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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DB7D9 it is the complementary color #624826. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DB7D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DB7D9 shade: #A2B7D4, #B3C9E7, #C4DBFA, #D5EDFF and #E6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DB7D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DB7D9 shade: #9DB7D9, #8CA5C6, #7B93B3, #6A81A0 and #596F8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DB7D9 shade: #9CB6D8, #9CA6D8, #A29CD8, #B39CD8 and #C39CD8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DB7D9 shade: #9CB6D8, #9CA6D8 and #9C9CD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DB7D9 shade matches the following richer shades: #9CB6D8, #91B5E4, #86B3EF and #7AB2FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DB7D9 shade: #9CB6D8, #A7B8CD, #B2B9C2, #BDBBB7 and #C8BCAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DB7D9 shade: #9CD6D8, #9CC6D8, #9CB6D8, #9CA6D8 and #A29CD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DB7D9 shade: #608AC1, #7EA0CD, #9CB6D8, #BACCE4 and #D7E2F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DB7D9 shade: #9DB7D9, #CA9CD8 and #CED89C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DB7D9 shade: #9DB7D9, #D89CB6 and #B6D89C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DB7D9 shade: #9DB7D9, #CA9CD8, #D8BE9C and #AAD89C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DB7D9 shade: #9DB7D9, #D89CD4, #D8BE9C and #9CD8A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 16 / 0 / 15

HEX #9DB7D9

RGB 157 183 217

HSL 214, 0.44%, 0.73%

LAB 73.57, -1.19, -20

 

Complementary color

CMYK 0 / 27 / 61 / 62

HEX #624826

RGB 98 72 38

HSL 34, 0.44%, 0.27%

LAB 32.64, 6.74, 24.47

 

CMYK 24 / 14 / 0 / 17

HEX #A2B7D4

RGB 162 183 212

HSL 214.8, 0.37%, 0.73%

LAB 73.74, -0.85, -17

 

CMYK 23 / 13 / 0 / 9

HEX #B3C9E7

RGB 179 201 231

HSL 214.62, 0.52%, 0.8%

LAB 80.25, -1.01, -17.33

 

CMYK 22 / 12 / 0 / 2

HEX #C4DBFA

RGB 196 219 250

HSL 214.44, 0.84%, 0.87%

LAB 86.65, -1.16, -17.66

 

CMYK 16 / 7 / 0 / 0

HEX #D5EDFF

RGB 213 237 255

HSL 205.71, 1%, 0.92%

LAB 92.55, -4.25, -11.34

 

CMYK 10 / 0 / 0 / 0

HEX #E6FFFF

RGB 230 255 255

HSL 180, 1%, 0.95%

LAB 98.26, -8.06, -2.77

 

CMYK 28 / 16 / 0 / 15

HEX #9DB7D9

RGB 157 183 217

HSL 214, 0.44%, 0.73%

LAB 73.57, -1.19, -20

 

CMYK 29 / 17 / 0 / 22

HEX #8CA5C6

RGB 140 165 198

HSL 214.14, 0.34%, 0.66%

LAB 66.95, -0.99, -19.73

 

CMYK 31 / 18 / 0 / 30

HEX #7B93B3

RGB 123 147 179

HSL 214.29, 0.27%, 0.59%

LAB 60.19, -0.78, -19.48

 

CMYK 34 / 19 / 0 / 37

HEX #6A81A0

RGB 106 129 160

HSL 214.44, 0.22%, 0.52%

LAB 53.28, -0.53, -19.24

 

CMYK 37 / 21 / 0 / 45

HEX #596F8D

RGB 89 111 141

HSL 214.62, 0.23%, 0.45%

LAB 46.2, -0.25, -19.04

 

CMYK 28 / 16 / 0 / 15

HEX #9CB6D8

RGB 156 182 216

HSL 214, 0.43%, 0.73%

LAB 73.21, -1.18, -20.02

 

CMYK 28 / 23 / 0 / 15

HEX #9CA6D8

RGB 156 166 216

HSL 230, 0.43%, 0.73%

LAB 68.97, 7.65, -26.49

 

CMYK 25 / 28 / 0 / 15

HEX #A29CD8

RGB 162 156 216

HSL 246, 0.43%, 0.73%

LAB 66.84, 15.07, -29.73

 

CMYK 17 / 28 / 0 / 15

HEX #B39CD8

RGB 179 156 216

HSL 263, 0.43%, 0.73%

LAB 68.25, 20.29, -27.43

 

CMYK 10 / 28 / 0 / 15

HEX #C39CD8

RGB 195 156 216

HSL 279, 0.43%, 0.73%

LAB 69.71, 25.36, -25.07

 

CMYK 28 / 16 / 0 / 15

HEX #9CB6D8

RGB 156 182 216

HSL 214, 0.43%, 0.73%

LAB 73.21, -1.18, -20.02

 

CMYK 28 / 23 / 0 / 15

HEX #9CA6D8

RGB 156 166 216

HSL 230, 0.43%, 0.73%

LAB 68.97, 7.65, -26.49

 

CMYK 28 / 28 / 0 / 15

HEX #9C9CD8

RGB 156 156 216

HSL 240, 0.43%, 0.73%

LAB 66.37, 13.28, -30.49

 

CMYK 28 / 16 / 0 / 15

HEX #9CB6D8

RGB 156 182 216

HSL 214, 0.43%, 0.73%

LAB 73.21, -1.18, -20.02

 

CMYK 36 / 21 / 0 / 11

HEX #91B5E4

RGB 145 181 228

HSL 213.98, 0.61%, 0.73%

LAB 72.67, -0.76, -27.43

 

CMYK 44 / 25 / 0 / 6

HEX #86B3EF

RGB 134 179 239

HSL 214.29, 0.77%, 0.73%

LAB 71.92, 0.45, -34.62

 

CMYK 51 / 29 / 0 / 2

HEX #7AB2FA

RGB 122 178 250

HSL 213.75, 0.93%, 0.73%

LAB 71.47, 1.37, -41.33

 

CMYK 28 / 16 / 0 / 15

HEX #9CB6D8

RGB 156 182 216

HSL 214, 0.43%, 0.73%

LAB 73.21, -1.18, -20.02

 

CMYK 19 / 10 / 0 / 20

HEX #A7B8CD

RGB 167 184 205

HSL 213.16, 0.28%, 0.73%

LAB 74.13, -1.41, -12.56

 

CMYK 8 / 5 / 0 / 24

HEX #B2B9C2

RGB 178 185 194

HSL 213.75, 0.12%, 0.73%

LAB 74.86, -0.66, -5.39

 

CMYK 0 / 1 / 3 / 26

HEX #BDBBB7

RGB 189 187 183

HSL 40, 0.04%, 0.73%

LAB 75.93, -0.03, 2.26

 

CMYK 0 / 6 / 14 / 22

HEX #C8BCAC

RGB 200 188 172

HSL 34.29, 0.2%, 0.73%

LAB 76.81, 1.53, 9.61

 

CMYK 28 / 1 / 0 / 15

HEX #9CD6D8

RGB 156 214 216

HSL 182, 0.43%, 0.73%

LAB 81.9, -17.96, -6.99

 

CMYK 28 / 8 / 0 / 15

HEX #9CC6D8

RGB 156 198 216

HSL 198, 0.43%, 0.73%

LAB 77.53, -9.72, -13.5

 

CMYK 28 / 16 / 0 / 15

HEX #9CB6D8

RGB 156 182 216

HSL 214, 0.43%, 0.73%

LAB 73.21, -1.18, -20.02

 

CMYK 28 / 23 / 0 / 15

HEX #9CA6D8

RGB 156 166 216

HSL 230, 0.43%, 0.73%

LAB 68.97, 7.65, -26.49

 

CMYK 25 / 28 / 0 / 15

HEX #A29CD8

RGB 162 156 216

HSL 246, 0.43%, 0.73%

LAB 66.84, 15.07, -29.73

 

CMYK 50 / 28 / 0 / 24

HEX #608AC1

RGB 96 138 193

HSL 214.02, 0.44%, 0.57%

LAB 56.6, 1.06, -33.08

 

CMYK 39 / 22 / 0 / 20

HEX #7EA0CD

RGB 126 160 205

HSL 214.18, 0.44%, 0.65%

LAB 64.95, -0.39, -26.75

 

CMYK 28 / 16 / 0 / 15

HEX #9CB6D8

RGB 156 182 216

HSL 214, 0.43%, 0.73%

LAB 73.21, -1.18, -20.02

 

CMYK 18 / 11 / 0 / 11

HEX #BACCE4

RGB 186 204 228

HSL 214.29, 0.44%, 0.81%

LAB 81.42, -1.11, -13.92

 

CMYK 10 / 6 / 0 / 6

HEX #D7E2F0

RGB 215 226 240

HSL 213.6, 0.45%, 0.89%

LAB 89.45, -0.98, -8.08

 

CMYK 28 / 16 / 0 / 15

HEX #9DB7D9

RGB 157 183 217

HSL 214, 0.44%, 0.73%

LAB 73.57, -1.19, -20

 

CMYK 6 / 28 / 0 / 15

HEX #CA9CD8

RGB 202 156 216

HSL 286, 0.43%, 0.73%

LAB 70.38, 27.61, -23.99

 

CMYK 5 / 0 / 28 / 15

HEX #CED89C

RGB 206 216 156

HSL 70, 0.43%, 0.73%

LAB 84.29, -13.11, 28.53

 

CMYK 28 / 16 / 0 / 15

HEX #9DB7D9

RGB 157 183 217

HSL 214, 0.44%, 0.73%

LAB 73.57, -1.19, -20

 

CMYK 0 / 28 / 16 / 15

HEX #D89CB6

RGB 216 156 182

HSL 334, 0.43%, 0.73%

LAB 70.7, 26.25, -4.56

 

CMYK 16 / 0 / 28 / 15

HEX #B6D89C

RGB 182 216 156

HSL 94, 0.43%, 0.73%

LAB 82.62, -21.88, 25.99

 

CMYK 28 / 16 / 0 / 15

HEX #9DB7D9

RGB 157 183 217

HSL 214, 0.44%, 0.73%

LAB 73.57, -1.19, -20

 

CMYK 6 / 28 / 0 / 15

HEX #CA9CD8

RGB 202 156 216

HSL 286, 0.43%, 0.73%

LAB 70.38, 27.61, -23.99

 

CMYK 0 / 12 / 28 / 15

HEX #D8BE9C

RGB 216 190 156

HSL 34, 0.43%, 0.73%

LAB 78.36, 4.13, 20.58

 

CMYK 21 / 0 / 28 / 15

HEX #AAD89C

RGB 170 216 156

HSL 106, 0.43%, 0.73%

LAB 81.87, -26.09, 24.84

 

CMYK 28 / 16 / 0 / 15

HEX #9DB7D9

RGB 157 183 217

HSL 214, 0.44%, 0.73%

LAB 73.57, -1.19, -20

 

CMYK 0 / 28 / 2 / 15

HEX #D89CD4

RGB 216 156 212

HSL 304, 0.43%, 0.73%

LAB 71.64, 31.41, -19.73

 

CMYK 0 / 12 / 28 / 15

HEX #D8BE9C

RGB 216 190 156

HSL 34, 0.43%, 0.73%

LAB 78.36, 4.13, 20.58

 

CMYK 28 / 0 / 26 / 15

HEX #9CD8A0

RGB 156 216 160

HSL 124, 0.43%, 0.73%

LAB 81.14, -30.12, 21.61

 

Description

Color code: HEX #9DB7D9 | qconv.com Color code: HEX #9DB7D9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 183 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 183 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 16 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 16% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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