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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2C75F it is the complementary color #5D38A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2C75F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A2C75F: #A7C75A, #B8D96D, #C9EB80, #DAFD93 and #EBFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2C75F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A2C75F: #A2C75F, #91B54C, #80A339, #6F9126 and #5E7F13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 52 / 22

HEX #A2C75F

RGB 162 199 95

HSL 81.35, 0.48%, 0.58%

LAB 75.67, -28.78, 47.52

 

Complementary color

CMYK 42 / 65 / 0 / 37

HEX #5D38A0

RGB 93 56 160

HSL 261.35, 0.48%, 0.42%

LAB 33.34, 40.07, -50.75

 

CMYK 16 / 0 / 55 / 22

HEX #A7C75A

RGB 167 199 90

HSL 77.61, 0.49%, 0.57%

LAB 75.95, -27.32, 50.26

 

CMYK 15 / 0 / 50 / 15

HEX #B8D96D

RGB 184 217 109

HSL 78.33, 0.59%, 0.64%

LAB 82.34, -27.52, 49.18

 

CMYK 14 / 0 / 46 / 8

HEX #C9EB80

RGB 201 235 128

HSL 79.07, 0.73%, 0.71%

LAB 88.63, -27.67, 48.06

 

CMYK 14 / 0 / 42 / 1

HEX #DAFD93

RGB 218 253 147

HSL 79.81, 0.96%, 0.78%

LAB 94.85, -27.77, 46.94

 

CMYK 8 / 0 / 35 / 0

HEX #EBFFA6

RGB 235 255 166

HSL 73.48, 1%, 0.83%

LAB 96.79, -20.27, 40.41

 

CMYK 19 / 0 / 52 / 22

HEX #A2C75F

RGB 162 199 95

HSL 81.35, 0.48%, 0.58%

LAB 75.67, -28.78, 47.52

 

CMYK 20 / 0 / 58 / 29

HEX #91B54C

RGB 145 181 76

HSL 80.57, 0.42%, 0.5%

LAB 69.18, -28.59, 48.57

 

CMYK 21 / 0 / 65 / 36

HEX #80A339

RGB 128 163 57

HSL 79.81, 0.48%, 0.43%

LAB 62.57, -28.29, 49.43

 

CMYK 23 / 0 / 74 / 43

HEX #6F9126

RGB 111 145 38

HSL 79.07, 0.58%, 0.36%

LAB 55.86, -27.85, 49.85

 

CMYK 26 / 0 / 85 / 50

HEX #5E7F13

RGB 94 127 19

HSL 78.33, 0.74%, 0.29%

LAB 49.01, -27.17, 49.33

 

CMYK 19 / 0 / 52 / 22

HEX #A2C75F

RGB 162 199 95

HSL 81.35, 0.48%, 0.58%

LAB 75.67, -28.78, 47.52

 

CMYK 27 / 0 / 52 / 22

HEX #92C760

RGB 146 199 96

HSL 90.87, 0.48%, 0.58%

LAB 74.7, -34.66, 45.65

 

CMYK 35 / 0 / 52 / 22

HEX #81C760

RGB 129 199 96

HSL 100.78, 0.48%, 0.58%

LAB 73.78, -40.64, 44.32

 

CMYK 44 / 0 / 52 / 22

HEX #6FC760

RGB 111 199 96

HSL 111.26, 0.48%, 0.58%

LAB 72.94, -46.4, 43.11

 

CMYK 52 / 0 / 51 / 22

HEX #60C762

RGB 96 199 98

HSL 121.17, 0.48%, 0.58%

LAB 72.37, -50.41, 41.31

 

CMYK 19 / 0 / 52 / 22

HEX #A2C75F

RGB 162 199 95

HSL 81.35, 0.48%, 0.58%

LAB 75.67, -28.78, 47.52

 

CMYK 18 / 0 / 52 / 2

HEX #CCFA77

RGB 204 250 119

HSL 81.07, 0.93%, 0.72%

LAB 92.81, -34.42, 57.33

 

CMYK 20 / 0 / 52 / 82

HEX #252E16

RGB 37 46 22

HSL 82.5, 0.35%, 0.13%

LAB 17.48, -8.99, 14.18

 

CMYK 19 / 0 / 53 / 62

HEX #4F612E

RGB 79 97 46

HSL 81.18, 0.36%, 0.28%

LAB 38.57, -16.15, 26.65

 

CMYK 19 / 0 / 52 / 42

HEX #789447

RGB 120 148 71

HSL 81.82, 0.35%, 0.43%

LAB 57.68, -22.84, 37.16

 

CMYK 19 / 0 / 52 / 22

HEX #A2C75F

RGB 162 199 95

HSL 81.35, 0.48%, 0.58%

LAB 75.67, -28.78, 47.52

 

CMYK 52 / 0 / 23 / 22

HEX #60C799

RGB 96 199 153

HSL 153.2, 0.48%, 0.58%

LAB 73.31, -40.78, 14.02

 

CMYK 3 / 52 / 0 / 22

HEX #C260C7

RGB 194 96 199

HSL 297.09, 0.48%, 0.58%

LAB 56.05, 53.68, -36.71

 

CMYK 19 / 0 / 52 / 22

HEX #A2C75F

RGB 162 199 95

HSL 81.35, 0.48%, 0.58%

LAB 75.67, -28.78, 47.52

 

CMYK 52 / 18 / 0 / 22

HEX #60A3C7

RGB 96 163 199

HSL 200.97, 0.48%, 0.58%

LAB 64, -11.24, -25

 

CMYK 0 / 52 / 18 / 22

HEX #C760A3

RGB 199 96 163

HSL 320.97, 0.48%, 0.58%

LAB 55.23, 49.12, -17.14

 

CMYK 19 / 0 / 52 / 22

HEX #A2C75F

RGB 162 199 95

HSL 81.35, 0.48%, 0.58%

LAB 75.67, -28.78, 47.52

 

CMYK 52 / 0 / 23 / 22

HEX #60C799

RGB 96 199 153

HSL 153.2, 0.48%, 0.58%

LAB 73.31, -40.78, 14.02

 

CMYK 34 / 52 / 0 / 22

HEX #8460C7

RGB 132 96 199

HSL 260.97, 0.48%, 0.58%

LAB 48.75, 36.95, -48.72

 

CMYK 0 / 52 / 29 / 22

HEX #C7608E

RGB 199 96 142

HSL 333.2, 0.48%, 0.58%

LAB 54.51, 46.13, -5.92

 

CMYK 19 / 0 / 52 / 22

HEX #A2C75F

RGB 162 199 95

HSL 81.35, 0.48%, 0.58%

LAB 75.67, -28.78, 47.52

 

CMYK 52 / 0 / 8 / 22

HEX #60C7B7

RGB 96 199 183

HSL 170.68, 0.48%, 0.58%

LAB 74.03, -33.85, -1.15

 

CMYK 34 / 52 / 0 / 22

HEX #8460C7

RGB 132 96 199

HSL 260.97, 0.48%, 0.58%

LAB 48.75, 36.95, -48.72

 

CMYK 0 / 52 / 44 / 22

HEX #C7606F

RGB 199 96 111

HSL 351.26, 0.48%, 0.58%

LAB 53.66, 42.45, 11.14

 

Description

Color code: HEX #A2C75F | qconv.com Color code: HEX #A2C75F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 199 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 199 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 52 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 52% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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