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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F90D34C it is the complementary color #606F2C4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F90D34C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F90D34C shade: #A490CE4C, #B5A2E14C, #C6B4F44C, #D7C6FF4C and #E8D8FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F90D34C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F90D34C shade: #9F90D34C, #8E7EC04C, #7D6CAD4C, #6C5A9A4C and #5B48874C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F90D34C shade: #A092D3, #B292D3, #C492D3, #D392D1 and #D392BF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F90D34C shade: #A092D3 and #9292D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F90D34C shade matches the following richer shades: #A092D3, #9985E0, #9379EC and #8C6CF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F90D34C shade: #A092D3, #A79EC7, #AEAABB, #B5B7AE and #BCC3A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F90D34C shade: #92A6D3, #9295D3, #A092D3, #B192D3 and #C392D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F90D34C shade: #6D57BC, #8774C8, #A092D3, #BAAFDF and #D3CDEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F90D34C shade: #9F90D3, #D392B8 and #9ED392

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F90D34C shade: #9F90D3, #D3A092 and #92D3A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F90D34C shade: #9F90D3, #D392B8, #C5D392 and #92D3AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F90D34C shade: #9F90D3, #D392A4, #C5D392 and #92D3C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 10 / 0 / 5

HEX #9F90D34C

RGBA 159 144 211 0.3

HSLA 253.43, 0.43%, 0.7%, 0.3

LABA 63.36, 19.79, -32.36, 0.3

 

Complementary color

CMYK 4 / 0 / 18 / 17

HEX #606F2C4C

RGBA 96 111 44 0.3

HSLA 73.43, 0.43%, 0.3%, 0.3

LABA 44.29, -16.47, 34.72, 0.3

 

CMYK 6 / 9 / 0 / 6

HEX #A490CE4C

RGBA 164 144 206 0.3

HSLA 259.35, 0.39%, 0.69%, 0.3

LABA 63.59, 20.13, -29.18, 0.3

 

CMYK 6 / 8 / 0 / 4

HEX #B5A2E14C

RGBA 181 162 225 0.3

HSLA 258.1, 0.51%, 0.76%, 0.3

LABA 70.25, 19.58, -29.3, 0.3

 

CMYK 6 / 8 / 0 / 1

HEX #C6B4F44C

RGBA 198 180 244 0.3

HSLA 256.88, 0.74%, 0.83%, 0.3

LABA 76.79, 19.07, -29.45, 0.3

 

CMYK 5 / 7 / 0 / 0

HEX #D7C6FF4C

RGBA 215 198 255 0.3

HSLA 257.89, 1%, 0.89%, 0.3

LABA 82.94, 16.89, -25.8, 0.3

 

CMYK 3 / 5 / 0 / 0

HEX #E8D8FF4C

RGBA 232 216 255 0.3

HSLA 264.62, 1%, 0.92%, 0.3

LABA 88.68, 12.64, -16.98, 0.3

 

CMYK 7 / 10 / 0 / 5

HEX #9F90D34C

RGBA 159 144 211 0.3

HSLA 253.43, 0.43%, 0.7%, 0.3

LABA 63.36, 19.79, -32.36, 0.3

 

CMYK 8 / 10 / 0 / 7

HEX #8E7EC04C

RGBA 142 126 192 0.3

HSLA 254.55, 0.34%, 0.62%, 0.3

LABA 56.56, 20.44, -32.33, 0.3

 

CMYK 8 / 11 / 0 / 10

HEX #7D6CAD4C

RGBA 125 108 173 0.3

HSLA 255.69, 0.28%, 0.55%, 0.3

LABA 49.62, 21.16, -32.34, 0.3

 

CMYK 9 / 12 / 0 / 12

HEX #6C5A9A4C

RGBA 108 90 154 0.3

HSLA 256.88, 0.26%, 0.48%, 0.3

LABA 42.51, 21.98, -32.4, 0.3

 

CMYK 10 / 14 / 0 / 14

HEX #5B48874C

RGBA 91 72 135 0.3

HSLA 258.1, 0.3%, 0.41%, 0.3

LABA 35.22, 22.93, -32.51, 0.3

 

CMYK 24 / 31 / 0 / 17

HEX #A092D3

RGB 160 146 211

HSL 252.92, 0.42%, 0.7%

LAB 63.95, 18.95, -31.44

 

CMYK 16 / 31 / 0 / 17

HEX #B292D3

RGB 178 146 211

HSL 269.54, 0.42%, 0.7%

LAB 65.53, 24.49, -28.86

 

CMYK 7 / 31 / 0 / 17

HEX #C492D3

RGB 196 146 211

HSL 286.15, 0.42%, 0.7%

LAB 67.27, 30.18, -26.03

 

CMYK 0 / 31 / 1 / 17

HEX #D392D1

RGB 211 146 209

HSL 301.85, 0.42%, 0.7%

LAB 68.76, 34.63, -22.51

 

CMYK 0 / 31 / 9 / 17

HEX #D392BF

RGB 211 146 191

HSL 318.46, 0.42%, 0.7%

LAB 68.14, 31.42, -13.43

 

CMYK 24 / 31 / 0 / 17

HEX #A092D3

RGB 160 146 211

HSL 252.92, 0.42%, 0.7%

LAB 63.95, 18.95, -31.44

 

CMYK 31 / 31 / 0 / 17

HEX #9292D3

RGB 146 146 211

HSL 240, 0.42%, 0.7%

LAB 62.82, 14.81, -33.28

 

CMYK 24 / 31 / 0 / 17

HEX #A092D3

RGB 160 146 211

HSL 252.92, 0.42%, 0.7%

LAB 63.95, 18.95, -31.44

 

CMYK 32 / 41 / 0 / 12

HEX #9985E0

RGB 153 133 224

HSL 253.19, 0.59%, 0.7%

LAB 60.72, 27.62, -43.77

 

CMYK 38 / 49 / 0 / 7

HEX #9379EC

RGB 147 121 236

HSL 253.57, 0.75%, 0.7%

LAB 57.97, 36.12, -54.84

 

CMYK 44 / 57 / 0 / 2

HEX #8C6CF9

RGB 140 108 249

HSL 253.62, 0.92%, 0.7%

LAB 55.22, 45.43, -66.52

 

CMYK 24 / 31 / 0 / 17

HEX #A092D3

RGB 160 146 211

HSL 252.92, 0.42%, 0.7%

LAB 63.95, 18.95, -31.44

 

CMYK 16 / 21 / 0 / 22

HEX #A79EC7

RGB 167 158 199

HSL 253.17, 0.27%, 0.7%

LAB 67.12, 11.58, -19.84

 

CMYK 7 / 9 / 0 / 27

HEX #AEAABB

RGB 174 170 187

HSL 254.12, 0.11%, 0.7%

LAB 70.41, 4.72, -8.19

 

CMYK 1 / 0 / 5 / 28

HEX #B5B7AE

RGB 181 183 174

HSL 73.33, 0.06%, 0.7%

LAB 74.03, -2.35, 4.32

 

CMYK 4 / 0 / 17 / 24

HEX #BCC3A2

RGB 188 195 162

HSL 72.73, 0.22%, 0.7%

LAB 77.48, -8.16, 15.79

 

CMYK 31 / 21 / 0 / 17

HEX #92A6D3

RGB 146 166 211

HSL 221.54, 0.42%, 0.7%

LAB 68.08, 3.46, -25.15

 

CMYK 31 / 29 / 0 / 17

HEX #9295D3

RGB 146 149 211

HSL 237.23, 0.42%, 0.7%

LAB 63.6, 13.09, -32.07

 

CMYK 24 / 31 / 0 / 17

HEX #A092D3

RGB 160 146 211

HSL 252.92, 0.42%, 0.7%

LAB 63.95, 18.95, -31.44

 

CMYK 16 / 31 / 0 / 17

HEX #B192D3

RGB 177 146 211

HSL 268.62, 0.42%, 0.7%

LAB 65.44, 24.17, -29.01

 

CMYK 8 / 31 / 0 / 17

HEX #C392D3

RGB 195 146 211

HSL 285.23, 0.42%, 0.7%

LAB 67.17, 29.86, -26.2

 

CMYK 42 / 54 / 0 / 26

HEX #6D57BC

RGB 109 87 188

HSL 253.07, 0.43%, 0.54%

LAB 43.8, 33.54, -50.41

 

CMYK 33 / 42 / 0 / 22

HEX #8774C8

RGB 135 116 200

HSL 253.57, 0.43%, 0.62%

LAB 53.83, 26.33, -41.22

 

CMYK 24 / 31 / 0 / 17

HEX #A092D3

RGB 160 146 211

HSL 252.92, 0.42%, 0.7%

LAB 63.95, 18.95, -31.44

 

CMYK 17 / 22 / 0 / 13

HEX #BAAFDF

RGB 186 175 223

HSL 253.75, 0.43%, 0.78%

LAB 73.82, 13.48, -22.7

 

CMYK 10 / 13 / 0 / 8

HEX #D3CDEB

RGB 211 205 235

HSL 252, 0.43%, 0.86%

LAB 83.71, 7.75, -14.03

 

CMYK 25 / 32 / 0 / 17

HEX #9F90D3

RGB 159 144 211

HSL 253.43, 0.43%, 0.7%

LAB 63.36, 19.79, -32.36

 

CMYK 0 / 31 / 13 / 17

HEX #D392B8

RGB 211 146 184

HSL 324.92, 0.42%, 0.7%

LAB 67.92, 30.24, -9.86

 

CMYK 25 / 0 / 31 / 17

HEX #9ED392

RGB 158 211 146

HSL 108.92, 0.42%, 0.7%

LAB 79.58, -29.37, 26.82

 

CMYK 25 / 32 / 0 / 17

HEX #9F90D3

RGB 159 144 211

HSL 253.43, 0.43%, 0.7%

LAB 63.36, 19.79, -32.36

 

CMYK 0 / 24 / 31 / 17

HEX #D3A092

RGB 211 160 146

HSL 12.92, 0.42%, 0.7%

LAB 70.22, 16.96, 14.63

 

CMYK 31 / 0 / 24 / 17

HEX #92D3A0

RGB 146 211 160

HSL 132.92, 0.42%, 0.7%

LAB 79.18, -30.95, 18.82

 

CMYK 25 / 32 / 0 / 17

HEX #9F90D3

RGB 159 144 211

HSL 253.43, 0.43%, 0.7%

LAB 63.36, 19.79, -32.36

 

CMYK 0 / 31 / 13 / 17

HEX #D392B8

RGB 211 146 184

HSL 324.92, 0.42%, 0.7%

LAB 67.92, 30.24, -9.86

 

CMYK 7 / 0 / 31 / 17

HEX #C5D392

RGB 197 211 146

HSL 72.92, 0.42%, 0.7%

LAB 82.13, -15.32, 30.68

 

CMYK 31 / 0 / 18 / 17

HEX #92D3AD

RGB 146 211 173

HSL 144.92, 0.42%, 0.7%

LAB 79.45, -28.52, 12.32

 

CMYK 25 / 32 / 0 / 17

HEX #9F90D3

RGB 159 144 211

HSL 253.43, 0.43%, 0.7%

LAB 63.36, 19.79, -32.36

 

CMYK 0 / 31 / 22 / 17

HEX #D392A4

RGB 211 146 164

HSL 343.38, 0.42%, 0.7%

LAB 67.34, 27.1, 0.49

 

CMYK 7 / 0 / 31 / 17

HEX #C5D392

RGB 197 211 146

HSL 72.92, 0.42%, 0.7%

LAB 82.13, -15.32, 30.68

 

CMYK 31 / 0 / 9 / 17

HEX #92D3C1

RGB 146 211 193

HSL 163.38, 0.42%, 0.7%

LAB 79.93, -24.43, 2.33

 

Description

Color code: HEX #9F90D34C | qconv.com Color code: HEX #9F90D34C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 144 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 144 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 10 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 10% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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