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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F7FC0 it is the complementary color #60803F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F7FC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F7FC0 shade: #A47FBB, #B591CE, #C6A3E1, #D7B5F4 and #E8C7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F7FC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F7FC0 shade: #9F7FC0, #8E6DAD, #7D5B9A, #6C4987 and #5B3774

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F7FC0 shade: #A081C1, #B181C1, #C181BF, #C181AD and #C1819C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F7FC0 shade: #A081C1, #8F81C1 and #8181C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F7FC0 shade matches the following richer shades: #A081C1, #A071D0, #A062DF, #9F53EF and #9F44FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F7FC0 shade: #A081C1, #A090B1, #A19FA2, #A1AE93 and #A1BE84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F7FC0 shade: #8184C1, #8E81C1, #A081C1, #B181C1 and #C181C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F7FC0 shade: #774FA0, #8B65B3, #A081C1, #B59CCE and #CAB8DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F7FC0 shade: #9F7FC0, #C18195 and #81C186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F7FC0 shade: #9F7FC0, #C1A081 and #81C1A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F7FC0 shade: #9F7FC0, #C18195, #A2C181 and #81C1AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F7FC0 shade: #9F7FC0, #C18182, #A2C181 and #81C1C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 34 / 0 / 25

HEX #9F7FC0

RGB 159 127 192

HSL 269.54, 0.34%, 0.63%

LAB 58.37, 25.08, -29.39

 

Complementary color

CMYK 25 / 0 / 51 / 50

HEX #60803F

RGB 96 128 63

HSL 89.54, 0.34%, 0.37%

LAB 49.84, -23.3, 31.45

 

CMYK 12 / 32 / 0 / 27

HEX #A47FBB

RGB 164 127 187

HSL 277, 0.31%, 0.62%

LAB 58.66, 25.56, -26.07

 

CMYK 12 / 30 / 0 / 19

HEX #B591CE

RGB 181 145 206

HSL 275.41, 0.38%, 0.69%

LAB 65.38, 24.91, -26.28

 

CMYK 12 / 28 / 0 / 12

HEX #C6A3E1

RGB 198 163 225

HSL 273.87, 0.51%, 0.76%

LAB 71.98, 24.32, -26.51

 

CMYK 12 / 26 / 0 / 4

HEX #D7B5F4

RGB 215 181 244

HSL 272.38, 0.74%, 0.83%

LAB 78.48, 23.77, -26.74

 

CMYK 9 / 22 / 0 / 0

HEX #E8C7FF

RGB 232 199 255

HSL 275.36, 1%, 0.89%

LAB 84.6, 21.66, -23.15

 

CMYK 17 / 34 / 0 / 25

HEX #9F7FC0

RGB 159 127 192

HSL 269.54, 0.34%, 0.63%

LAB 58.37, 25.08, -29.39

 

CMYK 18 / 37 / 0 / 32

HEX #8E6DAD

RGB 142 109 173

HSL 270.94, 0.28%, 0.55%

LAB 51.5, 25.8, -29.28

 

CMYK 19 / 41 / 0 / 40

HEX #7D5B9A

RGB 125 91 154

HSL 272.38, 0.26%, 0.48%

LAB 44.48, 26.59, -29.18

 

CMYK 20 / 46 / 0 / 47

HEX #6C4987

RGB 108 73 135

HSL 273.87, 0.3%, 0.41%

LAB 37.3, 27.46, -29.1

 

CMYK 22 / 53 / 0 / 55

HEX #5B3774

RGB 91 55 116

HSL 275.41, 0.36%, 0.34%

LAB 29.95, 28.4, -29

 

CMYK 17 / 33 / 0 / 24

HEX #A081C1

RGB 160 129 193

HSL 269.06, 0.34%, 0.63%

LAB 59, 24.48, -28.99

 

CMYK 8 / 33 / 0 / 24

HEX #B181C1

RGB 177 129 193

HSL 285, 0.34%, 0.63%

LAB 60.69, 29.88, -26.23

 

CMYK 0 / 33 / 1 / 24

HEX #C181BF

RGB 193 129 191

HSL 301.88, 0.34%, 0.63%

LAB 62.34, 34.66, -22.43

 

CMYK 0 / 33 / 10 / 24

HEX #C181AD

RGB 193 129 173

HSL 318.75, 0.34%, 0.63%

LAB 61.7, 31.42, -13.18

 

CMYK 0 / 33 / 19 / 24

HEX #C1819C

RGB 193 129 156

HSL 334.69, 0.34%, 0.63%

LAB 61.17, 28.62, -4.28

 

CMYK 17 / 33 / 0 / 24

HEX #A081C1

RGB 160 129 193

HSL 269.06, 0.34%, 0.63%

LAB 59, 24.48, -28.99

 

CMYK 26 / 33 / 0 / 24

HEX #8F81C1

RGB 143 129 193

HSL 253.13, 0.34%, 0.63%

LAB 57.45, 19.23, -31.5

 

CMYK 33 / 33 / 0 / 24

HEX #8181C1

RGB 129 129 193

HSL 240, 0.34%, 0.63%

LAB 56.31, 15.1, -33.38

 

CMYK 17 / 33 / 0 / 24

HEX #A081C1

RGB 160 129 193

HSL 269.06, 0.34%, 0.63%

LAB 59, 24.48, -28.99

 

CMYK 23 / 46 / 0 / 18

HEX #A071D0

RGB 160 113 208

HSL 269.68, 0.5%, 0.63%

LAB 55.93, 37.04, -42.29

 

CMYK 28 / 56 / 0 / 13

HEX #A062DF

RGB 160 98 223

HSL 269.76, 0.66%, 0.63%

LAB 53.53, 48.8, -54.58

 

CMYK 33 / 65 / 0 / 6

HEX #9F53EF

RGB 159 83 239

HSL 269.23, 0.83%, 0.63%

LAB 51.6, 59.95, -66.69

 

CMYK 37 / 73 / 0 / 0

HEX #9F44FE

RGB 159 68 254

HSL 269.35, 0.99%, 0.63%

LAB 50.29, 70.1, -77.2

 

CMYK 17 / 33 / 0 / 24

HEX #A081C1

RGB 160 129 193

HSL 269.06, 0.34%, 0.63%

LAB 59, 24.48, -28.99

 

CMYK 10 / 19 / 0 / 31

HEX #A090B1

RGB 160 144 177

HSL 269.09, 0.17%, 0.63%

LAB 62.16, 12.39, -15.08

 

CMYK 1 / 2 / 0 / 36

HEX #A19FA2

RGB 161 159 162

HSL 280, 0.02%, 0.63%

LAB 65.73, 1.3, -1.31

 

CMYK 7 / 0 / 16 / 32

HEX #A1AE93

RGB 161 174 147

HSL 88.89, 0.14%, 0.63%

LAB 69.44, -9.54, 12.33

 

CMYK 15 / 0 / 31 / 25

HEX #A1BE84

RGB 161 190 132

HSL 90, 0.31%, 0.63%

LAB 73.59, -20.18, 26.15

 

CMYK 33 / 32 / 0 / 24

HEX #8184C1

RGB 129 132 193

HSL 237.19, 0.34%, 0.63%

LAB 57.09, 13.34, -32.15

 

CMYK 26 / 33 / 0 / 24

HEX #8E81C1

RGB 142 129 193

HSL 252.19, 0.34%, 0.63%

LAB 57.37, 18.93, -31.64

 

CMYK 17 / 33 / 0 / 24

HEX #A081C1

RGB 160 129 193

HSL 269.06, 0.34%, 0.63%

LAB 59, 24.48, -28.99

 

CMYK 8 / 33 / 0 / 24

HEX #B181C1

RGB 177 129 193

HSL 285, 0.34%, 0.63%

LAB 60.69, 29.88, -26.23

 

CMYK 0 / 33 / 1 / 24

HEX #C181C0

RGB 193 129 192

HSL 300.94, 0.34%, 0.63%

LAB 62.38, 34.85, -22.93

 

CMYK 26 / 51 / 0 / 37

HEX #774FA0

RGB 119 79 160

HSL 269.63, 0.34%, 0.47%

LAB 41.3, 33.34, -37.82

 

CMYK 22 / 44 / 0 / 30

HEX #8B65B3

RGB 139 101 179

HSL 269.23, 0.34%, 0.55%

LAB 49.56, 30.97, -35.83

 

CMYK 17 / 33 / 0 / 24

HEX #A081C1

RGB 160 129 193

HSL 269.06, 0.34%, 0.63%

LAB 59, 24.48, -28.99

 

CMYK 12 / 24 / 0 / 19

HEX #B59CCE

RGB 181 156 206

HSL 270, 0.34%, 0.71%

LAB 68.06, 18.76, -22.18

 

CMYK 8 / 16 / 0 / 14

HEX #CAB8DC

RGB 202 184 220

HSL 270, 0.34%, 0.79%

LAB 77.28, 13.09, -15.7

 

CMYK 17 / 34 / 0 / 25

HEX #9F7FC0

RGB 159 127 192

HSL 269.54, 0.34%, 0.63%

LAB 58.37, 25.08, -29.39

 

CMYK 0 / 33 / 23 / 24

HEX #C18195

RGB 193 129 149

HSL 341.25, 0.34%, 0.63%

LAB 60.96, 27.55, -0.57

 

CMYK 33 / 0 / 31 / 24

HEX #81C186

RGB 129 193 134

HSL 124.69, 0.34%, 0.63%

LAB 72.58, -32.44, 23.4

 

CMYK 17 / 34 / 0 / 25

HEX #9F7FC0

RGB 159 127 192

HSL 269.54, 0.34%, 0.63%

LAB 58.37, 25.08, -29.39

 

CMYK 0 / 17 / 33 / 24

HEX #C1A081

RGB 193 160 129

HSL 29.06, 0.34%, 0.63%

LAB 68.07, 7.67, 20.73

 

CMYK 33 / 0 / 17 / 24

HEX #81C1A0

RGB 129 193 160

HSL 149.06, 0.34%, 0.63%

LAB 73.12, -27.57, 10.18

 

CMYK 17 / 34 / 0 / 25

HEX #9F7FC0

RGB 159 127 192

HSL 269.54, 0.34%, 0.63%

LAB 58.37, 25.08, -29.39

 

CMYK 0 / 33 / 23 / 24

HEX #C18195

RGB 193 129 149

HSL 341.25, 0.34%, 0.63%

LAB 60.96, 27.55, -0.57

 

CMYK 16 / 0 / 33 / 24

HEX #A2C181

RGB 162 193 129

HSL 89.06, 0.34%, 0.63%

LAB 74.45, -21.74, 28.88

 

CMYK 33 / 0 / 11 / 24

HEX #81C1AC

RGB 129 193 172

HSL 160.31, 0.34%, 0.63%

LAB 73.41, -25.06, 4.09

 

CMYK 17 / 34 / 0 / 25

HEX #9F7FC0

RGB 159 127 192

HSL 269.54, 0.34%, 0.63%

LAB 58.37, 25.08, -29.39

 

CMYK 0 / 33 / 33 / 24

HEX #C18182

RGB 193 129 130

HSL 359.06, 0.34%, 0.63%

LAB 60.47, 24.87, 9.6

 

CMYK 16 / 0 / 33 / 24

HEX #A2C181

RGB 162 193 129

HSL 89.06, 0.34%, 0.63%

LAB 74.45, -21.74, 28.88

 

CMYK 33 / 0 / 1 / 24

HEX #81C1C0

RGB 129 193 192

HSL 179.06, 0.34%, 0.63%

LAB 73.94, -20.51, -6.01

 

Description

Color code: HEX #9F7FC0 | qconv.com Color code: HEX #9F7FC0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 127 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 127 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 34 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 34% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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