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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A064A0 it is the complementary color #5F9B5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A064A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A064A0: #A5649B, #B676AE, #C788C1, #D89AD4 and #E9ACE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A064A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A064A0: #A064A0, #8F528D, #7E407A, #6D2E67 and #5C1C54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 0 / 37

HEX #A064A0

RGB 160 100 160

HSL 300, 0.24%, 0.51%

LAB 50.83, 33.98, -22.56

 

Complementary color

CMYK 39 / 0 / 39 / 39

HEX #5F9B5F

RGB 95 155 95

HSL 120, 0.24%, 0.49%

LAB 58.7, -32.17, 25.48

 

CMYK 0 / 39 / 6 / 35

HEX #A5649B

RGB 165 100 155

HSL 309.23, 0.27%, 0.52%

LAB 51.24, 34.69, -18.95

 

CMYK 0 / 35 / 4 / 29

HEX #B676AE

RGB 182 118 174

HSL 307.5, 0.3%, 0.59%

LAB 58, 33.92, -19.49

 

CMYK 0 / 32 / 3 / 22

HEX #C788C1

RGB 199 136 193

HSL 305.71, 0.36%, 0.66%

LAB 64.64, 33.18, -19.97

 

CMYK 0 / 29 / 2 / 15

HEX #D89AD4

RGB 216 154 212

HSL 303.87, 0.44%, 0.73%

LAB 71.19, 32.49, -20.42

 

CMYK 0 / 26 / 1 / 9

HEX #E9ACE7

RGB 233 172 231

HSL 301.97, 0.58%, 0.79%

LAB 77.64, 31.84, -20.85

 

CMYK 0 / 38 / 0 / 37

HEX #A064A0

RGB 160 100 160

HSL 300, 0.24%, 0.51%

LAB 50.83, 33.98, -22.56

 

CMYK 0 / 43 / 1 / 44

HEX #8F528D

RGB 143 82 141

HSL 301.97, 0.27%, 0.44%

LAB 43.94, 34.77, -22.08

 

CMYK 0 / 49 / 3 / 51

HEX #7E407A

RGB 126 64 122

HSL 303.87, 0.33%, 0.37%

LAB 36.94, 35.54, -21.48

 

CMYK 0 / 58 / 6 / 57

HEX #6D2E67

RGB 109 46 103

HSL 305.71, 0.41%, 0.3%

LAB 29.87, 36.18, -20.67

 

CMYK 0 / 70 / 9 / 64

HEX #5C1C54

RGB 92 28 84

HSL 307.5, 0.53%, 0.24%

LAB 22.81, 36.43, -19.46

 

CMYK 0 / 38 / 0 / 37

HEX #A064A0

RGB 160 100 160

HSL 300, 0.24%, 0.51%

LAB 50.83, 33.98, -22.56

 

CMYK 0 / 38 / 6 / 37

HEX #A06496

RGB 160 100 150

HSL 310, 0.24%, 0.51%

LAB 50.44, 32.08, -17.28

 

CMYK 0 / 38 / 13 / 37

HEX #A0648C

RGB 160 100 140

HSL 320, 0.24%, 0.51%

LAB 50.07, 30.29, -11.92

 

CMYK 0 / 38 / 19 / 37

HEX #A06482

RGB 160 100 130

HSL 330, 0.24%, 0.51%

LAB 49.74, 28.6, -6.48

 

CMYK 0 / 38 / 25 / 37

HEX #A06478

RGB 160 100 120

HSL 340, 0.24%, 0.51%

LAB 49.43, 27.03, -0.98

 

CMYK 0 / 38 / 0 / 37

HEX #A064A0

RGB 160 100 160

HSL 300, 0.24%, 0.51%

LAB 50.83, 33.98, -22.56

 

CMYK 0 / 37 / 0 / 17

HEX #D384D3

RGB 211 132 211

HSL 300, 0.47%, 0.67%

LAB 65.79, 42.48, -28.18

 

CMYK 0 / 43 / 0 / 97

HEX #070407

RGB 7 4 7

HSL 300, 0.27%, 0.02%

LAB 1.33, 1.2, -0.86

 

CMYK 0 / 38 / 0 / 77

HEX #3A243A

RGB 58 36 58

HSL 300, 0.23%, 0.18%

LAB 17.77, 14.88, -9.96

 

CMYK 0 / 38 / 0 / 57

HEX #6D446D

RGB 109 68 109

HSL 300, 0.23%, 0.35%

LAB 34.98, 24.9, -16.57

 

CMYK 0 / 38 / 0 / 37

HEX #A064A0

RGB 160 100 160

HSL 300, 0.24%, 0.51%

LAB 50.83, 33.98, -22.56

 

CMYK 0 / 30 / 38 / 37

HEX #A07064

RGB 160 112 100

HSL 12, 0.24%, 0.51%

LAB 51.82, 17.41, 14.27

 

CMYK 38 / 0 / 15 / 37

HEX #64A088

RGB 100 160 136

HSL 156, 0.24%, 0.51%

LAB 61.33, -25.08, 6.39

 

CMYK 0 / 38 / 0 / 37

HEX #A064A0

RGB 160 100 160

HSL 300, 0.24%, 0.51%

LAB 50.83, 33.98, -22.56

 

CMYK 0 / 0 / 38 / 37

HEX #A0A064

RGB 160 160 100

HSL 60, 0.24%, 0.51%

LAB 64.59, -9.35, 31.3

 

CMYK 38 / 0 / 0 / 37

HEX #64A0A0

RGB 100 160 160

HSL 180, 0.24%, 0.51%

LAB 61.99, -19.38, -6.16

 

CMYK 0 / 38 / 0 / 37

HEX #A064A0

RGB 160 100 160

HSL 300, 0.24%, 0.51%

LAB 50.83, 33.98, -22.56

 

CMYK 0 / 30 / 38 / 37

HEX #A07064

RGB 160 112 100

HSL 12, 0.24%, 0.51%

LAB 51.82, 17.41, 14.27

 

CMYK 38 / 0 / 38 / 37

HEX #64A064

RGB 100 160 100

HSL 120, 0.24%, 0.51%

LAB 60.58, -32.06, 25.3

 

CMYK 38 / 7 / 0 / 37

HEX #6494A0

RGB 100 148 160

HSL 192, 0.24%, 0.51%

LAB 58.44, -12.98, -11.46

 

CMYK 0 / 38 / 0 / 37

HEX #A064A0

RGB 160 100 160

HSL 300, 0.24%, 0.51%

LAB 50.83, 33.98, -22.56

 

CMYK 0 / 19 / 38 / 37

HEX #A08264

RGB 160 130 100

HSL 30, 0.24%, 0.51%

LAB 56.45, 7.15, 20.58

 

CMYK 38 / 0 / 38 / 37

HEX #64A064

RGB 100 160 100

HSL 120, 0.24%, 0.51%

LAB 60.58, -32.06, 25.3

 

CMYK 38 / 19 / 0 / 37

HEX #6482A0

RGB 100 130 160

HSL 210, 0.24%, 0.51%

LAB 53.18, -2.88, -19.43

 

Description

Color code: HEX #A064A0 | qconv.com Color code: HEX #A064A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 100 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 100 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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