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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB5E27 it is the complementary color #54A1D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB5E27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB5E27 shade: #B05E22, #C17035, #D28248, #E3945B and #F4A66E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB5E27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB5E27 shade: #AB5E27, #9A4C14, #893A01, #782800 and #671600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB5E27 shade: #AA5E27, #AA3A27 and #AA2727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB5E27 shade: #AA5E27, #AA8127, #AAA527, #8DAA27 and #69AA27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB5E27 shade matches the following richer shades: #AA5E27, #BB5B16 and #CC5805

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB5E27 shade: #AA5E27, #9A6038, #896349, #786659 and #67696A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB5E27 shade: #AA2736, #AA3A27, #AA5E27, #AA8127 and #AAA427

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB5E27 shade: #673917, #894B1F, #AA5E27, #CC702E and #D7864D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB5E27 shade: #AB5E27, #59AA27 and #2927AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB5E27 shade: #AB5E27, #27AA5E and #5E27AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB5E27 shade: #AB5E27, #59AA27, #2774AA and #7827AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB5E27 shade: #AB5E27, #32AA27, #2774AA and #9F27AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 77 / 33

HEX #AB5E27

RGB 171 94 39

HSL 25, 0.63%, 0.41%

LAB 48.02, 27.11, 43.62

 

Complementary color

CMYK 61 / 25 / 0 / 15

HEX #54A1D8

RGB 84 161 216

HSL 205, 0.63%, 0.59%

LAB 63.62, -7.36, -35.09

 

CMYK 0 / 47 / 81 / 31

HEX #B05E22

RGB 176 94 34

HSL 25.35, 0.68%, 0.41%

LAB 48.7, 29.03, 46.81

 

CMYK 0 / 42 / 73 / 24

HEX #C17035

RGB 193 112 53

HSL 25.29, 0.57%, 0.48%

LAB 55.26, 27.23, 45.33

 

CMYK 0 / 38 / 66 / 18

HEX #D28248

RGB 210 130 72

HSL 25.22, 0.61%, 0.55%

LAB 61.77, 25.64, 43.66

 

CMYK 0 / 35 / 60 / 11

HEX #E3945B

RGB 227 148 91

HSL 25.15, 0.71%, 0.62%

LAB 68.22, 24.25, 42.01

 

CMYK 0 / 32 / 55 / 4

HEX #F4A66E

RGB 244 166 110

HSL 25.07, 0.86%, 0.69%

LAB 74.59, 23.02, 40.43

 

CMYK 0 / 45 / 77 / 33

HEX #AB5E27

RGB 171 94 39

HSL 25, 0.63%, 0.41%

LAB 48.02, 27.11, 43.62

 

CMYK 0 / 51 / 87 / 40

HEX #9A4C14

RGB 154 76 20

HSL 25.07, 0.77%, 0.34%

LAB 41.36, 29.06, 44.83

 

CMYK 0 / 58 / 99 / 46

HEX #893A01

RGB 137 58 1

HSL 25.15, 0.99%, 0.27%

LAB 34.69, 31.17, 45.3

 

CMYK 0 / 67 / 100 / 53

HEX #782800

RGB 120 40 0

HSL 20, 1%, 0.24%

LAB 28.14, 33.37, 39.72

 

CMYK 0 / 79 / 100 / 60

HEX #671600

RGB 103 22 0

HSL 12.82, 1%, 0.2%

LAB 21.79, 34.87, 32.46

 

CMYK 0 / 45 / 77 / 33

HEX #AA5E27

RGB 170 94 39

HSL 25.19, 0.63%, 0.41%

LAB 47.88, 26.68, 43.43

 

CMYK 0 / 66 / 77 / 33

HEX #AA3A27

RGB 170 58 39

HSL 8.7, 0.63%, 0.41%

LAB 40.77, 44.86, 36.1

 

CMYK 0 / 77 / 77 / 33

HEX #AA2727

RGB 170 39 39

HSL 0, 0.63%, 0.41%

LAB 38.1, 52.18, 33.23

 

CMYK 0 / 45 / 77 / 33

HEX #AA5E27

RGB 170 94 39

HSL 25.19, 0.63%, 0.41%

LAB 47.88, 26.68, 43.43

 

CMYK 0 / 24 / 77 / 33

HEX #AA8127

RGB 170 129 39

HSL 41.22, 0.63%, 0.41%

LAB 56.48, 7.07, 51.84

 

CMYK 0 / 3 / 77 / 33

HEX #AAA527

RGB 170 165 39

HSL 57.71, 0.63%, 0.41%

LAB 66.22, -12.44, 60.91

 

CMYK 17 / 0 / 77 / 33

HEX #8DAA27

RGB 141 170 39

HSL 73.28, 0.63%, 0.41%

LAB 65.4, -27.45, 59.35

 

CMYK 38 / 0 / 77 / 33

HEX #69AA27

RGB 105 170 39

HSL 89.77, 0.63%, 0.41%

LAB 63.26, -41.46, 56.56

 

CMYK 0 / 45 / 77 / 33

HEX #AA5E27

RGB 170 94 39

HSL 25.19, 0.63%, 0.41%

LAB 47.88, 26.68, 43.43

 

CMYK 0 / 51 / 88 / 27

HEX #BB5B16

RGB 187 91 22

HSL 25.09, 0.79%, 0.41%

LAB 49.62, 34.83, 52.95

 

CMYK 0 / 57 / 98 / 20

HEX #CC5805

RGB 204 88 5

HSL 25.03, 0.95%, 0.41%

LAB 51.64, 42.78, 59.99

 

CMYK 0 / 45 / 77 / 33

HEX #AA5E27

RGB 170 94 39

HSL 25.19, 0.63%, 0.41%

LAB 47.88, 26.68, 43.43

 

CMYK 0 / 38 / 64 / 40

HEX #9A6038

RGB 154 96 56

HSL 24.49, 0.47%, 0.41%

LAB 46.34, 19.61, 32.33

 

CMYK 0 / 28 / 47 / 46

HEX #896349

RGB 137 99 73

HSL 24.38, 0.3%, 0.41%

LAB 45.25, 11.95, 20.8

 

CMYK 0 / 15 / 26 / 53

HEX #786659

RGB 120 102 89

HSL 25.16, 0.15%, 0.41%

LAB 44.54, 4.97, 10.01

 

CMYK 3 / 1 / 0 / 58

HEX #67696A

RGB 103 105 106

HSL 200, 0.01%, 0.41%

LAB 44.27, -0.56, -0.84

 

CMYK 0 / 77 / 68 / 33

HEX #AA2736

RGB 170 39 54

HSL 353.13, 0.63%, 0.41%

LAB 38.31, 52.87, 24.37

 

CMYK 0 / 66 / 77 / 33

HEX #AA3A27

RGB 170 58 39

HSL 8.7, 0.63%, 0.41%

LAB 40.77, 44.86, 36.1

 

CMYK 0 / 45 / 77 / 33

HEX #AA5E27

RGB 170 94 39

HSL 25.19, 0.63%, 0.41%

LAB 47.88, 26.68, 43.43

 

CMYK 0 / 24 / 77 / 33

HEX #AA8127

RGB 170 129 39

HSL 41.22, 0.63%, 0.41%

LAB 56.48, 7.07, 51.84

 

CMYK 0 / 4 / 77 / 33

HEX #AAA427

RGB 170 164 39

HSL 57.25, 0.63%, 0.41%

LAB 65.94, -11.92, 60.66

 

CMYK 0 / 45 / 78 / 60

HEX #673917

RGB 103 57 23

HSL 25.5, 0.63%, 0.25%

LAB 29.09, 17.33, 29.12

 

CMYK 0 / 45 / 77 / 46

HEX #894B1F

RGB 137 75 31

HSL 24.91, 0.63%, 0.33%

LAB 38.64, 22.64, 36.43

 

CMYK 0 / 45 / 77 / 33

HEX #AA5E27

RGB 170 94 39

HSL 25.19, 0.63%, 0.41%

LAB 47.88, 26.68, 43.43

 

CMYK 0 / 45 / 77 / 20

HEX #CC702E

RGB 204 112 46

HSL 25.06, 0.63%, 0.49%

LAB 56.71, 31.48, 50.57

 

CMYK 0 / 38 / 64 / 16

HEX #D7864D

RGB 215 134 77

HSL 24.78, 0.63%, 0.57%

LAB 63.37, 25.87, 43.12

 

CMYK 0 / 45 / 77 / 33

HEX #AB5E27

RGB 171 94 39

HSL 25, 0.63%, 0.41%

LAB 48.02, 27.11, 43.62

 

CMYK 48 / 0 / 77 / 33

HEX #59AA27

RGB 89 170 39

HSL 97.1, 0.63%, 0.41%

LAB 62.52, -46.83, 55.6

 

CMYK 76 / 77 / 0 / 33

HEX #2927AA

RGB 41 39 170

HSL 240.92, 0.63%, 0.41%

LAB 26.23, 44.99, -68.61

 

CMYK 0 / 45 / 77 / 33

HEX #AB5E27

RGB 171 94 39

HSL 25, 0.63%, 0.41%

LAB 48.02, 27.11, 43.62

 

CMYK 77 / 0 / 45 / 33

HEX #27AA5E

RGB 39 170 94

HSL 145.19, 0.63%, 0.41%

LAB 61.64, -51.69, 29.51

 

CMYK 45 / 77 / 0 / 33

HEX #5E27AA

RGB 94 39 170

HSL 265.19, 0.63%, 0.41%

LAB 31.19, 51.52, -60.26

 

CMYK 0 / 45 / 77 / 33

HEX #AB5E27

RGB 171 94 39

HSL 25, 0.63%, 0.41%

LAB 48.02, 27.11, 43.62

 

CMYK 48 / 0 / 77 / 33

HEX #59AA27

RGB 89 170 39

HSL 97.1, 0.63%, 0.41%

LAB 62.52, -46.83, 55.6

 

CMYK 77 / 32 / 0 / 33

HEX #2774AA

RGB 39 116 170

HSL 204.73, 0.63%, 0.41%

LAB 46.74, -4.28, -35.45

 

CMYK 29 / 77 / 0 / 33

HEX #7827AA

RGB 120 39 170

HSL 277.1, 0.63%, 0.41%

LAB 34.69, 55.99, -54.4

 

CMYK 0 / 45 / 77 / 33

HEX #AB5E27

RGB 171 94 39

HSL 25, 0.63%, 0.41%

LAB 48.02, 27.11, 43.62

 

CMYK 71 / 0 / 77 / 33

HEX #32AA27

RGB 50 170 39

HSL 114.96, 0.63%, 0.41%

LAB 61.28, -56.72, 53.97

 

CMYK 77 / 32 / 0 / 33

HEX #2774AA

RGB 39 116 170

HSL 204.73, 0.63%, 0.41%

LAB 46.74, -4.28, -35.45

 

CMYK 6 / 77 / 0 / 33

HEX #9F27AA

RGB 159 39 170

HSL 294.96, 0.63%, 0.41%

LAB 40.77, 63.57, -44.29

 

Description

Color code: HEX #AB5E27 | qconv.com Color code: HEX #AB5E27 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 94 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 94 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 77 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 77% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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