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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F3B7E it is the complementary color #60C481. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F3B7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F3B7E shade: #A43B79, #B54D8C, #C65F9F, #D771B2 and #E883C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F3B7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F3B7E shade: #9F3B7E, #8E296B, #7D1758, #6C0545 and #5B0032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F3B7E shade: #A03B7F, #A03B64, #A03B48 and #A03B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F3B7E shade: #A03B7F, #A03B9A, #8B3BA0, #703BA0 and #553BA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F3B7E shade matches the following richer shades: #A03B7F, #B22985, #C4188B and #D50691

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F3B7E shade: #A03B7F, #8E4D79, #7D5F73, #6B706D and #598267

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F3B7E shade: #8A3BA0, #A03B9B, #A03B80, #A03B65 and #A03B4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F3B7E shade: #64254F, #823067, #A03B7F, #BC4996 and #C767A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F3B7E shade: #9F3B7E, #A06F3B and #3BA098

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F3B7E shade: #9F3B7E, #80A03B and #3B80A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F3B7E shade: #9F3B7E, #A06F3B, #3BA05B and #3B6CA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F3B7E shade: #9F3B7E, #A08E3B, #3BA05B and #3B4EA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 21 / 38

HEX #9F3B7E

RGB 159 59 126

HSL 319.8, 0.46%, 0.43%

LAB 41.22, 48.88, -16.93

 

Complementary color

CMYK 51 / 0 / 34 / 23

HEX #60C481

RGB 96 196 129

HSL 139.8, 0.46%, 0.57%

LAB 71.93, -44.24, 24.92

 

CMYK 0 / 64 / 26 / 36

HEX #A43B79

RGB 164 59 121

HSL 324.57, 0.47%, 0.44%

LAB 41.85, 49.66, -12.83

 

CMYK 0 / 57 / 23 / 29

HEX #B54D8C

RGB 181 77 140

HSL 323.65, 0.41%, 0.51%

LAB 48.29, 49.29, -14.34

 

CMYK 0 / 52 / 20 / 22

HEX #C65F9F

RGB 198 95 159

HSL 322.72, 0.47%, 0.57%

LAB 54.76, 48.7, -15.54

 

CMYK 0 / 47 / 17 / 16

HEX #D771B2

RGB 215 113 178

HSL 321.76, 0.56%, 0.64%

LAB 61.2, 47.99, -16.53

 

CMYK 0 / 44 / 15 / 9

HEX #E883C5

RGB 232 131 197

HSL 320.79, 0.69%, 0.71%

LAB 67.59, 47.25, -17.38

 

CMYK 0 / 63 / 21 / 38

HEX #9F3B7E

RGB 159 59 126

HSL 319.8, 0.46%, 0.43%

LAB 41.22, 48.88, -16.93

 

CMYK 0 / 71 / 25 / 44

HEX #8E296B

RGB 142 41 107

HSL 320.79, 0.55%, 0.36%

LAB 34.8, 48.83, -15.16

 

CMYK 0 / 82 / 30 / 51

HEX #7D1758

RGB 125 23 88

HSL 321.76, 0.69%, 0.29%

LAB 28.58, 47.94, -12.68

 

CMYK 0 / 95 / 36 / 58

HEX #6C0545

RGB 108 5 69

HSL 322.72, 0.91%, 0.22%

LAB 22.75, 45.65, -9.15

 

CMYK 0 / 100 / 45 / 64

HEX #5B0032

RGB 91 0 50

HSL 327.03, 1%, 0.18%

LAB 17.71, 40.66, -3.81

 

CMYK 0 / 63 / 21 / 37

HEX #A03B7F

RGB 160 59 127

HSL 319.6, 0.46%, 0.43%

LAB 41.43, 49.32, -17.22

 

CMYK 0 / 63 / 38 / 37

HEX #A03B64

RGB 160 59 100

HSL 335.64, 0.46%, 0.43%

LAB 40.45, 45.74, -1.95

 

CMYK 0 / 63 / 55 / 37

HEX #A03B48

RGB 160 59 72

HSL 352.28, 0.46%, 0.43%

LAB 39.7, 42.91, 14.56

 

CMYK 0 / 63 / 63 / 37

HEX #A03B3B

RGB 160 59 59

HSL 0, 0.46%, 0.43%

LAB 39.44, 41.92, 22.3

 

CMYK 0 / 63 / 21 / 37

HEX #A03B7F

RGB 160 59 127

HSL 319.6, 0.46%, 0.43%

LAB 41.43, 49.32, -17.22

 

CMYK 0 / 63 / 4 / 37

HEX #A03B9A

RGB 160 59 154

HSL 303.56, 0.46%, 0.43%

LAB 42.66, 53.64, -31.71

 

CMYK 13 / 63 / 0 / 37

HEX #8B3BA0

RGB 139 59 160

HSL 287.52, 0.46%, 0.43%

LAB 39.84, 49.37, -39.98

 

CMYK 30 / 63 / 0 / 37

HEX #703BA0

RGB 112 59 160

HSL 271.49, 0.46%, 0.43%

LAB 36.2, 42.74, -46.02

 

CMYK 47 / 63 / 0 / 37

HEX #553BA0

RGB 85 59 160

HSL 255.45, 0.46%, 0.43%

LAB 33.13, 36.64, -51.13

 

CMYK 0 / 63 / 21 / 37

HEX #A03B7F

RGB 160 59 127

HSL 319.6, 0.46%, 0.43%

LAB 41.43, 49.32, -17.22

 

CMYK 0 / 77 / 25 / 30

HEX #B22985

RGB 178 41 133

HSL 319.71, 0.63%, 0.43%

LAB 42.38, 61.7, -19.18

 

CMYK 0 / 88 / 29 / 23

HEX #C4188B

RGB 196 24 139

HSL 319.88, 0.78%, 0.43%

LAB 44.59, 70.53, -19.15

 

CMYK 0 / 97 / 32 / 16

HEX #D50691

RGB 213 6 145

HSL 319.71, 0.95%, 0.43%

LAB 47.39, 76.81, -18.22

 

CMYK 0 / 63 / 21 / 37

HEX #A03B7F

RGB 160 59 127

HSL 319.6, 0.46%, 0.43%

LAB 41.43, 49.32, -17.22

 

CMYK 0 / 46 / 15 / 44

HEX #8E4D79

RGB 142 77 121

HSL 319.38, 0.3%, 0.43%

LAB 41.91, 33.55, -13.05

 

CMYK 0 / 24 / 8 / 51

HEX #7D5F73

RGB 125 95 115

HSL 320, 0.14%, 0.43%

LAB 43.92, 15.74, -6.57

 

CMYK 4 / 0 / 3 / 56

HEX #6B706D

RGB 107 112 109

HSL 144, 0.02%, 0.43%

LAB 46.74, -2.52, 1

 

CMYK 32 / 0 / 21 / 49

HEX #598267

RGB 89 130 103

HSL 140.49, 0.19%, 0.43%

LAB 50.77, -20.31, 10.14

 

CMYK 14 / 63 / 0 / 37

HEX #8A3BA0

RGB 138 59 160

HSL 286.93, 0.46%, 0.43%

LAB 39.7, 49.12, -40.22

 

CMYK 0 / 63 / 3 / 37

HEX #A03B9B

RGB 160 59 155

HSL 302.97, 0.46%, 0.43%

LAB 42.72, 53.81, -32.23

 

CMYK 0 / 63 / 20 / 37

HEX #A03B80

RGB 160 59 128

HSL 319.01, 0.46%, 0.43%

LAB 41.47, 49.47, -17.77

 

CMYK 0 / 63 / 37 / 37

HEX #A03B65

RGB 160 59 101

HSL 335.05, 0.46%, 0.43%

LAB 40.48, 45.86, -2.52

 

CMYK 0 / 63 / 54 / 37

HEX #A03B4A

RGB 160 59 74

HSL 351.09, 0.46%, 0.43%

LAB 39.74, 43.08, 13.37

 

CMYK 0 / 63 / 21 / 61

HEX #64254F

RGB 100 37 79

HSL 320, 0.46%, 0.27%

LAB 25.55, 33.7, -11.76

 

CMYK 0 / 63 / 21 / 49

HEX #823067

RGB 130 48 103

HSL 319.76, 0.46%, 0.35%

LAB 33.65, 41.7, -14.56

 

CMYK 0 / 63 / 21 / 37

HEX #A03B7F

RGB 160 59 127

HSL 319.6, 0.46%, 0.43%

LAB 41.43, 49.32, -17.22

 

CMYK 0 / 61 / 20 / 26

HEX #BC4996

RGB 188 73 150

HSL 319.83, 0.46%, 0.51%

LAB 49.08, 54.64, -19.02

 

CMYK 0 / 48 / 16 / 22

HEX #C767A7

RGB 199 103 167

HSL 320, 0.46%, 0.59%

LAB 56.72, 46.24, -17.21

 

CMYK 0 / 63 / 21 / 38

HEX #9F3B7E

RGB 159 59 126

HSL 319.8, 0.46%, 0.43%

LAB 41.22, 48.88, -16.93

 

CMYK 0 / 31 / 63 / 37

HEX #A06F3B

RGB 160 111 59

HSL 30.89, 0.46%, 0.43%

LAB 50.87, 13.89, 36.22

 

CMYK 63 / 0 / 5 / 37

HEX #3BA098

RGB 59 160 152

HSL 175.25, 0.46%, 0.43%

LAB 60.19, -30.82, -4.48

 

CMYK 0 / 63 / 21 / 38

HEX #9F3B7E

RGB 159 59 126

HSL 319.8, 0.46%, 0.43%

LAB 41.22, 48.88, -16.93

 

CMYK 20 / 0 / 63 / 37

HEX #80A03B

RGB 128 160 59

HSL 79.01, 0.46%, 0.43%

LAB 61.69, -26.68, 47.6

 

CMYK 63 / 20 / 0 / 37

HEX #3B80A0

RGB 59 128 160

HSL 199.01, 0.46%, 0.43%

LAB 50.58, -11.66, -23.6

 

CMYK 0 / 63 / 21 / 38

HEX #9F3B7E

RGB 159 59 126

HSL 319.8, 0.46%, 0.43%

LAB 41.22, 48.88, -16.93

 

CMYK 0 / 31 / 63 / 37

HEX #A06F3B

RGB 160 111 59

HSL 30.89, 0.46%, 0.43%

LAB 50.87, 13.89, 36.22

 

CMYK 63 / 0 / 43 / 37

HEX #3BA05B

RGB 59 160 91

HSL 139.01, 0.46%, 0.43%

LAB 58.81, -44.89, 27.52

 

CMYK 63 / 33 / 0 / 37

HEX #3B6CA0

RGB 59 108 160

HSL 210.89, 0.46%, 0.43%

LAB 44.51, 0.14, -33.05

 

CMYK 0 / 63 / 21 / 38

HEX #9F3B7E

RGB 159 59 126

HSL 319.8, 0.46%, 0.43%

LAB 41.22, 48.88, -16.93

 

CMYK 0 / 11 / 63 / 37

HEX #A08E3B

RGB 160 142 59

HSL 49.31, 0.46%, 0.43%

LAB 59.1, -3.52, 45.51

 

CMYK 63 / 0 / 43 / 37

HEX #3BA05B

RGB 59 160 91

HSL 139.01, 0.46%, 0.43%

LAB 58.81, -44.89, 27.52

 

CMYK 63 / 51 / 0 / 37

HEX #3B4EA0

RGB 59 78 160

HSL 228.71, 0.46%, 0.43%

LAB 35.82, 19.35, -46.87

 

Description

Color code: HEX #9F3B7E | qconv.com Color code: HEX #9F3B7E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 59 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 59 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 21 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 21% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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