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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A81F23 it is the complementary color #57E0DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A81F23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A81F23: #AD1F1E, #BE3131, #CF4344, #E05557 and #F1676A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A81F23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A81F23: #A81F23, #970D10, #860000, #750000 and #640000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 79 / 34

HEX #A81F23

RGB 168 31 35

HSL 358.25, 0.69%, 0.39%

LAB 36.79, 53.84, 34.05

 

Complementary color

CMYK 61 / 0 / 2 / 12

HEX #57E0DC

RGB 87 224 220

HSL 178.25, 0.69%, 0.61%

LAB 82.11, -37.56, -9.1

 

CMYK 0 / 82 / 83 / 32

HEX #AD1F1E

RGB 173 31 30

HSL 0.42, 0.7%, 0.4%

LAB 37.77, 55.15, 38.2

 

CMYK 0 / 74 / 74 / 25

HEX #BE3131

RGB 190 49 49

HSL 0, 0.59%, 0.47%

LAB 43.31, 55.43, 34.26

 

CMYK 0 / 68 / 67 / 19

HEX #CF4344

RGB 207 67 68

HSL 359.57, 0.59%, 0.54%

LAB 49.13, 55.05, 30.79

 

CMYK 0 / 62 / 61 / 12

HEX #E05557

RGB 224 85 87

HSL 359.14, 0.69%, 0.61%

LAB 55.11, 54.3, 27.84

 

CMYK 0 / 57 / 56 / 5

HEX #F1676A

RGB 241 103 106

HSL 358.7, 0.83%, 0.67%

LAB 61.17, 53.36, 25.33

 

CMYK 0 / 82 / 79 / 34

HEX #A81F23

RGB 168 31 35

HSL 358.25, 0.69%, 0.39%

LAB 36.79, 53.84, 34.05

 

CMYK 0 / 91 / 89 / 41

HEX #970D10

RGB 151 13 16

HSL 358.7, 0.84%, 0.32%

LAB 31.59, 52.49, 38.32

 

CMYK 0 / 100 / 100 / 47

HEX #860000

RGB 134 0 0

HSL 0, 1%, 0.26%

LAB 26.93, 49.67, 39.85

 

CMYK 0 / 100 / 100 / 54

HEX #750000

RGB 117 0 0

HSL 0, 1%, 0.23%

LAB 22.94, 45.05, 34.64

 

CMYK 0 / 100 / 100 / 61

HEX #640000

RGB 100 0 0

HSL 0, 1%, 0.2%

LAB 18.84, 40.31, 28.96

 

CMYK 0 / 82 / 79 / 34

HEX #A81F23

RGB 168 31 35

HSL 358.25, 0.69%, 0.39%

LAB 36.79, 53.84, 34.05

 

CMYK 0 / 71 / 82 / 34

HEX #A8311E

RGB 168 49 30

HSL 8.26, 0.7%, 0.39%

LAB 38.92, 47.6, 38.97

 

CMYK 0 / 57 / 82 / 34

HEX #A8481E

RGB 168 72 30

HSL 18.26, 0.7%, 0.39%

LAB 42.84, 37.17, 42.69

 

CMYK 0 / 44 / 82 / 34

HEX #A85E1E

RGB 168 94 30

HSL 27.83, 0.7%, 0.39%

LAB 47.53, 25.48, 47.02

 

CMYK 0 / 30 / 82 / 34

HEX #A8751E

RGB 168 117 30

HSL 37.83, 0.7%, 0.39%

LAB 53.1, 12.56, 52.05

 

CMYK 0 / 82 / 79 / 34

HEX #A81F23

RGB 168 31 35

HSL 358.25, 0.69%, 0.39%

LAB 36.79, 53.84, 34.05

 

CMYK 0 / 82 / 79 / 14

HEX #DB282E

RGB 219 40 46

HSL 357.99, 0.71%, 0.51%

LAB 47.98, 66.43, 42.64

 

CMYK 0 / 80 / 80 / 94

HEX #0F0303

RGB 15 3 3

HSL 0, 0.67%, 0.04%

LAB 1.57, 3.33, 1.17

 

CMYK 0 / 82 / 79 / 74

HEX #420C0E

RGB 66 12 14

HSL 357.78, 0.69%, 0.15%

LAB 12.31, 25.84, 13.12

 

CMYK 0 / 81 / 79 / 54

HEX #751618

RGB 117 22 24

HSL 358.74, 0.68%, 0.27%

LAB 25.02, 40.36, 24.93

 

CMYK 0 / 82 / 79 / 34

HEX #A81F23

RGB 168 31 35

HSL 358.25, 0.69%, 0.39%

LAB 36.79, 53.84, 34.05

 

CMYK 14 / 0 / 82 / 34

HEX #91A81E

RGB 145 168 30

HSL 70, 0.7%, 0.39%

LAB 65.06, -25.17, 61.8

 

CMYK 82 / 46 / 0 / 34

HEX #1E5AA8

RGB 30 90 168

HSL 213.91, 0.7%, 0.39%

LAB 38.58, 10.31, -47.28

 

CMYK 0 / 82 / 79 / 34

HEX #A81F23

RGB 168 31 35

HSL 358.25, 0.69%, 0.39%

LAB 36.79, 53.84, 34.05

 

CMYK 79 / 0 / 82 / 34

HEX #23A81E

RGB 35 168 30

HSL 117.83, 0.7%, 0.39%

LAB 60.3, -59.09, 55.72

 

CMYK 82 / 79 / 0 / 34

HEX #1E23A8

RGB 30 35 168

HSL 237.83, 0.7%, 0.39%

LAB 24.66, 45.73, -70.03

 

CMYK 0 / 82 / 79 / 34

HEX #A81F23

RGB 168 31 35

HSL 358.25, 0.69%, 0.39%

LAB 36.79, 53.84, 34.05

 

CMYK 14 / 0 / 82 / 34

HEX #91A81E

RGB 145 168 30

HSL 70, 0.7%, 0.39%

LAB 65.06, -25.17, 61.8

 

CMYK 82 / 0 / 3 / 34

HEX #1EA8A3

RGB 30 168 163

HSL 177.83, 0.7%, 0.39%

LAB 62.44, -35.14, -7.4

 

CMYK 68 / 82 / 0 / 34

HEX #351EA8

RGB 53 30 168

HSL 250, 0.7%, 0.39%

LAB 25.3, 49.89, -68.92

 

CMYK 0 / 82 / 79 / 34

HEX #A81F23

RGB 168 31 35

HSL 358.25, 0.69%, 0.39%

LAB 36.79, 53.84, 34.05

 

CMYK 38 / 0 / 82 / 34

HEX #68A81E

RGB 104 168 30

HSL 87.83, 0.7%, 0.39%

LAB 62.54, -41.42, 58.6

 

CMYK 82 / 0 / 3 / 34

HEX #1EA8A3

RGB 30 168 163

HSL 177.83, 0.7%, 0.39%

LAB 62.44, -35.14, -7.4

 

CMYK 44 / 82 / 0 / 34

HEX #5E1EA8

RGB 94 30 168

HSL 267.83, 0.7%, 0.39%

LAB 29.75, 54.66, -61.42

 

Description

Color code: HEX #A81F23 | qconv.com Color code: HEX #A81F23 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 31 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 31 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 79 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 79% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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