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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A59A8A it is the complementary color #5A6575. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A59A8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A59A8A: #AA9A85, #BBAC98, #CCBEAB, #DDD0BE and #EEE2D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A59A8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A59A8A: #A59A8A, #948877, #837664, #726451 and #61523E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 16 / 35

HEX #A59A8A

RGB 165 154 138

HSL 35.56, 0.13%, 0.59%

LAB 64.12, 1.27, 9.85

 

Complementary color

CMYK 23 / 14 / 0 / 54

HEX #5A6575

RGB 90 101 117

HSL 215.56, 0.13%, 0.41%

LAB 42.41, -0.36, -10.38

 

CMYK 0 / 9 / 22 / 33

HEX #AA9A85

RGB 170 154 133

HSL 34.05, 0.18%, 0.59%

LAB 64.44, 2.42, 13.17

 

CMYK 0 / 8 / 19 / 27

HEX #BBAC98

RGB 187 172 152

HSL 34.29, 0.2%, 0.66%

LAB 71.1, 2.08, 12.24

 

CMYK 0 / 7 / 16 / 20

HEX #CCBEAB

RGB 204 190 171

HSL 34.55, 0.24%, 0.74%

LAB 77.64, 1.79, 11.37

 

CMYK 0 / 6 / 14 / 13

HEX #DDD0BE

RGB 221 208 190

HSL 34.84, 0.31%, 0.81%

LAB 84.07, 1.52, 10.54

 

CMYK 0 / 5 / 12 / 7

HEX #EEE2D1

RGB 238 226 209

HSL 35.17, 0.46%, 0.88%

LAB 90.4, 1.28, 9.76

 

CMYK 0 / 7 / 16 / 35

HEX #A59A8A

RGB 165 154 138

HSL 35.56, 0.13%, 0.59%

LAB 64.12, 1.27, 9.85

 

CMYK 0 / 8 / 20 / 42

HEX #948877

RGB 148 136 119

HSL 35.17, 0.12%, 0.52%

LAB 57.3, 1.58, 10.76

 

CMYK 0 / 10 / 24 / 49

HEX #837664

RGB 131 118 100

HSL 34.84, 0.13%, 0.45%

LAB 50.34, 1.93, 11.75

 

CMYK 0 / 12 / 29 / 55

HEX #726451

RGB 114 100 81

HSL 34.55, 0.17%, 0.38%

LAB 43.19, 2.36, 12.84

 

CMYK 0 / 15 / 36 / 62

HEX #61523E

RGB 97 82 62

HSL 34.29, 0.22%, 0.31%

LAB 35.84, 2.9, 14.06

 

CMYK 0 / 7 / 16 / 35

HEX #A59A8A

RGB 165 154 138

HSL 35.56, 0.13%, 0.59%

LAB 64.12, 1.27, 9.85

 

CMYK 0 / 4 / 17 / 36

HEX #A49D88

RGB 164 157 136

HSL 45, 0.13%, 0.59%

LAB 64.79, -1.09, 11.9

 

CMYK 0 / 2 / 17 / 36

HEX #A4A188

RGB 164 161 136

HSL 53.57, 0.13%, 0.59%

LAB 65.87, -3.27, 13.43

 

CMYK 2 / 0 / 17 / 36

HEX #A1A488

RGB 161 164 136

HSL 66.43, 0.13%, 0.59%

LAB 66.45, -6.04, 14.19

 

CMYK 4 / 0 / 17 / 36

HEX #9DA488

RGB 157 164 136

HSL 75, 0.13%, 0.59%

LAB 66.13, -7.56, 13.71

 

CMYK 0 / 7 / 16 / 35

HEX #A59A8A

RGB 165 154 138

HSL 35.56, 0.13%, 0.59%

LAB 64.12, 1.27, 9.85

 

CMYK 0 / 6 / 16 / 15

HEX #D8CAB5

RGB 216 202 181

HSL 36, 0.31%, 0.78%

LAB 81.93, 1.43, 12.23

 

CMYK 0 / 8 / 17 / 95

HEX #0C0B0A

RGB 12 11 10

HSL 30, 0.09%, 0.04%

LAB 3.07, 0.14, 0.49

 

CMYK 0 / 6 / 16 / 75

HEX #3F3B35

RGB 63 59 53

HSL 36, 0.09%, 0.23%

LAB 25.08, 0.48, 4.34

 

CMYK 0 / 7 / 17 / 55

HEX #726A5F

RGB 114 106 95

HSL 34.74, 0.09%, 0.41%

LAB 45.24, 1.1, 7.3

 

CMYK 0 / 7 / 16 / 35

HEX #A59A8A

RGB 165 154 138

HSL 35.56, 0.13%, 0.59%

LAB 64.12, 1.27, 9.85

 

CMYK 13 / 0 / 17 / 36

HEX #8EA488

RGB 142 164 136

HSL 107.14, 0.13%, 0.59%

LAB 65.03, -13.13, 11.99

 

CMYK 14 / 17 / 0 / 36

HEX #8D88A4

RGB 141 136 164

HSL 250.71, 0.13%, 0.59%

LAB 57.99, 7.67, -14.14

 

CMYK 0 / 7 / 16 / 35

HEX #A59A8A

RGB 165 154 138

HSL 35.56, 0.13%, 0.59%

LAB 64.12, 1.27, 9.85

 

CMYK 17 / 0 / 7 / 36

HEX #88A498

RGB 136 164 152

HSL 154.29, 0.13%, 0.59%

LAB 65, -12.18, 2.99

 

CMYK 7 / 17 / 0 / 36

HEX #9888A4

RGB 152 136 164

HSL 274.29, 0.13%, 0.59%

LAB 58.94, 11.46, -12.62

 

CMYK 0 / 7 / 16 / 35

HEX #A59A8A

RGB 165 154 138

HSL 35.56, 0.13%, 0.59%

LAB 64.12, 1.27, 9.85

 

CMYK 13 / 0 / 17 / 36

HEX #8EA488

RGB 142 164 136

HSL 107.14, 0.13%, 0.59%

LAB 65.03, -13.13, 11.99

 

CMYK 17 / 10 / 0 / 36

HEX #8894A4

RGB 136 148 164

HSL 214.29, 0.13%, 0.59%

LAB 60.86, -0.84, -9.86

 

CMYK 4 / 17 / 0 / 36

HEX #9E88A4

RGB 158 136 164

HSL 287.14, 0.13%, 0.59%

LAB 59.49, 13.56, -11.74

 

CMYK 0 / 7 / 16 / 35

HEX #A59A8A

RGB 165 154 138

HSL 35.56, 0.13%, 0.59%

LAB 64.12, 1.27, 9.85

 

CMYK 17 / 0 / 15 / 36

HEX #88A48B

RGB 136 164 139

HSL 126.43, 0.13%, 0.59%

LAB 64.68, -14.73, 9.78

 

CMYK 17 / 10 / 0 / 36

HEX #8894A4

RGB 136 148 164

HSL 214.29, 0.13%, 0.59%

LAB 60.86, -0.84, -9.86

 

CMYK 0 / 17 / 2 / 36

HEX #A488A1

RGB 164 136 161

HSL 306.43, 0.13%, 0.59%

LAB 59.96, 15.09, -9.27

 

Description

Color code: HEX #A59A8A | qconv.com Color code: HEX #A59A8A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 154 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 154 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 16 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 16% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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