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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C9900 it is the complementary color #6366FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C9900. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9C9900: #A19900, #B2AB0E, #C3BD21, #D4CF34 and #E5E147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C9900. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9C9900: #9C9900, #8B8700, #7A7500, #696300 and #585100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 100 / 39

HEX #9C9900

RGB 156 153 0

HSL 58.85, 1%, 0.31%

LAB 61.52, -13.37, 64.83

 

Complementary color

CMYK 61 / 60 / 0 / 0

HEX #6366FF

RGB 99 102 255

HSL 238.85, 1%, 0.69%

LAB 51.12, 43.16, -76.63

 

CMYK 0 / 5 / 100 / 37

HEX #A19900

RGB 161 153 0

HSL 57.02, 1%, 0.32%

LAB 61.96, -11.1, 65.35

 

CMYK 0 / 4 / 92 / 30

HEX #B2AB0E

RGB 178 171 14

HSL 57.44, 0.85%, 0.38%

LAB 68.48, -12.69, 68.99

 

CMYK 0 / 3 / 83 / 24

HEX #C3BD21

RGB 195 189 33

HSL 57.78, 0.71%, 0.45%

LAB 74.89, -14.05, 71.02

 

CMYK 0 / 2 / 75 / 17

HEX #D4CF34

RGB 212 207 52

HSL 58.13, 0.65%, 0.52%

LAB 81.22, -15.2, 71.81

 

CMYK 0 / 2 / 69 / 10

HEX #E5E147

RGB 229 225 71

HSL 58.48, 0.75%, 0.59%

LAB 87.47, -16.17, 71.81

 

CMYK 0 / 2 / 100 / 39

HEX #9C9900

RGB 156 153 0

HSL 58.85, 1%, 0.31%

LAB 61.52, -13.37, 64.83

 

CMYK 0 / 3 / 100 / 45

HEX #8B8700

RGB 139 135 0

HSL 58.27, 1%, 0.27%

LAB 54.88, -11.59, 59.32

 

CMYK 0 / 4 / 100 / 52

HEX #7A7500

RGB 122 117 0

HSL 57.54, 1%, 0.24%

LAB 48.08, -9.75, 53.67

 

CMYK 0 / 6 / 100 / 59

HEX #696300

RGB 105 99 0

HSL 56.57, 1%, 0.21%

LAB 41.1, -7.84, 47.88

 

CMYK 0 / 8 / 100 / 65

HEX #585100

RGB 88 81 0

HSL 55.23, 1%, 0.17%

LAB 33.9, -5.83, 41.91

 

CMYK 0 / 2 / 100 / 39

HEX #9C9900

RGB 156 153 0

HSL 58.85, 1%, 0.31%

LAB 61.52, -13.37, 64.83

 

CMYK 13 / 0 / 100 / 38

HEX #899E00

RGB 137 158 0

HSL 67.97, 1%, 0.31%

LAB 61.46, -24.36, 64.1

 

CMYK 30 / 0 / 100 / 38

HEX #6E9E00

RGB 110 158 0

HSL 78.23, 1%, 0.31%

LAB 59.68, -35.62, 61.97

 

CMYK 47 / 0 / 100 / 38

HEX #549E00

RGB 84 158 0

HSL 88.1, 1%, 0.31%

LAB 58.36, -45.1, 60.38

 

CMYK 64 / 0 / 100 / 38

HEX #399E00

RGB 57 158 0

HSL 98.35, 1%, 0.31%

LAB 57.39, -52.82, 59.2

 

CMYK 0 / 2 / 100 / 39

HEX #9C9900

RGB 156 153 0

HSL 58.85, 1%, 0.31%

LAB 61.52, -13.37, 64.83

 

CMYK 0 / 2 / 100 / 19

HEX #CFCB00

RGB 207 203 0

HSL 58.84, 1%, 0.41%

LAB 79.6, -16.44, 79.95

 

CMYK 0 / 0 / 100 / 99

HEX #030300

RGB 3 3 0

HSL 60, 1%, 0.01%

LAB 0.76, -0.42, 1.14

 

CMYK 0 / 2 / 100 / 79

HEX #363500

RGB 54 53 0

HSL 58.89, 1%, 0.11%

LAB 21.32, -6.55, 29.67

 

CMYK 0 / 2 / 100 / 59

HEX #696700

RGB 105 103 0

HSL 58.86, 1%, 0.21%

LAB 42.31, -10.11, 48.76

 

CMYK 0 / 2 / 100 / 39

HEX #9C9900

RGB 156 153 0

HSL 58.85, 1%, 0.31%

LAB 61.52, -13.37, 64.83

 

CMYK 100 / 0 / 84 / 38

HEX #009E1A

RGB 0 158 26

HSL 129.87, 1%, 0.31%

LAB 56.61, -59.31, 53.3

 

CMYK 44 / 100 / 0 / 38

HEX #59009E

RGB 89 0 158

HSL 273.8, 1%, 0.31%

LAB 25.54, 59.26, -62.3

 

CMYK 0 / 2 / 100 / 39

HEX #9C9900

RGB 156 153 0

HSL 58.85, 1%, 0.31%

LAB 61.52, -13.37, 64.83

 

CMYK 100 / 0 / 4 / 38

HEX #009E98

RGB 0 158 152

HSL 177.72, 1%, 0.31%

LAB 58.71, -35.48, -6.76

 

CMYK 4 / 100 / 0 / 38

HEX #98009E

RGB 152 0 158

HSL 297.72, 1%, 0.31%

LAB 36.26, 67.71, -44.38

 

CMYK 0 / 2 / 100 / 39

HEX #9C9900

RGB 156 153 0

HSL 58.85, 1%, 0.31%

LAB 61.52, -13.37, 64.83

 

CMYK 100 / 0 / 84 / 38

HEX #009E1A

RGB 0 158 26

HSL 129.87, 1%, 0.31%

LAB 56.61, -59.31, 53.3

 

CMYK 100 / 97 / 0 / 38

HEX #00059E

RGB 0 5 158

HSL 238.1, 1%, 0.31%

LAB 18.26, 53.86, -74.61

 

CMYK 0 / 100 / 17 / 38

HEX #9E0083

RGB 158 0 131

HSL 310.25, 1%, 0.31%

LAB 35.81, 64.87, -28.45

 

CMYK 0 / 2 / 100 / 39

HEX #9C9900

RGB 156 153 0

HSL 58.85, 1%, 0.31%

LAB 61.52, -13.37, 64.83

 

CMYK 100 / 0 / 54 / 38

HEX #009E49

RGB 0 158 73

HSL 147.72, 1%, 0.31%

LAB 57.01, -54.28, 34.43

 

CMYK 100 / 97 / 0 / 38

HEX #00059E

RGB 0 5 158

HSL 238.1, 1%, 0.31%

LAB 18.26, 53.86, -74.61

 

CMYK 0 / 100 / 47 / 38

HEX #9E0054

RGB 158 0 84

HSL 328.1, 1%, 0.31%

LAB 33.79, 59.72, -1.55

 

Description

Color code: HEX #9C9900 | qconv.com Color code: HEX #9C9900 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 153 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 153 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 100 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 100% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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