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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F60C0 it is the complementary color #609F3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F60C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F60C0 shade: #A460BB, #B572CE, #C684E1, #D796F4 and #E8A8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F60C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F60C0 shade: #9F60C0, #8E4EAD, #7D3C9A, #6C2A87 and #5B1874

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F60C0 shade: #9E5FBF, #B85FBF, #BF5FAC, #BF5F92 and #BF5F78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F60C0 shade: #9E5FBF, #845FBF, #6A5FBF and #5F5FBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F60C0 shade matches the following richer shades: #9E5FBF, #A44CD1, #A93AE3 and #AF28F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F60C0 shade: #9E5FBF, #9871AD, #93839B, #8D9589 and #87A776

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F60C0 shade: #6A5FBF, #845FBF, #9D5FBF, #B75FBF and #BF5FAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F60C0 shade: #733A91, #8B46AF, #9E5FBF, #B07CCB and #C29AD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F60C0 shade: #9F60C0, #BF5F6D and #5FBF77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F60C0 shade: #9F60C0, #BF9D5F and #5FBF9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F60C0 shade: #9F60C0, #BF5F6D, #80BF5F and #5FBFB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F60C0 shade: #9F60C0, #BF6D5F, #80BF5F and #5FB1BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 50 / 0 / 25

HEX #9F60C0

RGB 159 96 192

HSL 279.38, 0.43%, 0.56%

LAB 51.32, 42.52, -40.43

 

Complementary color

CMYK 40 / 0 / 60 / 38

HEX #609F3F

RGB 96 159 63

HSL 99.38, 0.43%, 0.44%

LAB 59.56, -37.94, 42.89

 

CMYK 12 / 49 / 0 / 27

HEX #A460BB

RGB 164 96 187

HSL 284.84, 0.4%, 0.55%

LAB 51.66, 42.86, -36.96

 

CMYK 12 / 45 / 0 / 19

HEX #B572CE

RGB 181 114 206

HSL 283.7, 0.48%, 0.63%

LAB 58.33, 42.07, -37.22

 

CMYK 12 / 41 / 0 / 12

HEX #C684E1

RGB 198 132 225

HSL 282.58, 0.61%, 0.7%

LAB 64.92, 41.29, -37.43

 

CMYK 12 / 39 / 0 / 4

HEX #D796F4

RGB 215 150 244

HSL 281.49, 0.81%, 0.77%

LAB 71.41, 40.53, -37.63

 

CMYK 9 / 34 / 0 / 0

HEX #E8A8FF

RGB 232 168 255

HSL 284.14, 1%, 0.83%

LAB 77.51, 38.21, -34.01

 

CMYK 17 / 50 / 0 / 25

HEX #9F60C0

RGB 159 96 192

HSL 279.38, 0.43%, 0.56%

LAB 51.32, 42.52, -40.43

 

CMYK 18 / 55 / 0 / 32

HEX #8E4EAD

RGB 142 78 173

HSL 280.42, 0.38%, 0.49%

LAB 44.54, 43.33, -40.22

 

CMYK 19 / 61 / 0 / 40

HEX #7D3C9A

RGB 125 60 154

HSL 281.49, 0.44%, 0.42%

LAB 37.71, 44.04, -39.89

 

CMYK 20 / 69 / 0 / 47

HEX #6C2A87

RGB 108 42 135

HSL 282.58, 0.53%, 0.35%

LAB 30.86, 44.48, -39.33

 

CMYK 22 / 79 / 0 / 55

HEX #5B1874

RGB 91 24 116

HSL 283.7, 0.66%, 0.27%

LAB 24.12, 44.27, -38.33

 

CMYK 17 / 50 / 0 / 25

HEX #9E5FBF

RGB 158 95 191

HSL 279.38, 0.43%, 0.56%

LAB 50.94, 42.56, -40.46

 

CMYK 4 / 50 / 0 / 25

HEX #B85FBF

RGB 184 95 191

HSL 295.63, 0.43%, 0.56%

LAB 54.17, 49.89, -35.15

 

CMYK 0 / 50 / 10 / 25

HEX #BF5FAC

RGB 191 95 172

HSL 311.88, 0.43%, 0.56%

LAB 54.28, 48.58, -23.93

 

CMYK 0 / 50 / 24 / 25

HEX #BF5F92

RGB 191 95 146

HSL 328.13, 0.43%, 0.56%

LAB 53.32, 44.53, -10.18

 

CMYK 0 / 50 / 37 / 25

HEX #BF5F78

RGB 191 95 120

HSL 344.38, 0.43%, 0.56%

LAB 52.53, 41.11, 4.04

 

CMYK 17 / 50 / 0 / 25

HEX #9E5FBF

RGB 158 95 191

HSL 279.38, 0.43%, 0.56%

LAB 50.94, 42.56, -40.46

 

CMYK 31 / 50 / 0 / 25

HEX #845FBF

RGB 132 95 191

HSL 263.13, 0.43%, 0.56%

LAB 48.07, 35.46, -45.19

 

CMYK 45 / 50 / 0 / 25

HEX #6A5FBF

RGB 106 95 191

HSL 246.88, 0.43%, 0.56%

LAB 45.65, 28.87, -49.2

 

CMYK 50 / 50 / 0 / 25

HEX #5F5FBF

RGB 95 95 191

HSL 240, 0.43%, 0.56%

LAB 44.77, 26.33, -50.65

 

CMYK 17 / 50 / 0 / 25

HEX #9E5FBF

RGB 158 95 191

HSL 279.38, 0.43%, 0.56%

LAB 50.94, 42.56, -40.46

 

CMYK 22 / 64 / 0 / 18

HEX #A44CD1

RGB 164 76 209

HSL 279.7, 0.59%, 0.56%

LAB 49.09, 57.61, -53.71

 

CMYK 26 / 74 / 0 / 11

HEX #A93AE3

RGB 169 58 227

HSL 279.41, 0.75%, 0.56%

LAB 48.27, 69.87, -65.26

 

CMYK 29 / 84 / 0 / 4

HEX #AF28F6

RGB 175 40 246

HSL 279.32, 0.92%, 0.56%

LAB 48.62, 80.11, -75.36

 

CMYK 17 / 50 / 0 / 25

HEX #9E5FBF

RGB 158 95 191

HSL 279.38, 0.43%, 0.56%

LAB 50.94, 42.56, -40.46

 

CMYK 12 / 35 / 0 / 32

HEX #9871AD

RGB 152 113 173

HSL 279, 0.27%, 0.56%

LAB 53.5, 26.67, -26.11

 

CMYK 5 / 15 / 0 / 39

HEX #93839B

RGB 147 131 155

HSL 280, 0.11%, 0.56%

LAB 56.88, 10.7, -10.59

 

CMYK 5 / 0 / 8 / 42

HEX #8D9589

RGB 141 149 137

HSL 100, 0.05%, 0.56%

LAB 60.75, -5.22, 5.33

 

CMYK 19 / 0 / 29 / 35

HEX #87A776

RGB 135 167 118

HSL 99.18, 0.22%, 0.56%

LAB 65.04, -20.3, 21.84

 

CMYK 45 / 50 / 0 / 25

HEX #6A5FBF

RGB 106 95 191

HSL 246.88, 0.43%, 0.56%

LAB 45.65, 28.87, -49.2

 

CMYK 31 / 50 / 0 / 25

HEX #845FBF

RGB 132 95 191

HSL 263.13, 0.43%, 0.56%

LAB 48.07, 35.46, -45.19

 

CMYK 18 / 50 / 0 / 25

HEX #9D5FBF

RGB 157 95 191

HSL 278.75, 0.43%, 0.56%

LAB 50.82, 42.28, -40.66

 

CMYK 4 / 50 / 0 / 25

HEX #B75FBF

RGB 183 95 191

HSL 295, 0.43%, 0.56%

LAB 54.04, 49.61, -35.37

 

CMYK 0 / 50 / 9 / 25

HEX #BF5FAD

RGB 191 95 173

HSL 311.25, 0.43%, 0.56%

LAB 54.32, 48.74, -24.45

 

CMYK 21 / 60 / 0 / 43

HEX #733A91

RGB 115 58 145

HSL 279.31, 0.43%, 0.4%

LAB 35.43, 40.44, -38.13

 

CMYK 21 / 60 / 0 / 31

HEX #8B46AF

RGB 139 70 175

HSL 279.43, 0.43%, 0.48%

LAB 42.71, 47.16, -44.34

 

CMYK 17 / 50 / 0 / 25

HEX #9E5FBF

RGB 158 95 191

HSL 279.38, 0.43%, 0.56%

LAB 50.94, 42.56, -40.46

 

CMYK 13 / 39 / 0 / 20

HEX #B07CCB

RGB 176 124 203

HSL 279.49, 0.43%, 0.64%

LAB 59.85, 34.46, -33.2

 

CMYK 10 / 28 / 0 / 16

HEX #C29AD7

RGB 194 154 215

HSL 279.34, 0.43%, 0.72%

LAB 69.1, 25.94, -25.46

 

CMYK 17 / 50 / 0 / 25

HEX #9F60C0

RGB 159 96 192

HSL 279.38, 0.43%, 0.56%

LAB 51.32, 42.52, -40.43

 

CMYK 0 / 50 / 43 / 25

HEX #BF5F6D

RGB 191 95 109

HSL 351.25, 0.43%, 0.56%

LAB 52.25, 39.86, 10.17

 

CMYK 50 / 0 / 38 / 25

HEX #5FBF77

RGB 95 191 119

HSL 135, 0.43%, 0.56%

LAB 70.19, -44.15, 27.86

 

CMYK 17 / 50 / 0 / 25

HEX #9F60C0

RGB 159 96 192

HSL 279.38, 0.43%, 0.56%

LAB 51.32, 42.52, -40.43

 

CMYK 0 / 18 / 50 / 25

HEX #BF9D5F

RGB 191 157 95

HSL 38.75, 0.43%, 0.56%

LAB 66.53, 4.7, 36.97

 

CMYK 50 / 0 / 18 / 25

HEX #5FBF9D

RGB 95 191 157

HSL 158.75, 0.43%, 0.56%

LAB 70.96, -36.54, 8.53

 

CMYK 17 / 50 / 0 / 25

HEX #9F60C0

RGB 159 96 192

HSL 279.38, 0.43%, 0.56%

LAB 51.32, 42.52, -40.43

 

CMYK 0 / 50 / 43 / 25

HEX #BF5F6D

RGB 191 95 109

HSL 351.25, 0.43%, 0.56%

LAB 52.25, 39.86, 10.17

 

CMYK 33 / 0 / 50 / 25

HEX #80BF5F

RGB 128 191 95

HSL 99.38, 0.43%, 0.56%

LAB 71.34, -37.54, 41.83

 

CMYK 50 / 0 / 7 / 25

HEX #5FBFB1

RGB 95 191 177

HSL 171.25, 0.43%, 0.56%

LAB 71.47, -31.78, -1.64

 

CMYK 17 / 50 / 0 / 25

HEX #9F60C0

RGB 159 96 192

HSL 279.38, 0.43%, 0.56%

LAB 51.32, 42.52, -40.43

 

CMYK 0 / 43 / 50 / 25

HEX #BF6D5F

RGB 191 109 95

HSL 8.75, 0.43%, 0.56%

LAB 54.91, 31.05, 22.02

 

CMYK 33 / 0 / 50 / 25

HEX #80BF5F

RGB 128 191 95

HSL 99.38, 0.43%, 0.56%

LAB 71.34, -37.54, 41.83

 

CMYK 50 / 7 / 0 / 25

HEX #5FB1BF

RGB 95 177 191

HSL 188.75, 0.43%, 0.56%

LAB 67.75, -21.16, -14.86

 

Description

Color code: HEX #9F60C0 | qconv.com Color code: HEX #9F60C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 96 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 96 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 50 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 50% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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