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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB1F08 it is the complementary color #54E0F7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB1F08. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB1F08 shade: #B01F03, #C13116, #D24329, #E3553C and #F4674F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB1F08. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB1F08 shade: #AB1F08, #9A0D00, #890000, #780000 and #670000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB1F08 shade: #AA1F08 and #AA0808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB1F08 shade: #AA1F08, #AA4B08, #AA7708, #AAA208 and #87AA08

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB1F08 shade matches the following richer shades: #AA1F08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB1F08 shade: #AA1F08, #9C2916, #8E3425, #7F3E33 and #714842

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB1F08 shade: #AA0849, #AA081E, #AA1E08, #AA4908 and #AA7408

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB1F08 shade: #5C1104, #831806, #AA1F08, #D2260A and #F43111

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB1F08 shade: #AB1F08, #74AA08 and #0833AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB1F08 shade: #AB1F08, #08AA1E and #1E08AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB1F08 shade: #AB1F08, #74AA08, #0895AA and #3E08AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB1F08 shade: #AB1F08, #44AA08, #0895AA and #6F08AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 95 / 33

HEX #AB1F08

RGB 171 31 8

HSL 8.47, 0.91%, 0.35%

LAB 37.22, 54.13, 47.49

 

Complementary color

CMYK 66 / 9 / 0 / 3

HEX #54E0F7

RGB 84 224 247

HSL 188.47, 0.91%, 0.65%

LAB 82.87, -30.48, -22.29

 

CMYK 0 / 82 / 98 / 31

HEX #B01F03

RGB 176 31 3

HSL 9.71, 0.97%, 0.35%

LAB 38.23, 55.56, 50.42

 

CMYK 0 / 75 / 89 / 24

HEX #C13116

RGB 193 49 22

HSL 9.47, 0.8%, 0.42%

LAB 43.64, 55.56, 48.71

 

CMYK 0 / 68 / 80 / 18

HEX #D24329

RGB 210 67 41

HSL 9.23, 0.67%, 0.49%

LAB 49.35, 54.89, 46.07

 

CMYK 0 / 63 / 74 / 11

HEX #E3553C

RGB 227 85 60

HSL 8.98, 0.75%, 0.56%

LAB 55.23, 53.87, 43.23

 

CMYK 0 / 58 / 68 / 4

HEX #F4674F

RGB 244 103 79

HSL 8.73, 0.88%, 0.63%

LAB 61.22, 52.69, 40.57

 

CMYK 0 / 82 / 95 / 33

HEX #AB1F08

RGB 171 31 8

HSL 8.47, 0.91%, 0.35%

LAB 37.22, 54.13, 47.49

 

CMYK 0 / 92 / 100 / 40

HEX #9A0D00

RGB 154 13 0

HSL 5.06, 1%, 0.3%

LAB 32.16, 53.08, 45.85

 

CMYK 0 / 100 / 100 / 46

HEX #890000

RGB 137 0 0

HSL 0, 1%, 0.27%

LAB 27.62, 50.48, 40.72

 

CMYK 0 / 100 / 100 / 53

HEX #780000

RGB 120 0 0

HSL 0, 1%, 0.24%

LAB 23.65, 45.88, 35.59

 

CMYK 0 / 100 / 100 / 60

HEX #670000

RGB 103 0 0

HSL 0, 1%, 0.2%

LAB 19.57, 41.16, 30

 

CMYK 0 / 82 / 95 / 33

HEX #AA1F08

RGB 170 31 8

HSL 8.52, 0.91%, 0.35%

LAB 37.01, 53.83, 47.26

 

CMYK 0 / 95 / 95 / 33

HEX #AA0808

RGB 170 8 8

HSL 0, 0.91%, 0.35%

LAB 35.47, 58.22, 46.37

 

CMYK 0 / 82 / 95 / 33

HEX #AA1F08

RGB 170 31 8

HSL 8.52, 0.91%, 0.35%

LAB 37.01, 53.83, 47.26

 

CMYK 0 / 56 / 95 / 33

HEX #AA4B08

RGB 170 75 8

HSL 24.81, 0.91%, 0.35%

LAB 43.65, 35.96, 51.47

 

CMYK 0 / 30 / 95 / 33

HEX #AA7708

RGB 170 119 8

HSL 41.11, 0.91%, 0.35%

LAB 53.77, 11.83, 58.53

 

CMYK 0 / 5 / 95 / 33

HEX #AAA208

RGB 170 162 8

HSL 57.04, 0.91%, 0.35%

LAB 65.28, -11.66, 67.06

 

CMYK 21 / 0 / 95 / 33

HEX #87AA08

RGB 135 170 8

HSL 72.96, 0.91%, 0.35%

LAB 64.9, -30.88, 65.59

 

CMYK 0 / 82 / 95 / 33

HEX #AA1F08

RGB 170 31 8

HSL 8.52, 0.91%, 0.35%

LAB 37.01, 53.83, 47.26

 

CMYK 0 / 82 / 95 / 33

HEX #AA1F08

RGB 170 31 8

HSL 8.52, 0.91%, 0.35%

LAB 37.01, 53.83, 47.26

 

CMYK 0 / 74 / 86 / 39

HEX #9C2916

RGB 156 41 22

HSL 8.51, 0.75%, 0.35%

LAB 35.42, 46.42, 38.98

 

CMYK 0 / 63 / 74 / 44

HEX #8E3425

RGB 142 52 37

HSL 8.57, 0.59%, 0.35%

LAB 34.68, 37.28, 29.13

 

CMYK 0 / 51 / 60 / 50

HEX #7F3E33

RGB 127 62 51

HSL 8.68, 0.43%, 0.35%

LAB 34.39, 27.01, 19.68

 

CMYK 0 / 36 / 42 / 56

HEX #714842

RGB 113 72 66

HSL 7.66, 0.26%, 0.35%

LAB 35.08, 16.74, 10.84

 

CMYK 0 / 95 / 57 / 33

HEX #AA0849

RGB 170 8 73

HSL 335.93, 0.91%, 0.35%

LAB 36.37, 60.7, 9.65

 

CMYK 0 / 95 / 82 / 33

HEX #AA081E

RGB 170 8 30

HSL 351.85, 0.91%, 0.35%

LAB 35.62, 58.64, 35.9

 

CMYK 0 / 82 / 95 / 33

HEX #AA1E08

RGB 170 30 8

HSL 8.15, 0.91%, 0.35%

LAB 36.92, 54.1, 47.21

 

CMYK 0 / 57 / 95 / 33

HEX #AA4908

RGB 170 73 8

HSL 24.07, 0.91%, 0.35%

LAB 43.25, 36.97, 51.21

 

CMYK 0 / 32 / 95 / 33

HEX #AA7408

RGB 170 116 8

HSL 40, 0.91%, 0.35%

LAB 53.01, 13.52, 57.99

 

CMYK 0 / 82 / 96 / 64

HEX #5C1104

RGB 92 17 4

HSL 8.86, 0.92%, 0.19%

LAB 18.74, 32.96, 26.74

 

CMYK 0 / 82 / 95 / 49

HEX #831806

RGB 131 24 6

HSL 8.64, 0.91%, 0.27%

LAB 28.09, 43.76, 38.14

 

CMYK 0 / 82 / 95 / 33

HEX #AA1F08

RGB 170 31 8

HSL 8.52, 0.91%, 0.35%

LAB 37.01, 53.83, 47.26

 

CMYK 0 / 82 / 95 / 18

HEX #D2260A

RGB 210 38 10

HSL 8.4, 0.91%, 0.43%

LAB 45.78, 63.69, 55.92

 

CMYK 0 / 80 / 93 / 4

HEX #F43111

RGB 244 49 17

HSL 8.46, 0.91%, 0.51%

LAB 53.46, 70.58, 61.84

 

CMYK 0 / 82 / 95 / 33

HEX #AB1F08

RGB 171 31 8

HSL 8.47, 0.91%, 0.35%

LAB 37.22, 54.13, 47.49

 

CMYK 32 / 0 / 95 / 33

HEX #74AA08

RGB 116 170 8

HSL 80, 0.91%, 0.35%

LAB 63.74, -38.47, 64.18

 

CMYK 95 / 70 / 0 / 33

HEX #0833AA

RGB 8 51 170

HSL 224.07, 0.91%, 0.35%

LAB 27.63, 35.87, -66.33

 

CMYK 0 / 82 / 95 / 33

HEX #AB1F08

RGB 171 31 8

HSL 8.47, 0.91%, 0.35%

LAB 37.22, 54.13, 47.49

 

CMYK 95 / 0 / 82 / 33

HEX #08AA1E

RGB 8 170 30

HSL 128.15, 0.91%, 0.35%

LAB 60.69, -62.11, 55.99

 

CMYK 82 / 95 / 0 / 33

HEX #1E08AA

RGB 30 8 170

HSL 248.15, 0.91%, 0.35%

LAB 21.4, 56.79, -76.65

 

CMYK 0 / 82 / 95 / 33

HEX #AB1F08

RGB 171 31 8

HSL 8.47, 0.91%, 0.35%

LAB 37.22, 54.13, 47.49

 

CMYK 32 / 0 / 95 / 33

HEX #74AA08

RGB 116 170 8

HSL 80, 0.91%, 0.35%

LAB 63.74, -38.47, 64.18

 

CMYK 95 / 12 / 0 / 33

HEX #0895AA

RGB 8 149 170

HSL 187.78, 0.91%, 0.35%

LAB 56.53, -24.97, -20.29

 

CMYK 64 / 95 / 0 / 33

HEX #3E08AA

RGB 62 8 170

HSL 260, 0.91%, 0.35%

LAB 24, 58.23, -72.25

 

CMYK 0 / 82 / 95 / 33

HEX #AB1F08

RGB 171 31 8

HSL 8.47, 0.91%, 0.35%

LAB 37.22, 54.13, 47.49

 

CMYK 60 / 0 / 95 / 33

HEX #44AA08

RGB 68 170 8

HSL 97.78, 0.91%, 0.35%

LAB 61.65, -54.08, 61.63

 

CMYK 95 / 12 / 0 / 33

HEX #0895AA

RGB 8 149 170

HSL 187.78, 0.91%, 0.35%

LAB 56.53, -24.97, -20.29

 

CMYK 35 / 95 / 0 / 33

HEX #6F08AA

RGB 111 8 170

HSL 278.15, 0.91%, 0.35%

LAB 30.53, 62.84, -61.25

 

Description

Color code: HEX #AB1F08 | qconv.com Color code: HEX #AB1F08 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 31 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 31 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 95 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 95% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

42% - International Women&...
Link: http://www.theguardian.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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