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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0B478 it is the complementary color #5F4B87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0B478. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A0B478: #A5B473, #B6C686, #C7D899, #D8EAAC and #E9FCBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0B478. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A0B478: #A0B478, #8FA265, #7E9052, #6D7E3F and #5C6C2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 33 / 29

HEX #A0B478

RGB 160 180 120

HSL 80, 0.29%, 0.59%

LAB 70.51, -17.21, 28.38

 

Complementary color

CMYK 30 / 44 / 0 / 47

HEX #5F4B87

RGB 95 75 135

HSL 260, 0.29%, 0.41%

LAB 36.39, 22.24, -30.63

 

CMYK 8 / 0 / 36 / 29

HEX #A5B473

RGB 165 180 115

HSL 73.85, 0.3%, 0.58%

LAB 70.79, -15.93, 31.46

 

CMYK 8 / 0 / 32 / 22

HEX #B6C686

RGB 182 198 134

HSL 75, 0.36%, 0.65%

LAB 77.31, -16.04, 30.32

 

CMYK 8 / 0 / 29 / 15

HEX #C7D899

RGB 199 216 153

HSL 76.19, 0.45%, 0.72%

LAB 83.73, -16.13, 29.23

 

CMYK 8 / 0 / 26 / 8

HEX #D8EAAC

RGB 216 234 172

HSL 77.42, 0.6%, 0.8%

LAB 90.06, -16.19, 28.2

 

CMYK 8 / 0 / 24 / 1

HEX #E9FCBF

RGB 233 252 191

HSL 78.69, 0.91%, 0.87%

LAB 96.29, -16.25, 27.21

 

CMYK 11 / 0 / 33 / 29

HEX #A0B478

RGB 160 180 120

HSL 80, 0.29%, 0.59%

LAB 70.51, -17.21, 28.38

 

CMYK 12 / 0 / 38 / 36

HEX #8FA265

RGB 143 162 101

HSL 78.69, 0.25%, 0.52%

LAB 63.85, -17.15, 29.55

 

CMYK 13 / 0 / 43 / 44

HEX #7E9052

RGB 126 144 82

HSL 77.42, 0.27%, 0.44%

LAB 57.07, -17.05, 30.77

 

CMYK 13 / 0 / 50 / 51

HEX #6D7E3F

RGB 109 126 63

HSL 76.19, 0.33%, 0.37%

LAB 50.13, -16.89, 32.02

 

CMYK 15 / 0 / 59 / 58

HEX #5C6C2C

RGB 92 108 44

HSL 75, 0.42%, 0.3%

LAB 43.04, -16.62, 33.22

 

CMYK 11 / 0 / 33 / 29

HEX #A0B478

RGB 160 180 120

HSL 80, 0.29%, 0.59%

LAB 70.51, -17.21, 28.38

 

CMYK 17 / 0 / 33 / 29

HEX #96B478

RGB 150 180 120

HSL 90, 0.29%, 0.59%

LAB 69.81, -21, 27.34

 

CMYK 22 / 0 / 33 / 29

HEX #8CB478

RGB 140 180 120

HSL 100, 0.29%, 0.59%

LAB 69.17, -24.68, 26.36

 

CMYK 28 / 0 / 33 / 29

HEX #82B478

RGB 130 180 120

HSL 110, 0.29%, 0.59%

LAB 68.57, -28.22, 25.46

 

CMYK 33 / 0 / 33 / 29

HEX #78B478

RGB 120 180 120

HSL 120, 0.29%, 0.59%

LAB 68.01, -31.6, 24.62

 

CMYK 11 / 0 / 33 / 29

HEX #A0B478

RGB 160 180 120

HSL 80, 0.29%, 0.59%

LAB 70.51, -17.21, 28.38

 

CMYK 11 / 0 / 33 / 9

HEX #CDE79A

RGB 205 231 154

HSL 80.26, 0.62%, 0.75%

LAB 88.19, -21.17, 34.73

 

CMYK 11 / 0 / 33 / 89

HEX #181B12

RGB 24 27 18

HSL 80, 0.2%, 0.09%

LAB 9.17, -3.59, 5.47

 

CMYK 12 / 0 / 33 / 69

HEX #454E34

RGB 69 78 52

HSL 80.77, 0.2%, 0.25%

LAB 31.72, -8.86, 14.24

 

CMYK 11 / 0 / 33 / 49

HEX #738156

RGB 115 129 86

HSL 79.53, 0.2%, 0.42%

LAB 51.86, -13, 21.66

 

CMYK 11 / 0 / 33 / 29

HEX #A0B478

RGB 160 180 120

HSL 80, 0.29%, 0.59%

LAB 70.51, -17.21, 28.38

 

CMYK 33 / 0 / 16 / 29

HEX #78B498

RGB 120 180 152

HSL 152, 0.29%, 0.59%

LAB 68.68, -25.58, 8.16

 

CMYK 2 / 33 / 0 / 29

HEX #B078B4

RGB 176 120 180

HSL 296, 0.29%, 0.59%

LAB 58, 31.97, -22.99

 

CMYK 11 / 0 / 33 / 29

HEX #A0B478

RGB 160 180 120

HSL 80, 0.29%, 0.59%

LAB 70.51, -17.21, 28.38

 

CMYK 33 / 11 / 0 / 29

HEX #78A0B4

RGB 120 160 180

HSL 200, 0.29%, 0.59%

LAB 63.7, -8.64, -14.74

 

CMYK 0 / 33 / 11 / 29

HEX #B478A0

RGB 180 120 160

HSL 320, 0.29%, 0.59%

LAB 57.73, 29.63, -11.86

 

CMYK 11 / 0 / 33 / 29

HEX #A0B478

RGB 160 180 120

HSL 80, 0.29%, 0.59%

LAB 70.51, -17.21, 28.38

 

CMYK 33 / 0 / 16 / 29

HEX #78B498

RGB 120 180 152

HSL 152, 0.29%, 0.59%

LAB 68.68, -25.58, 8.16

 

CMYK 22 / 33 / 0 / 29

HEX #8C78B4

RGB 140 120 180

HSL 260, 0.29%, 0.59%

LAB 54.35, 20.39, -28.92

 

CMYK 0 / 33 / 18 / 29

HEX #B47894

RGB 180 120 148

HSL 332, 0.29%, 0.59%

LAB 57.34, 27.62, -5.5

 

CMYK 11 / 0 / 33 / 29

HEX #A0B478

RGB 160 180 120

HSL 80, 0.29%, 0.59%

LAB 70.51, -17.21, 28.38

 

CMYK 33 / 0 / 6 / 29

HEX #78B4AA

RGB 120 180 170

HSL 170, 0.29%, 0.59%

LAB 69.14, -21.62, -1.08

 

CMYK 22 / 33 / 0 / 29

HEX #8C78B4

RGB 140 120 180

HSL 260, 0.29%, 0.59%

LAB 54.35, 20.39, -28.92

 

CMYK 0 / 33 / 28 / 29

HEX #B47882

RGB 180 120 130

HSL 350, 0.29%, 0.59%

LAB 56.83, 24.87, 4.19

 

Description

Color code: HEX #A0B478 | qconv.com Color code: HEX #A0B478 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 180 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 180 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 33 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 33% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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