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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB9F97 it is the complementary color #546068. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB9F97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB9F97 shade: #B09F92, #C1B1A5, #D2C3B8, #E3D5CB and #F4E7DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB9F97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB9F97 shade: #AB9F97, #9A8D84, #897B71, #78695E and #67574B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB9F97 shade: #AB9F96, #AB9996 and #AB9696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB9F97 shade: #AB9F96, #ABA496, #ABAA96, #A7AB96 and #A1AB96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB9F97 shade matches the following richer shades: #AB9F96, #BA9C87, #CA9878, #D99568 and #E89259

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB9F97 shade: #AB9F96, #9CA2A6, #8CA5B5, #7DA8C4 and #6EABD3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB9F97 shade: #AB9699, #AB9996, #AB9F96, #ABA496 and #ABAA96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB9F97 shade: #85756A, #99897F, #AB9F96, #BDB4AD and #D0C9C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB9F97 shade: #AB9F97, #9FAB96 and #9696AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB9F97 shade: #AB9F97, #96AB9F and #9F96AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB9F97 shade: #AB9F97, #9FAB96, #96A3AB and #A396AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB9F97 shade: #AB9F97, #98AB96, #96A3AB and #A996AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 12 / 33

HEX #AB9F97

RGB 171 159 151

HSL 24, 0.11%, 0.63%

LAB 66.28, 2.96, 5.74

 

Complementary color

CMYK 19 / 8 / 0 / 59

HEX #546068

RGB 84 96 104

HSL 204, 0.11%, 0.37%

LAB 40, -2.7, -6.11

 

CMYK 0 / 10 / 17 / 31

HEX #B09F92

RGB 176 159 146

HSL 26, 0.16%, 0.63%

LAB 66.6, 4.03, 9.03

 

CMYK 0 / 8 / 15 / 24

HEX #C1B1A5

RGB 193 177 165

HSL 25.71, 0.18%, 0.7%

LAB 73.22, 3.7, 8.2

 

CMYK 0 / 7 / 12 / 18

HEX #D2C3B8

RGB 210 195 184

HSL 25.38, 0.22%, 0.77%

LAB 79.72, 3.41, 7.41

 

CMYK 0 / 6 / 11 / 11

HEX #E3D5CB

RGB 227 213 203

HSL 25, 0.3%, 0.84%

LAB 86.12, 3.15, 6.66

 

CMYK 0 / 5 / 9 / 4

HEX #F4E7DE

RGB 244 231 222

HSL 24.55, 0.5%, 0.91%

LAB 92.42, 2.9, 5.94

 

CMYK 0 / 7 / 12 / 33

HEX #AB9F97

RGB 171 159 151

HSL 24, 0.11%, 0.63%

LAB 66.28, 2.96, 5.74

 

CMYK 0 / 8 / 14 / 40

HEX #9A8D84

RGB 154 141 132

HSL 24.55, 0.1%, 0.56%

LAB 59.51, 3.26, 6.54

 

CMYK 0 / 10 / 18 / 46

HEX #897B71

RGB 137 123 113

HSL 25, 0.1%, 0.49%

LAB 52.59, 3.61, 7.41

 

CMYK 0 / 13 / 22 / 53

HEX #78695E

RGB 120 105 94

HSL 25.38, 0.12%, 0.42%

LAB 45.5, 4, 8.36

 

CMYK 0 / 16 / 27 / 60

HEX #67574B

RGB 103 87 75

HSL 25.71, 0.16%, 0.35%

LAB 38.21, 4.48, 9.41

 

CMYK 0 / 7 / 12 / 33

HEX #AB9F96

RGB 171 159 150

HSL 25.71, 0.11%, 0.63%

LAB 66.26, 2.79, 6.26

 

CMYK 0 / 11 / 12 / 33

HEX #AB9996

RGB 171 153 150

HSL 8.57, 0.11%, 0.63%

LAB 64.68, 6.11, 3.98

 

CMYK 0 / 12 / 12 / 33

HEX #AB9696

RGB 171 150 150

HSL 0, 0.11%, 0.63%

LAB 63.89, 7.78, 2.85

 

CMYK 0 / 7 / 12 / 33

HEX #AB9F96

RGB 171 159 150

HSL 25.71, 0.11%, 0.63%

LAB 66.26, 2.79, 6.26

 

CMYK 0 / 4 / 12 / 33

HEX #ABA496

RGB 171 164 150

HSL 40, 0.11%, 0.63%

LAB 67.58, 0.06, 8.16

 

CMYK 0 / 1 / 12 / 33

HEX #ABAA96

RGB 171 170 150

HSL 57.14, 0.11%, 0.63%

LAB 69.19, -3.19, 10.44

 

CMYK 2 / 0 / 12 / 33

HEX #A7AB96

RGB 167 171 150

HSL 71.43, 0.11%, 0.63%

LAB 69.14, -5.22, 10.33

 

CMYK 6 / 0 / 12 / 33

HEX #A1AB96

RGB 161 171 150

HSL 88.57, 0.11%, 0.63%

LAB 68.68, -7.43, 9.61

 

CMYK 0 / 7 / 12 / 33

HEX #AB9F96

RGB 171 159 150

HSL 25.71, 0.11%, 0.63%

LAB 66.26, 2.79, 6.26

 

CMYK 0 / 16 / 27 / 27

HEX #BA9C87

RGB 186 156 135

HSL 24.71, 0.27%, 0.63%

LAB 66.49, 7.89, 15.14

 

CMYK 0 / 25 / 41 / 21

HEX #CA9878

RGB 202 152 120

HSL 23.41, 0.44%, 0.63%

LAB 66.8, 14.57, 24.11

 

CMYK 0 / 31 / 52 / 15

HEX #D99568

RGB 217 149 104

HSL 23.89, 0.6%, 0.63%

LAB 67.46, 20.67, 33.97

 

CMYK 0 / 37 / 62 / 9

HEX #E89259

RGB 232 146 89

HSL 23.92, 0.76%, 0.63%

LAB 68.34, 27.2, 43.33

 

CMYK 0 / 7 / 12 / 33

HEX #AB9F96

RGB 171 159 150

HSL 25.71, 0.11%, 0.63%

LAB 66.26, 2.79, 6.26

 

CMYK 6 / 2 / 0 / 35

HEX #9CA2A6

RGB 156 162 166

HSL 204, 0.05%, 0.63%

LAB 66.26, -1.34, -2.82

 

CMYK 23 / 9 / 0 / 29

HEX #8CA5B5

RGB 140 165 181

HSL 203.41, 0.22%, 0.63%

LAB 66.38, -5.07, -11.13

 

CMYK 36 / 14 / 0 / 23

HEX #7DA8C4

RGB 125 168 196

HSL 203.66, 0.38%, 0.63%

LAB 66.79, -7.48, -18.95

 

CMYK 48 / 19 / 0 / 17

HEX #6EABD3

RGB 110 171 211

HSL 203.76, 0.53%, 0.63%

LAB 67.38, -8.88, -26.41

 

CMYK 0 / 12 / 11 / 33

HEX #AB9699

RGB 171 150 153

HSL 351.43, 0.11%, 0.63%

LAB 63.97, 8.3, 1.28

 

CMYK 0 / 11 / 12 / 33

HEX #AB9996

RGB 171 153 150

HSL 8.57, 0.11%, 0.63%

LAB 64.68, 6.11, 3.98

 

CMYK 0 / 7 / 12 / 33

HEX #AB9F96

RGB 171 159 150

HSL 25.71, 0.11%, 0.63%

LAB 66.26, 2.79, 6.26

 

CMYK 0 / 4 / 12 / 33

HEX #ABA496

RGB 171 164 150

HSL 40, 0.11%, 0.63%

LAB 67.58, 0.06, 8.16

 

CMYK 0 / 1 / 12 / 33

HEX #ABAA96

RGB 171 170 150

HSL 57.14, 0.11%, 0.63%

LAB 69.19, -3.19, 10.44

 

CMYK 0 / 12 / 20 / 48

HEX #85756A

RGB 133 117 106

HSL 24.44, 0.11%, 0.47%

LAB 50.39, 4.3, 8.34

 

CMYK 0 / 10 / 17 / 40

HEX #99897F

RGB 153 137 127

HSL 23.08, 0.11%, 0.55%

LAB 58.22, 4.29, 7.55

 

CMYK 0 / 7 / 12 / 33

HEX #AB9F96

RGB 171 159 150

HSL 25.71, 0.11%, 0.63%

LAB 66.26, 2.79, 6.26

 

CMYK 0 / 5 / 8 / 26

HEX #BDB4AD

RGB 189 180 173

HSL 26.25, 0.11%, 0.71%

LAB 73.85, 1.96, 4.7

 

CMYK 0 / 3 / 6 / 18

HEX #D0C9C4

RGB 208 201 196

HSL 25, 0.11%, 0.79%

LAB 81.38, 1.55, 3.35

 

CMYK 0 / 7 / 12 / 33

HEX #AB9F97

RGB 171 159 151

HSL 24, 0.11%, 0.63%

LAB 66.28, 2.96, 5.74

 

CMYK 7 / 0 / 12 / 33

HEX #9FAB96

RGB 159 171 150

HSL 94.29, 0.11%, 0.63%

LAB 68.53, -8.16, 9.38

 

CMYK 12 / 12 / 0 / 33

HEX #9696AB

RGB 150 150 171

HSL 240, 0.11%, 0.63%

LAB 62.71, 4.31, -10.96

 

CMYK 0 / 7 / 12 / 33

HEX #AB9F97

RGB 171 159 151

HSL 24, 0.11%, 0.63%

LAB 66.28, 2.96, 5.74

 

CMYK 12 / 0 / 7 / 33

HEX #96AB9F

RGB 150 171 159

HSL 145.71, 0.11%, 0.63%

LAB 68.1, -9.69, 3.71

 

CMYK 7 / 12 / 0 / 33

HEX #9F96AB

RGB 159 150 171

HSL 265.71, 0.11%, 0.63%

LAB 63.45, 7.4, -9.77

 

CMYK 0 / 7 / 12 / 33

HEX #AB9F97

RGB 171 159 151

HSL 24, 0.11%, 0.63%

LAB 66.28, 2.96, 5.74

 

CMYK 7 / 0 / 12 / 33

HEX #9FAB96

RGB 159 171 150

HSL 94.29, 0.11%, 0.63%

LAB 68.53, -8.16, 9.38

 

CMYK 12 / 5 / 0 / 33

HEX #96A3AB

RGB 150 163 171

HSL 202.86, 0.11%, 0.63%

LAB 66.23, -2.92, -5.71

 

CMYK 5 / 12 / 0 / 33

HEX #A396AB

RGB 163 150 171

HSL 277.14, 0.11%, 0.63%

LAB 63.79, 8.79, -9.23

 

CMYK 0 / 7 / 12 / 33

HEX #AB9F97

RGB 171 159 151

HSL 24, 0.11%, 0.63%

LAB 66.28, 2.96, 5.74

 

CMYK 11 / 0 / 12 / 33

HEX #98AB96

RGB 152 171 150

HSL 114.29, 0.11%, 0.63%

LAB 68.02, -10.69, 8.59

 

CMYK 12 / 5 / 0 / 33

HEX #96A3AB

RGB 150 163 171

HSL 202.86, 0.11%, 0.63%

LAB 66.23, -2.92, -5.71

 

CMYK 1 / 12 / 0 / 33

HEX #A996AB

RGB 169 150 171

HSL 294.29, 0.11%, 0.63%

LAB 64.31, 10.9, -8.39

 

Description

Color code: HEX #AB9F97 | qconv.com Color code: HEX #AB9F97 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 159 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 159 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 12 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 12% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

27% - Création site Intern...
Link: http://www.agence86.com

52% - M.Gemi | Handcrafted...
Link: http://mgemi.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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