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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F9A04 it is the complementary color #6065FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F9A04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9F9A04: #A49A00, #B5AC12, #C6BE25, #D7D038 and #E8E24B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F9A04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9F9A04: #9F9A04, #8E8800, #7D7600, #6C6400 and #5B5200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 97 / 38

HEX #9F9A04

RGB 159 154 4

HSL 58.06, 0.95%, 0.32%

LAB 62.08, -12.48, 64.77

 

Complementary color

CMYK 62 / 60 / 0 / 2

HEX #6065FB

RGB 96 101 251

HSL 238.06, 0.95%, 0.68%

LAB 50.4, 42.01, -75.59

 

CMYK 0 / 6 / 100 / 36

HEX #A49A00

RGB 164 154 0

HSL 56.34, 1%, 0.32%

LAB 62.51, -10.27, 65.87

 

CMYK 0 / 5 / 90 / 29

HEX #B5AC12

RGB 181 172 18

HSL 56.69, 0.82%, 0.39%

LAB 69.02, -11.82, 68.89

 

CMYK 0 / 4 / 81 / 22

HEX #C6BE25

RGB 198 190 37

HSL 57.02, 0.69%, 0.46%

LAB 75.43, -13.15, 70.56

 

CMYK 0 / 3 / 74 / 16

HEX #D7D038

RGB 215 208 56

HSL 57.36, 0.67%, 0.53%

LAB 81.75, -14.27, 71.11

 

CMYK 0 / 3 / 68 / 9

HEX #E8E24B

RGB 232 226 75

HSL 57.71, 0.77%, 0.6%

LAB 88, -15.22, 70.96

 

CMYK 0 / 3 / 97 / 38

HEX #9F9A04

RGB 159 154 4

HSL 58.06, 0.95%, 0.32%

LAB 62.08, -12.48, 64.77

 

CMYK 0 / 4 / 100 / 44

HEX #8E8800

RGB 142 136 0

HSL 57.46, 1%, 0.28%

LAB 55.44, -10.74, 59.84

 

CMYK 0 / 6 / 100 / 51

HEX #7D7600

RGB 125 118 0

HSL 56.64, 1%, 0.25%

LAB 48.66, -8.88, 54.22

 

CMYK 0 / 7 / 100 / 58

HEX #6C6400

RGB 108 100 0

HSL 55.56, 1%, 0.21%

LAB 41.69, -6.94, 48.44

 

CMYK 0 / 10 / 100 / 64

HEX #5B5200

RGB 91 82 0

HSL 54.07, 1%, 0.18%

LAB 34.52, -4.9, 42.49

 

CMYK 0 / 3 / 97 / 38

HEX #9F9A04

RGB 159 154 4

HSL 58.06, 0.95%, 0.32%

LAB 62.08, -12.48, 64.77

 

CMYK 13 / 0 / 97 / 38

HEX #8A9F04

RGB 138 159 4

HSL 68.13, 0.95%, 0.32%

LAB 61.83, -24.36, 63.85

 

CMYK 30 / 0 / 97 / 38

HEX #709F04

RGB 112 159 4

HSL 78.19, 0.95%, 0.32%

LAB 60.11, -35.2, 61.77

 

CMYK 46 / 0 / 97 / 38

HEX #569F04

RGB 86 159 4

HSL 88.26, 0.95%, 0.32%

LAB 58.77, -44.75, 60.14

 

CMYK 62 / 0 / 97 / 38

HEX #3C9F04

RGB 60 159 4

HSL 98.32, 0.95%, 0.32%

LAB 57.81, -52.33, 58.97

 

CMYK 0 / 3 / 97 / 38

HEX #9F9A04

RGB 159 154 4

HSL 58.06, 0.95%, 0.32%

LAB 62.08, -12.48, 64.77

 

CMYK 0 / 3 / 98 / 18

HEX #D2CB05

RGB 210 203 5

HSL 57.95, 0.95%, 0.42%

LAB 79.85, -15.1, 79.77

 

CMYK 0 / 0 / 100 / 98

HEX #060600

RGB 6 6 0

HSL 60, 1%, 0.01%

LAB 1.53, -0.83, 2.27

 

CMYK 0 / 4 / 98 / 78

HEX #393701

RGB 57 55 1

HSL 57.86, 0.97%, 0.11%

LAB 22.32, -6.12, 30.42

 

CMYK 0 / 3 / 97 / 58

HEX #6C6903

RGB 108 105 3

HSL 58.29, 0.95%, 0.22%

LAB 43.21, -9.7, 48.79

 

CMYK 0 / 3 / 97 / 38

HEX #9F9A04

RGB 159 154 4

HSL 58.06, 0.95%, 0.32%

LAB 62.08, -12.48, 64.77

 

CMYK 97 / 0 / 82 / 38

HEX #049F1D

RGB 4 159 29

HSL 129.68, 0.95%, 0.32%

LAB 56.99, -59.19, 52.8

 

CMYK 43 / 97 / 0 / 38

HEX #5B049F

RGB 91 4 159

HSL 273.68, 0.95%, 0.32%

LAB 26.2, 58.9, -61.82

 

CMYK 0 / 3 / 97 / 38

HEX #9F9A04

RGB 159 154 4

HSL 58.06, 0.95%, 0.32%

LAB 62.08, -12.48, 64.77

 

CMYK 97 / 0 / 4 / 38

HEX #049F99

RGB 4 159 153

HSL 177.68, 0.95%, 0.32%

LAB 59.09, -35.47, -6.77

 

CMYK 4 / 97 / 0 / 38

HEX #99049F

RGB 153 4 159

HSL 297.68, 0.95%, 0.32%

LAB 36.67, 67.55, -44.31

 

CMYK 0 / 3 / 97 / 38

HEX #9F9A04

RGB 159 154 4

HSL 58.06, 0.95%, 0.32%

LAB 62.08, -12.48, 64.77

 

CMYK 97 / 0 / 82 / 38

HEX #049F1D

RGB 4 159 29

HSL 129.68, 0.95%, 0.32%

LAB 56.99, -59.19, 52.8

 

CMYK 97 / 94 / 0 / 38

HEX #04099F

RGB 4 9 159

HSL 238.06, 0.95%, 0.32%

LAB 18.9, 53.03, -74.15

 

CMYK 0 / 97 / 16 / 38

HEX #9F0485

RGB 159 4 133

HSL 310.06, 0.95%, 0.32%

LAB 36.27, 64.84, -28.95

 

CMYK 0 / 3 / 97 / 38

HEX #9F9A04

RGB 159 154 4

HSL 58.06, 0.95%, 0.32%

LAB 62.08, -12.48, 64.77

 

CMYK 97 / 0 / 52 / 38

HEX #049F4C

RGB 4 159 76

HSL 147.87, 0.95%, 0.32%

LAB 57.41, -53.92, 33.41

 

CMYK 97 / 94 / 0 / 38

HEX #04099F

RGB 4 9 159

HSL 238.06, 0.95%, 0.32%

LAB 18.9, 53.03, -74.15

 

CMYK 0 / 97 / 46 / 38

HEX #9F0456

RGB 159 4 86

HSL 328.26, 0.95%, 0.32%

LAB 34.25, 59.6, -2.15

 

Description

Color code: HEX #9F9A04 | qconv.com Color code: HEX #9F9A04 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 154 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 154 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 97 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 97% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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