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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAA57E it is the complementary color #555A81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAA57E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AAA57E: #AFA579, #C0B78C, #D1C99F, #E2DBB2 and #F3EDC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAA57E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AAA57E: #AAA57E, #99936B, #888158, #776F45 and #665D32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 26 / 33

HEX #AAA57E

RGB 170 165 126

HSL 53.18, 0.21%, 0.58%

LAB 67.25, -4.6, 20.91

 

Complementary color

CMYK 34 / 30 / 0 / 49

HEX #555A81

RGB 85 90 129

HSL 233.18, 0.21%, 0.42%

LAB 39.29, 8.01, -22.49

 

CMYK 0 / 6 / 31 / 31

HEX #AFA579

RGB 175 165 121

HSL 48.89, 0.25%, 0.58%

LAB 67.58, -3.29, 24.16

 

CMYK 0 / 5 / 27 / 25

HEX #C0B78C

RGB 192 183 140

HSL 49.62, 0.29%, 0.65%

LAB 74.17, -3.62, 23.06

 

CMYK 0 / 4 / 24 / 18

HEX #D1C99F

RGB 209 201 159

HSL 50.4, 0.35%, 0.72%

LAB 80.65, -3.9, 22.03

 

CMYK 0 / 3 / 21 / 11

HEX #E2DBB2

RGB 226 219 178

HSL 51.25, 0.45%, 0.79%

LAB 87.02, -4.14, 21.06

 

CMYK 0 / 2 / 19 / 5

HEX #F3EDC5

RGB 243 237 197

HSL 52.17, 0.66%, 0.86%

LAB 93.3, -4.36, 20.14

 

CMYK 0 / 3 / 26 / 33

HEX #AAA57E

RGB 170 165 126

HSL 53.18, 0.21%, 0.58%

LAB 67.25, -4.6, 20.91

 

CMYK 0 / 4 / 30 / 40

HEX #99936B

RGB 153 147 107

HSL 52.17, 0.18%, 0.51%

LAB 60.52, -4.31, 22.02

 

CMYK 0 / 5 / 35 / 47

HEX #888158

RGB 136 129 88

HSL 51.25, 0.21%, 0.44%

LAB 53.64, -3.96, 23.21

 

CMYK 0 / 7 / 42 / 53

HEX #776F45

RGB 119 111 69

HSL 50.4, 0.27%, 0.37%

LAB 46.61, -3.51, 24.5

 

CMYK 0 / 9 / 51 / 60

HEX #665D32

RGB 102 93 50

HSL 49.62, 0.34%, 0.3%

LAB 39.38, -2.92, 25.87

 

CMYK 0 / 3 / 26 / 33

HEX #AAA57E

RGB 170 165 126

HSL 53.18, 0.21%, 0.58%

LAB 67.25, -4.6, 20.91

 

CMYK 1 / 0 / 26 / 33

HEX #A8AA7D

RGB 168 170 125

HSL 62.67, 0.21%, 0.58%

LAB 68.43, -8.2, 23.03

 

CMYK 6 / 0 / 26 / 33

HEX #A0AA7D

RGB 160 170 125

HSL 73.33, 0.21%, 0.58%

LAB 67.8, -11.31, 22.08

 

CMYK 10 / 0 / 26 / 33

HEX #99AA7D

RGB 153 170 125

HSL 82.67, 0.21%, 0.58%

LAB 67.28, -14, 21.28

 

CMYK 15 / 0 / 26 / 33

HEX #91AA7D

RGB 145 170 125

HSL 93.33, 0.21%, 0.58%

LAB 66.71, -17.01, 20.41

 

CMYK 0 / 3 / 26 / 33

HEX #AAA57E

RGB 170 165 126

HSL 53.18, 0.21%, 0.58%

LAB 67.25, -4.6, 20.91

 

CMYK 0 / 3 / 26 / 13

HEX #DDD7A4

RGB 221 215 164

HSL 53.68, 0.46%, 0.75%

LAB 85.33, -5.9, 25.97

 

CMYK 0 / 0 / 24 / 93

HEX #11110D

RGB 17 17 13

HSL 60, 0.13%, 0.06%

LAB 4.96, -0.72, 1.97

 

CMYK 0 / 3 / 26 / 73

HEX #444232

RGB 68 66 50

HSL 53.33, 0.15%, 0.23%

LAB 27.72, -2.28, 10.07

 

CMYK 0 / 3 / 26 / 53

HEX #777458

RGB 119 116 88

HSL 54.19, 0.15%, 0.41%

LAB 48.41, -3.78, 15.93

 

CMYK 0 / 3 / 26 / 33

HEX #AAA57E

RGB 170 165 126

HSL 53.18, 0.21%, 0.58%

LAB 67.25, -4.6, 20.91

 

CMYK 26 / 0 / 24 / 33

HEX #7DAA81

RGB 125 170 129

HSL 125.33, 0.21%, 0.58%

LAB 65.51, -23.49, 16.37

 

CMYK 14 / 26 / 0 / 33

HEX #937DAA

RGB 147 125 170

HSL 269.33, 0.21%, 0.58%

LAB 55.86, 17.4, -20.78

 

CMYK 0 / 3 / 26 / 33

HEX #AAA57E

RGB 170 165 126

HSL 53.18, 0.21%, 0.58%

LAB 67.25, -4.6, 20.91

 

CMYK 26 / 0 / 3 / 33

HEX #7DAAA5

RGB 125 170 165

HSL 173.33, 0.21%, 0.58%

LAB 66.39, -16.11, -2.32

 

CMYK 3 / 26 / 0 / 33

HEX #A57DAA

RGB 165 125 170

HSL 293.33, 0.21%, 0.58%

LAB 57.63, 23.48, -17.93

 

CMYK 0 / 3 / 26 / 33

HEX #AAA57E

RGB 170 165 126

HSL 53.18, 0.21%, 0.58%

LAB 67.25, -4.6, 20.91

 

CMYK 26 / 0 / 24 / 33

HEX #7DAA81

RGB 125 170 129

HSL 125.33, 0.21%, 0.58%

LAB 65.51, -23.49, 16.37

 

CMYK 26 / 24 / 0 / 33

HEX #7D82AA

RGB 125 130 170

HSL 233.33, 0.21%, 0.58%

LAB 55.31, 7.34, -21.79

 

CMYK 0 / 26 / 2 / 33

HEX #AA7DA6

RGB 170 125 166

HSL 305.33, 0.21%, 0.58%

LAB 58.01, 24.42, -15

 

CMYK 0 / 3 / 26 / 33

HEX #AAA57E

RGB 170 165 126

HSL 53.18, 0.21%, 0.58%

LAB 67.25, -4.6, 20.91

 

CMYK 26 / 0 / 16 / 33

HEX #7DAA8E

RGB 125 170 142

HSL 142.67, 0.21%, 0.58%

LAB 65.8, -21.02, 9.6

 

CMYK 26 / 24 / 0 / 33

HEX #7D82AA

RGB 125 130 170

HSL 233.33, 0.21%, 0.58%

LAB 55.31, 7.34, -21.79

 

CMYK 0 / 26 / 10 / 33

HEX #AA7D99

RGB 170 125 153

HSL 322.67, 0.21%, 0.58%

LAB 57.57, 22.02, -8.17

 

Description

Color code: HEX #AAA57E | qconv.com Color code: HEX #AAA57E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 165 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 165 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 26 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 26% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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