 33

HEX #AC5A30

RGB 172 90 48

HSL 20.32, 0.56%, 0.43%

LAB 47.36, 30.13, 38.47

 

CMYK 38 / 0 / 72 / 33

HEX #6AAB30

RGB 106 171 48

HSL 91.71, 0.56%, 0.43%

LAB 63.67, -40.96, 53.81

 

CMYK 72 / 24 / 0 / 33

HEX #3082AB

RGB 48 130 171

HSL 200, 0.56%, 0.43%

LAB 51.31, -10.89, -28.88

 

CMYK 33 / 72 / 0 / 33

HEX #7230AB

RGB 114 48 171

HSL 272.2, 0.56%, 0.43%

LAB 35.27, 51.3, -54.11

 

CMYK 0 / 48 / 72 / 33

HEX #AC5A30

RGB 172 90 48

HSL 20.32, 0.56%, 0.43%

LAB 47.36, 30.13, 38.47

 

CMYK 60 / 0 / 72 / 33

HEX #45AB30

RGB 69 171 48

HSL 109.76, 0.56%, 0.43%

LAB 62.17, -52.23, 51.79

 

CMYK 72 / 24 / 0 / 33

HEX #3082AB

RGB 48 130 171

HSL 200, 0.56%, 0.43%

LAB 51.31, -10.89, -28.88

 

CMYK 12 / 72 / 0 / 33

HEX #9730AB

RGB 151 48 171

HSL 290.24, 0.56%, 0.43%

LAB 40.63, 59, -45.2

 

Description

Color code: HEX #AC5A30BF | qconv.com Color code: HEX #AC5A30BF | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 90 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 90 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 54 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 54% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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