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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5E085 it is the complementary color #5A1F7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5E085. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5E085 shade: #AAE080, #BBF293, #CCFFA6, #DDFFB9 and #EEFFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5E085. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5E085 shade: #A5E085, #94CE72, #83BC5F, #72AA4C and #619839

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5E085 shade: #A5E085, #BDE085, #D6E085, #E0D185 and #E0B985

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5E085 shade: #A5E085, #8DE085, #85E096, #85E0AF and #85E0C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5E085 shade matches the following richer shades: #A5E085, #A1EC79 and #9EF86D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5E085 shade: #A5E085, #A9D392, #ACC79E, #B0BBAA and #B4AEB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5E085 shade: #D7E085, #BFE085, #A6E085, #8EE085 and #85E094

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5E085 shade: #75CF44, #8DD765, #A5E085, #BDE8A6 and #D6F1C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5E085 shade: #A5E085, #85E0D1 and #E085CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5E085 shade: #A5E085, #85A6E0 and #E085A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5E085 shade: #A5E085, #85E0D1, #BF85E0 and #E08594

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5E085 shade: #A5E085, #85D4E0, #BF85E0 and #E09185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 41 / 12

HEX #A5E085

RGB 165 224 133

HSL 98.9, 0.59%, 0.7%

LAB 83.44, -34.92, 38.62

 

Complementary color

CMYK 26 / 75 / 0 / 52

HEX #5A1F7A

RGB 90 31 122

HSL 278.9, 0.59%, 0.3%

LAB 25.44, 42.49, -40.04

 

CMYK 24 / 0 / 43 / 12

HEX #AAE080

RGB 170 224 128

HSL 93.75, 0.61%, 0.69%

LAB 83.66, -33.82, 41.43

 

CMYK 23 / 0 / 39 / 5

HEX #BBF293

RGB 187 242 147

HSL 94.74, 0.79%, 0.76%

LAB 89.94, -33.74, 40.29

 

CMYK 20 / 0 / 35 / 0

HEX #CCFFA6

RGB 204 255 166

HSL 94.38, 1%, 0.83%

LAB 94.79, -31.33, 37.4

 

CMYK 13 / 0 / 27 / 0

HEX #DDFFB9

RGB 221 255 185

HSL 89.14, 1%, 0.86%

LAB 96.16, -22.78, 29.93

 

CMYK 7 / 0 / 20 / 0

HEX #EEFFCC

RGB 238 255 204

HSL 80, 1%, 0.9%

LAB 97.65, -14.06, 22.55

 

CMYK 26 / 0 / 41 / 12

HEX #A5E085

RGB 165 224 133

HSL 98.9, 0.59%, 0.7%

LAB 83.44, -34.92, 38.62

 

CMYK 28 / 0 / 45 / 19

HEX #94CE72

RGB 148 206 114

HSL 97.83, 0.48%, 0.63%

LAB 77.07, -35.04, 39.79

 

CMYK 30 / 0 / 49 / 26

HEX #83BC5F

RGB 131 188 95

HSL 96.77, 0.41%, 0.55%

LAB 70.61, -35.12, 40.98

 

CMYK 33 / 0 / 55 / 33

HEX #72AA4C

RGB 114 170 76

HSL 95.74, 0.38%, 0.48%

LAB 64.04, -35.15, 42.15

 

CMYK 36 / 0 / 63 / 40

HEX #619839

RGB 97 152 57

HSL 94.74, 0.45%, 0.41%

LAB 57.36, -35.07, 43.2

 

CMYK 26 / 0 / 41 / 12

HEX #A5E085

RGB 165 224 133

HSL 98.9, 0.59%, 0.7%

LAB 83.44, -34.92, 38.62

 

CMYK 16 / 0 / 41 / 12

HEX #BDE085

RGB 189 224 133

HSL 83.08, 0.59%, 0.7%

LAB 84.91, -26.33, 40.78

 

CMYK 4 / 0 / 41 / 12

HEX #D6E085

RGB 214 224 133

HSL 66.59, 0.59%, 0.7%

LAB 86.65, -16.86, 43.36

 

CMYK 0 / 7 / 41 / 12

HEX #E0D185

RGB 224 209 133

HSL 50.11, 0.59%, 0.7%

LAB 83.52, -5.4, 39.54

 

CMYK 0 / 17 / 41 / 12

HEX #E0B985

RGB 224 185 133

HSL 34.29, 0.59%, 0.7%

LAB 77.42, 7.1, 31.64

 

CMYK 26 / 0 / 41 / 12

HEX #A5E085

RGB 165 224 133

HSL 98.9, 0.59%, 0.7%

LAB 83.44, -34.92, 38.62

 

CMYK 37 / 0 / 41 / 12

HEX #8DE085

RGB 141 224 133

HSL 114.73, 0.59%, 0.7%

LAB 82.2, -42.82, 36.76

 

CMYK 41 / 0 / 33 / 12

HEX #85E096

RGB 133 224 150

HSL 131.21, 0.59%, 0.7%

LAB 82.11, -42.55, 27.94

 

CMYK 41 / 0 / 22 / 12

HEX #85E0AF

RGB 133 224 175

HSL 147.69, 0.59%, 0.7%

LAB 82.59, -37.97, 15.59

 

CMYK 41 / 0 / 11 / 12

HEX #85E0C7

RGB 133 224 199

HSL 163.52, 0.59%, 0.7%

LAB 83.14, -32.95, 3.72

 

CMYK 26 / 0 / 41 / 12

HEX #A5E085

RGB 165 224 133

HSL 98.9, 0.59%, 0.7%

LAB 83.44, -34.92, 38.62

 

CMYK 32 / 0 / 49 / 7

HEX #A1EC79

RGB 161 236 121

HSL 99.13, 0.75%, 0.7%

LAB 86.48, -43.15, 48.21

 

CMYK 36 / 0 / 56 / 3

HEX #9EF86D

RGB 158 248 109

HSL 98.85, 0.91%, 0.7%

LAB 89.63, -50.53, 57.43

 

CMYK 26 / 0 / 41 / 12

HEX #A5E085

RGB 165 224 133

HSL 98.9, 0.59%, 0.7%

LAB 83.44, -34.92, 38.62

 

CMYK 20 / 0 / 31 / 17

HEX #A9D392

RGB 169 211 146

HSL 98.77, 0.42%, 0.7%

LAB 80.24, -25.56, 27.82

 

CMYK 14 / 0 / 21 / 22

HEX #ACC79E

RGB 172 199 158

HSL 99.51, 0.27%, 0.7%

LAB 77.33, -16.66, 17.56

 

CMYK 6 / 0 / 9 / 27

HEX #B0BBAA

RGB 176 187 170

HSL 98.82, 0.11%, 0.7%

LAB 74.62, -6.97, 7.3

 

CMYK 2 / 5 / 0 / 28

HEX #B4AEB7

RGB 180 174 183

HSL 280, 0.06%, 0.7%

LAB 71.82, 3.82, -3.84

 

CMYK 4 / 0 / 41 / 12

HEX #D7E085

RGB 215 224 133

HSL 65.93, 0.59%, 0.7%

LAB 86.73, -16.48, 43.47

 

CMYK 15 / 0 / 41 / 12

HEX #BFE085

RGB 191 224 133

HSL 81.76, 0.59%, 0.7%

LAB 85.04, -25.59, 40.98

 

CMYK 26 / 0 / 41 / 12

HEX #A6E085

RGB 166 224 133

HSL 98.24, 0.59%, 0.7%

LAB 83.5, -34.58, 38.7

 

CMYK 37 / 0 / 41 / 12

HEX #8EE085

RGB 142 224 133

HSL 114.07, 0.59%, 0.7%

LAB 82.25, -42.51, 36.83

 

CMYK 41 / 0 / 34 / 12

HEX #85E094

RGB 133 224 148

HSL 129.89, 0.59%, 0.7%

LAB 82.07, -42.89, 28.92

 

CMYK 43 / 0 / 67 / 19

HEX #75CF44

RGB 117 207 68

HSL 98.85, 0.59%, 0.54%

LAB 75.34, -50.69, 58.31

 

CMYK 34 / 0 / 53 / 16

HEX #8DD765

RGB 141 215 101

HSL 98.95, 0.59%, 0.62%

LAB 79.16, -43.01, 48.54

 

CMYK 26 / 0 / 41 / 12

HEX #A5E085

RGB 165 224 133

HSL 98.9, 0.59%, 0.7%

LAB 83.44, -34.92, 38.62

 

CMYK 19 / 0 / 28 / 9

HEX #BDE8A6

RGB 189 232 166

HSL 99.09, 0.59%, 0.78%

LAB 87.62, -25.68, 27.68

 

CMYK 11 / 0 / 17 / 5

HEX #D6F1C7

RGB 214 241 199

HSL 98.57, 0.6%, 0.86%

LAB 92.28, -16.27, 17.37

 

CMYK 26 / 0 / 41 / 12

HEX #A5E085

RGB 165 224 133

HSL 98.9, 0.59%, 0.7%

LAB 83.44, -34.92, 38.62

 

CMYK 41 / 0 / 7 / 12

HEX #85E0D1

RGB 133 224 209

HSL 170.11, 0.59%, 0.7%

LAB 83.39, -30.69, -1.2

 

CMYK 0 / 41 / 9 / 12

HEX #E085CB

RGB 224 133 203

HSL 313.85, 0.59%, 0.7%

LAB 67.23, 44.64, -21.38

 

CMYK 26 / 0 / 41 / 12

HEX #A5E085

RGB 165 224 133

HSL 98.9, 0.59%, 0.7%

LAB 83.44, -34.92, 38.62

 

CMYK 41 / 26 / 0 / 12

HEX #85A6E0

RGB 133 166 224

HSL 218.24, 0.59%, 0.7%

LAB 67.76, 3.29, -32.89

 

CMYK 0 / 41 / 26 / 12

HEX #E085A6

RGB 224 133 166

HSL 338.24, 0.59%, 0.7%

LAB 66.04, 38.97, -2.36

 

CMYK 26 / 0 / 41 / 12

HEX #A5E085

RGB 165 224 133

HSL 98.9, 0.59%, 0.7%

LAB 83.44, -34.92, 38.62

 

CMYK 41 / 0 / 7 / 12

HEX #85E0D1

RGB 133 224 209

HSL 170.11, 0.59%, 0.7%

LAB 83.39, -30.69, -1.2

 

CMYK 15 / 41 / 0 / 12

HEX #BF85E0

RGB 191 133 224

HSL 278.24, 0.59%, 0.7%

LAB 64.35, 38.48, -37.82

 

CMYK 0 / 41 / 34 / 12

HEX #E08594

RGB 224 133 148

HSL 350.11, 0.59%, 0.7%

LAB 65.56, 36.61, 7.12

 

CMYK 26 / 0 / 41 / 12

HEX #A5E085

RGB 165 224 133

HSL 98.9, 0.59%, 0.7%

LAB 83.44, -34.92, 38.62

 

CMYK 41 / 5 / 0 / 12

HEX #85D4E0

RGB 133 212 224

HSL 187.91, 0.59%, 0.7%

LAB 80.44, -21.21, -13.56

 

CMYK 15 / 41 / 0 / 12

HEX #BF85E0

RGB 191 133 224

HSL 278.24, 0.59%, 0.7%

LAB 64.35, 38.48, -37.82

 

CMYK 0 / 35 / 41 / 12

HEX #E09185

RGB 224 145 133

HSL 7.91, 0.59%, 0.7%

LAB 67.87, 28.49, 18.78

 

Description

Color code: HEX #A5E085 | qconv.com Color code: HEX #A5E085 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 224 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 224 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 41 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 41% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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