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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A45B5D it is the complementary color #5BA4A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A45B5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A45B5D shade: #A95B58, #BA6D6B, #CB7F7E, #DC9191 and #EDA3A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A45B5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A45B5D shade: #A45B5D, #93494A, #823737, #712524 and #601311

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A45B5D shade: #A45B5D and #A45B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A45B5D shade: #A45B5D, #A45B70, #A45B84, #A45B98 and #9D5BA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A45B5D shade matches the following richer shades: #A45B5D, #B94649, #CE3136, #E21D22 and #F7080F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A45B5D shade: #A45B5D, #906F70, #7B8484, #679897 and #52ADAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A45B5D shade: #A45B84, #A45B71, #A45B5D, #A46C5B and #A4805B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A45B5D shade: #6F3D3F, #8A4C4E, #A45B5D, #B37577 and #C29091

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A45B5D shade: #A45B5D, #98A45B and #5B7BA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A45B5D shade: #A45B5D, #5DA45B and #5B5DA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A45B5D shade: #A45B5D, #98A45B, #5BA4A2 and #675BA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A45B5D shade: #A45B5D, #82A45B, #5BA4A2 and #7D5BA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 43 / 36

HEX #A45B5D

RGB 164 91 93

HSL 358.36, 0.29%, 0.5%

LAB 47.19, 30.03, 12.09

 

Complementary color

CMYK 45 / 0 / 1 / 36

HEX #5BA4A2

RGB 91 164 162

HSL 178.36, 0.29%, 0.5%

LAB 62.83, -23.27, -6.08

 

CMYK 0 / 46 / 48 / 34

HEX #A95B58

RGB 169 91 88

HSL 2.22, 0.32%, 0.5%

LAB 47.78, 31.45, 16.01

 

CMYK 0 / 41 / 42 / 27

HEX #BA6D6B

RGB 186 109 107

HSL 1.52, 0.36%, 0.57%

LAB 54.49, 30.33, 14.38

 

CMYK 0 / 37 / 38 / 20

HEX #CB7F7E

RGB 203 127 126

HSL 0.78, 0.43%, 0.65%

LAB 61.12, 29.31, 12.97

 

CMYK 0 / 34 / 34 / 14

HEX #DC9191

RGB 220 145 145

HSL 0, 0.52%, 0.72%

LAB 67.66, 28.38, 11.73

 

CMYK 0 / 31 / 31 / 7

HEX #EDA3A4

RGB 237 163 164

HSL 359.19, 0.67%, 0.78%

LAB 74.11, 27.54, 10.61

 

CMYK 0 / 45 / 43 / 36

HEX #A45B5D

RGB 164 91 93

HSL 358.36, 0.29%, 0.5%

LAB 47.19, 30.03, 12.09

 

CMYK 0 / 50 / 50 / 42

HEX #93494A

RGB 147 73 74

HSL 359.19, 0.34%, 0.43%

LAB 40.35, 31.17, 13.86

 

CMYK 0 / 58 / 58 / 49

HEX #823737

RGB 130 55 55

HSL 0, 0.41%, 0.36%

LAB 33.47, 32.37, 16.05

 

CMYK 0 / 67 / 68 / 56

HEX #712524

RGB 113 37 36

HSL 0.78, 0.52%, 0.29%

LAB 26.62, 33.46, 18.88

 

CMYK 0 / 80 / 82 / 62

HEX #601311

RGB 96 19 17

HSL 1.52, 0.7%, 0.22%

LAB 20.02, 34.06, 22.55

 

CMYK 0 / 45 / 43 / 36

HEX #A45B5D

RGB 164 91 93

HSL 358.36, 0.29%, 0.5%

LAB 47.19, 30.03, 12.09

 

CMYK 0 / 45 / 45 / 36

HEX #A45B5B

RGB 164 91 91

HSL 0, 0.29%, 0.5%

LAB 47.14, 29.8, 13.23

 

CMYK 0 / 45 / 43 / 36

HEX #A45B5D

RGB 164 91 93

HSL 358.36, 0.29%, 0.5%

LAB 47.19, 30.03, 12.09

 

CMYK 0 / 45 / 32 / 36

HEX #A45B70

RGB 164 91 112

HSL 342.74, 0.29%, 0.5%

LAB 47.68, 32.39, 1.34

 

CMYK 0 / 45 / 20 / 36

HEX #A45B84

RGB 164 91 132

HSL 326.3, 0.29%, 0.5%

LAB 48.31, 35.35, -9.76

 

CMYK 0 / 45 / 7 / 36

HEX #A45B98

RGB 164 91 152

HSL 309.86, 0.29%, 0.5%

LAB 49.06, 38.73, -20.54

 

CMYK 4 / 45 / 0 / 36

HEX #9D5BA4

RGB 157 91 164

HSL 294.25, 0.29%, 0.5%

LAB 48.67, 38.78, -28.29

 

CMYK 0 / 45 / 43 / 36

HEX #A45B5D

RGB 164 91 93

HSL 358.36, 0.29%, 0.5%

LAB 47.19, 30.03, 12.09

 

CMYK 0 / 62 / 61 / 27

HEX #B94649

RGB 185 70 73

HSL 358.43, 0.45%, 0.5%

LAB 45.87, 46.68, 22.91

 

CMYK 0 / 76 / 74 / 19

HEX #CE3136

RGB 206 49 54

HSL 358.09, 0.62%, 0.5%

LAB 46.42, 60.49, 35.71

 

CMYK 0 / 87 / 85 / 11

HEX #E21D22

RGB 226 29 34

HSL 358.48, 0.77%, 0.5%

LAB 48.46, 70.3, 49.85

 

CMYK 0 / 97 / 94 / 3

HEX #F7080F

RGB 247 8 15

HSL 358.24, 0.94%, 0.5%

LAB 51.82, 77.73, 61.82

 

CMYK 0 / 45 / 43 / 36

HEX #A45B5D

RGB 164 91 93

HSL 358.36, 0.29%, 0.5%

LAB 47.19, 30.03, 12.09

 

CMYK 0 / 23 / 22 / 44

HEX #906F70

RGB 144 111 112

HSL 358.18, 0.13%, 0.5%

LAB 50.06, 13.21, 4.47

 

CMYK 7 / 0 / 0 / 48

HEX #7B8484

RGB 123 132 132

HSL 180, 0.04%, 0.5%

LAB 54.43, -3.3, -1.15

 

CMYK 32 / 0 / 1 / 40

HEX #679897

RGB 103 152 151

HSL 178.78, 0.19%, 0.5%

LAB 59.5, -16.56, -4.73

 

CMYK 53 / 0 / 1 / 32

HEX #52ADAB

RGB 82 173 171

HSL 178.68, 0.36%, 0.5%

LAB 65.45, -27.46, -7.26

 

CMYK 0 / 45 / 20 / 36

HEX #A45B84

RGB 164 91 132

HSL 326.3, 0.29%, 0.5%

LAB 48.31, 35.35, -9.76

 

CMYK 0 / 45 / 31 / 36

HEX #A45B71

RGB 164 91 113

HSL 341.92, 0.29%, 0.5%

LAB 47.71, 32.53, 0.78

 

CMYK 0 / 45 / 43 / 36

HEX #A45B5D

RGB 164 91 93

HSL 358.36, 0.29%, 0.5%

LAB 47.19, 30.03, 12.09

 

CMYK 0 / 34 / 45 / 36

HEX #A46C5B

RGB 164 108 91

HSL 13.97, 0.29%, 0.5%

LAB 51.12, 20.27, 18.66

 

CMYK 0 / 22 / 45 / 36

HEX #A4805B

RGB 164 128 91

HSL 30.41, 0.29%, 0.5%

LAB 56.17, 8.91, 25.37

 

CMYK 0 / 45 / 43 / 56

HEX #6F3D3F

RGB 111 61 63

HSL 357.6, 0.29%, 0.34%

LAB 31.98, 22.11, 8.4

 

CMYK 0 / 45 / 43 / 46

HEX #8A4C4E

RGB 138 76 78

HSL 358.06, 0.29%, 0.42%

LAB 39.79, 26.35, 10.39

 

CMYK 0 / 45 / 43 / 36

HEX #A45B5D

RGB 164 91 93

HSL 358.36, 0.29%, 0.5%

LAB 47.19, 30.03, 12.09

 

CMYK 0 / 35 / 34 / 30

HEX #B37577

RGB 179 117 119

HSL 358.06, 0.29%, 0.58%

LAB 55.72, 24.65, 8.99

 

CMYK 0 / 26 / 25 / 24

HEX #C29091

RGB 194 144 145

HSL 358.8, 0.29%, 0.66%

LAB 64.53, 19.05, 6.88

 

CMYK 0 / 45 / 43 / 36

HEX #A45B5D

RGB 164 91 93

HSL 358.36, 0.29%, 0.5%

LAB 47.19, 30.03, 12.09

 

CMYK 7 / 0 / 45 / 36

HEX #98A45B

RGB 152 164 91

HSL 69.86, 0.29%, 0.5%

LAB 64.95, -15.78, 36.33

 

CMYK 45 / 25 / 0 / 36

HEX #5B7BA4

RGB 91 123 164

HSL 213.7, 0.29%, 0.5%

LAB 50.77, -0.15, -25.5

 

CMYK 0 / 45 / 43 / 36

HEX #A45B5D

RGB 164 91 93

HSL 358.36, 0.29%, 0.5%

LAB 47.19, 30.03, 12.09

 

CMYK 43 / 0 / 45 / 36

HEX #5DA45B

RGB 93 164 91

HSL 118.36, 0.29%, 0.5%

LAB 61.34, -37.56, 31.02

 

CMYK 45 / 43 / 0 / 36

HEX #5B5DA4

RGB 91 93 164

HSL 238.36, 0.29%, 0.5%

LAB 42.36, 18.23, -38.69

 

CMYK 0 / 45 / 43 / 36

HEX #A45B5D

RGB 164 91 93

HSL 358.36, 0.29%, 0.5%

LAB 47.19, 30.03, 12.09

 

CMYK 7 / 0 / 45 / 36

HEX #98A45B

RGB 152 164 91

HSL 69.86, 0.29%, 0.5%

LAB 64.95, -15.78, 36.33

 

CMYK 45 / 0 / 1 / 36

HEX #5BA4A2

RGB 91 164 162

HSL 178.36, 0.29%, 0.5%

LAB 62.83, -23.27, -6.08

 

CMYK 37 / 45 / 0 / 36

HEX #675BA4

RGB 103 91 164

HSL 249.86, 0.29%, 0.5%

LAB 42.83, 22.69, -37.87

 

CMYK 0 / 45 / 43 / 36

HEX #A45B5D

RGB 164 91 93

HSL 358.36, 0.29%, 0.5%

LAB 47.19, 30.03, 12.09

 

CMYK 21 / 0 / 45 / 36

HEX #82A45B

RGB 130 164 91

HSL 87.95, 0.29%, 0.5%

LAB 63.39, -24.54, 34.04

 

CMYK 45 / 0 / 1 / 36

HEX #5BA4A2

RGB 91 164 162

HSL 178.36, 0.29%, 0.5%

LAB 62.83, -23.27, -6.08

 

CMYK 24 / 45 / 0 / 36

HEX #7D5BA4

RGB 125 91 164

HSL 267.95, 0.29%, 0.5%

LAB 44.97, 29.02, -34.35

 

Description

Color code: HEX #A45B5D | qconv.com Color code: HEX #A45B5D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 91 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 91 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 43 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 43% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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