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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A84711 it is the complementary color #57B8EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A84711. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A84711 shade: #AD470C, #BE591F, #CF6B32, #E07D45 and #F18F58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A84711. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A84711 shade: #A84711, #973500, #862300, #751100 and #640000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A84711 shade: #A74611, #A71E11 and #A71111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A84711 shade: #A74611, #A76F11, #A79811, #8EA711 and #65A711

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A84711 shade matches the following richer shades: #A74611 and #B64202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A84711 shade: #A74611, #984B1F, #894F2E, #7B533D and #6C574C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A84711 shade: #A7112C, #A71D11, #A74511, #A76D11 and #A79611

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A84711 shade: #5C2709, #82370D, #A74611, #CD5614 and #E96921

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A84711 shade: #A84711, #54A711 and #1118A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A84711 shade: #A84711, #11A745 and #4511A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A84711 shade: #A84711, #54A711, #1172A7 and #6311A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A84711 shade: #A84711, #27A711, #1172A7 and #9011A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 90 / 34

HEX #A84711

RGB 168 71 17

HSL 21.46, 0.82%, 0.36%

LAB 42.57, 37.33, 47.87

 

Complementary color

CMYK 63 / 23 / 0 / 7

HEX #57B8EE

RGB 87 184 238

HSL 201.46, 0.82%, 0.64%

LAB 71.2, -12.42, -35.36

 

CMYK 0 / 59 / 93 / 32

HEX #AD470C

RGB 173 71 12

HSL 21.99, 0.87%, 0.36%

LAB 43.39, 39.19, 50.45

 

CMYK 0 / 53 / 84 / 25

HEX #BE591F

RGB 190 89 31

HSL 21.89, 0.72%, 0.43%

LAB 49.73, 37.29, 49.81

 

CMYK 0 / 48 / 76 / 19

HEX #CF6B32

RGB 207 107 50

HSL 21.78, 0.62%, 0.5%

LAB 56.1, 35.48, 48.25

 

CMYK 0 / 44 / 69 / 12

HEX #E07D45

RGB 224 125 69

HSL 21.68, 0.71%, 0.57%

LAB 62.46, 33.82, 46.45

 

CMYK 0 / 41 / 63 / 5

HEX #F18F58

RGB 241 143 88

HSL 21.57, 0.85%, 0.65%

LAB 68.79, 32.32, 44.65

 

CMYK 0 / 58 / 90 / 34

HEX #A84711

RGB 168 71 17

HSL 21.46, 0.82%, 0.36%

LAB 42.57, 37.33, 47.87

 

CMYK 0 / 65 / 100 / 41

HEX #973500

RGB 151 53 0

HSL 21.06, 1%, 0.3%

LAB 36.22, 39.17, 47.86

 

CMYK 0 / 74 / 100 / 47

HEX #862300

RGB 134 35 0

HSL 15.67, 1%, 0.26%

LAB 30.08, 40.76, 42.42

 

CMYK 0 / 85 / 100 / 54

HEX #751100

RGB 117 17 0

HSL 8.72, 1%, 0.23%

LAB 24.27, 41.24, 35.97

 

CMYK 0 / 100 / 100 / 61

HEX #640000

RGB 100 0 0

HSL 0, 1%, 0.2%

LAB 18.84, 40.31, 28.96

 

CMYK 0 / 58 / 90 / 35

HEX #A74611

RGB 167 70 17

HSL 21.2, 0.82%, 0.36%

LAB 42.21, 37.43, 47.52

 

CMYK 0 / 82 / 90 / 35

HEX #A71E11

RGB 167 30 17

HSL 5.2, 0.82%, 0.36%

LAB 36.34, 53.34, 43.01

 

CMYK 0 / 90 / 90 / 35

HEX #A71111

RGB 167 17 17

HSL 0, 0.82%, 0.36%

LAB 35.32, 56.25, 42.24

 

CMYK 0 / 58 / 90 / 35

HEX #A74611

RGB 167 70 17

HSL 21.2, 0.82%, 0.36%

LAB 42.21, 37.43, 47.52

 

CMYK 0 / 34 / 90 / 35

HEX #A76F11

RGB 167 111 17

HSL 37.6, 0.82%, 0.36%

LAB 51.41, 15.13, 54.68

 

CMYK 0 / 9 / 90 / 35

HEX #A79811

RGB 167 152 17

HSL 54, 0.82%, 0.36%

LAB 62.26, -7.59, 63.22

 

CMYK 15 / 0 / 90 / 35

HEX #8EA711

RGB 142 167 17

HSL 70, 0.82%, 0.36%

LAB 64.51, -26.33, 64.16

 

CMYK 40 / 0 / 90 / 35

HEX #65A711

RGB 101 167 17

HSL 86.4, 0.82%, 0.36%

LAB 62.04, -42.55, 61.11

 

CMYK 0 / 58 / 90 / 35

HEX #A74611

RGB 167 70 17

HSL 21.2, 0.82%, 0.36%

LAB 42.21, 37.43, 47.52

 

CMYK 0 / 64 / 99 / 29

HEX #B64202

RGB 182 66 2

HSL 21.33, 0.98%, 0.36%

LAB 44.01, 44.8, 54.38

 

CMYK 0 / 58 / 90 / 35

HEX #A74611

RGB 167 70 17

HSL 21.2, 0.82%, 0.36%

LAB 42.21, 37.43, 47.52

 

CMYK 0 / 51 / 80 / 40

HEX #984B1F

RGB 152 75 31

HSL 21.82, 0.66%, 0.36%

LAB 40.91, 29.12, 39.46

 

CMYK 0 / 42 / 66 / 46

HEX #894F2E

RGB 137 79 46

HSL 21.76, 0.5%, 0.36%

LAB 39.76, 21.21, 29.59

 

CMYK 0 / 33 / 50 / 52

HEX #7B533D

RGB 123 83 61

HSL 21.29, 0.34%, 0.36%

LAB 39.13, 13.93, 19.59

 

CMYK 0 / 19 / 30 / 58

HEX #6C574C

RGB 108 87 76

HSL 20.63, 0.17%, 0.36%

LAB 38.77, 6.82, 9.65

 

CMYK 0 / 90 / 74 / 35

HEX #A7112C

RGB 167 17 44

HSL 349.2, 0.82%, 0.36%

LAB 35.59, 57.05, 27.19

 

CMYK 0 / 83 / 90 / 35

HEX #A71D11

RGB 167 29 17

HSL 4.8, 0.82%, 0.36%

LAB 36.24, 53.61, 42.94

 

CMYK 0 / 59 / 90 / 35

HEX #A74511

RGB 167 69 17

HSL 20.8, 0.82%, 0.36%

LAB 42.02, 37.93, 47.37

 

CMYK 0 / 35 / 90 / 35

HEX #A76D11

RGB 167 109 17

HSL 36.8, 0.82%, 0.36%

LAB 50.91, 16.26, 54.29

HEX #A76D11

CMYK 0 / 10 / 90 / 35

HEX #A79611

RGB 167 150 17

HSL 53.2, 0.82%, 0.36%

LAB 61.71, -6.52, 62.78

HEX #A79611

CMYK 0 / 58 / 90 / 64

HEX #5C2709

RGB 92 39 9

HSL 21.69, 0.82%, 0.2%

LAB 22.81, 22.37, 29.21

 

CMYK 0 / 58 / 90 / 49

HEX #82370D

RGB 130 55 13

HSL 21.54, 0.82%, 0.28%

LAB 32.93, 30.08, 39.03

 

CMYK 0 / 58 / 90 / 35

HEX #A74611

RGB 167 70 17

HSL 21.2, 0.82%, 0.36%

LAB 42.21, 37.43, 47.52

 

CMYK 0 / 58 / 90 / 20

HEX #CD5614

RGB 205 86 20

HSL 21.41, 0.82%, 0.44%

LAB 51.48, 44.31, 56.26

 

CMYK 0 / 55 / 86 / 9

HEX #E96921

RGB 233 105 33

HSL 21.6, 0.82%, 0.52%

LAB 59.47, 46.03, 59.95

 

CMYK 0 / 58 / 90 / 34

HEX #A84711

RGB 168 71 17

HSL 21.46, 0.82%, 0.36%

LAB 42.57, 37.33, 47.87

 

CMYK 50 / 0 / 90 / 35

HEX #54A711

RGB 84 167 17

HSL 93.2, 0.82%, 0.36%

LAB 61.28, -48.22, 60.16

 

CMYK 90 / 86 / 0 / 35

HEX #1118A7

RGB 17 24 167

HSL 237.2, 0.82%, 0.36%

LAB 22.17, 50.25, -73.57

 

CMYK 0 / 58 / 90 / 34

HEX #A84711

RGB 168 71 17

HSL 21.46, 0.82%, 0.36%

LAB 42.57, 37.33, 47.87

 

CMYK 90 / 0 / 59 / 35

HEX #11A745

RGB 17 167 69

HSL 140.8, 0.82%, 0.36%

LAB 60.06, -56.89, 40.08

 

CMYK 59 / 90 / 0 / 35

HEX #4511A7

RGB 69 17 167

HSL 260.8, 0.82%, 0.36%

LAB 25.13, 55.83, -68.55

 

CMYK 0 / 58 / 90 / 34

HEX #A84711

RGB 168 71 17

HSL 21.46, 0.82%, 0.36%

LAB 42.57, 37.33, 47.87

 

CMYK 50 / 0 / 90 / 35

HEX #54A711

RGB 84 167 17

HSL 93.2, 0.82%, 0.36%

LAB 61.28, -48.22, 60.16

 

CMYK 90 / 32 / 0 / 35

HEX #1172A7

RGB 17 114 167

HSL 201.2, 0.82%, 0.36%

LAB 45.56, -6.25, -35.59

 

CMYK 41 / 90 / 0 / 35

HEX #6311A7

RGB 99 17 167

HSL 272.8, 0.82%, 0.36%

LAB 29.01, 59.02, -62

 

CMYK 0 / 58 / 90 / 34

HEX #A84711

RGB 168 71 17

HSL 21.46, 0.82%, 0.36%

LAB 42.57, 37.33, 47.87

 

CMYK 77 / 0 / 90 / 35

HEX #27A711

RGB 39 167 17

HSL 111.2, 0.82%, 0.36%

LAB 59.99, -58.8, 58.55

 

CMYK 90 / 32 / 0 / 35

HEX #1172A7

RGB 17 114 167

HSL 201.2, 0.82%, 0.36%

LAB 45.56, -6.25, -35.59

 

CMYK 14 / 90 / 0 / 35

HEX #9011A7

RGB 144 17 167

HSL 290.8, 0.82%, 0.36%

LAB 36.21, 65.62, -49.96

 

Description

Color code: HEX #A84711 | qconv.com Color code: HEX #A84711 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 71 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 71 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 90 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 90% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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