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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B8D7A it is the complementary color #647285. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B8D7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9B8D7A: #A08D75, #B19F88, #C2B19B, #D3C3AE and #E4D5C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B8D7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9B8D7A: #9B8D7A, #8A7B67, #796954, #685741 and #57452E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 21 / 39

HEX #9B8D7A

RGB 155 141 122

HSL 34.55, 0.14%, 0.54%

LAB 59.36, 2.02, 12.04

 

Complementary color

CMYK 25 / 14 / 0 / 48

HEX #647285

RGB 100 114 133

HSL 214.55, 0.14%, 0.46%

LAB 47.54, -0.68, -12.16

 

CMYK 0 / 12 / 27 / 37

HEX #A08D75

RGB 160 141 117

HSL 33.49, 0.18%, 0.54%

LAB 59.71, 3.27, 15.43

 

CMYK 0 / 10 / 23 / 31

HEX #B19F88

RGB 177 159 136

HSL 33.66, 0.21%, 0.61%

LAB 66.46, 2.86, 14.41

 

CMYK 0 / 9 / 20 / 24

HEX #C2B19B

RGB 194 177 155

HSL 33.85, 0.24%, 0.68%

LAB 73.08, 2.51, 13.47

 

CMYK 0 / 8 / 18 / 17

HEX #D3C3AE

RGB 211 195 174

HSL 34.05, 0.3%, 0.75%

LAB 79.58, 2.2, 12.58

 

CMYK 0 / 7 / 15 / 11

HEX #E4D5C1

RGB 228 213 193

HSL 34.29, 0.39%, 0.83%

LAB 85.97, 1.91, 11.74

 

CMYK 0 / 9 / 21 / 39

HEX #9B8D7A

RGB 155 141 122

HSL 34.55, 0.14%, 0.54%

LAB 59.36, 2.02, 12.04

 

CMYK 0 / 11 / 25 / 46

HEX #8A7B67

RGB 138 123 103

HSL 34.29, 0.15%, 0.47%

LAB 52.45, 2.41, 13.05

 

CMYK 0 / 13 / 31 / 53

HEX #796954

RGB 121 105 84

HSL 34.05, 0.18%, 0.4%

LAB 45.37, 2.86, 14.16

 

CMYK 0 / 16 / 38 / 59

HEX #685741

RGB 104 87 65

HSL 33.85, 0.23%, 0.33%

LAB 38.09, 3.44, 15.39

 

CMYK 0 / 21 / 47 / 66

HEX #57452E

RGB 87 69 46

HSL 33.66, 0.31%, 0.26%

LAB 30.59, 4.18, 16.8

 

CMYK 0 / 9 / 21 / 39

HEX #9B8D7A

RGB 155 141 122

HSL 34.55, 0.14%, 0.54%

LAB 59.36, 2.02, 12.04

 

CMYK 0 / 6 / 21 / 40

HEX #9A9179

RGB 154 145 121

HSL 43.64, 0.14%, 0.54%

LAB 60.34, -0.76, 13.95

 

CMYK 0 / 3 / 21 / 40

HEX #9A9679

RGB 154 150 121

HSL 52.73, 0.14%, 0.54%

LAB 61.71, -3.52, 15.86

 

CMYK 2 / 0 / 21 / 40

HEX #979A79

RGB 151 154 121

HSL 65.45, 0.14%, 0.54%

LAB 62.57, -6.88, 17

 

CMYK 5 / 0 / 21 / 40

HEX #929A79

RGB 146 154 121

HSL 74.55, 0.14%, 0.54%

LAB 62.17, -8.82, 16.39

 

CMYK 0 / 9 / 21 / 39

HEX #9B8D7A

RGB 155 141 122

HSL 34.55, 0.14%, 0.54%

LAB 59.36, 2.02, 12.04

 

CMYK 0 / 9 / 21 / 19

HEX #CEBBA2

RGB 206 187 162

HSL 34.09, 0.31%, 0.72%

LAB 76.84, 2.76, 15.12

 

CMYK 0 / 0 / 0 / 99

HEX #020202

RGB 2 2 2

HSL 0, 0%, 0.01%

LAB 0.55, 0, -0

 

CMYK 0 / 9 / 21 / 79

HEX #35302A

RGB 53 48 42

HSL 32.73, 0.12%, 0.19%

LAB 20.2, 0.99, 4.65

 

CMYK 0 / 9 / 21 / 59

HEX #685F52

RGB 104 95 82

HSL 35.45, 0.12%, 0.36%

LAB 40.79, 1.23, 8.75

 

CMYK 0 / 9 / 21 / 39

HEX #9B8D7A

RGB 155 141 122

HSL 34.55, 0.14%, 0.54%

LAB 59.36, 2.02, 12.04

 

CMYK 17 / 0 / 21 / 40

HEX #809A79

RGB 128 154 121

HSL 107.27, 0.14%, 0.54%

LAB 60.85, -15.63, 14.36

 

CMYK 18 / 21 / 0 / 40

HEX #7E799A

RGB 126 121 154

HSL 249.09, 0.14%, 0.54%

LAB 52.33, 9.03, -17.06

 

CMYK 0 / 9 / 21 / 39

HEX #9B8D7A

RGB 155 141 122

HSL 34.55, 0.14%, 0.54%

LAB 59.36, 2.02, 12.04

 

CMYK 21 / 0 / 10 / 40

HEX #799A8B

RGB 121 154 139

HSL 152.73, 0.14%, 0.54%

LAB 60.82, -14.64, 4.12

 

CMYK 10 / 21 / 0 / 40

HEX #8B799A

RGB 139 121 154

HSL 272.73, 0.14%, 0.54%

LAB 53.49, 13.48, -15.2

 

CMYK 0 / 9 / 21 / 39

HEX #9B8D7A

RGB 155 141 122

HSL 34.55, 0.14%, 0.54%

LAB 59.36, 2.02, 12.04

 

CMYK 17 / 0 / 21 / 40

HEX #809A79

RGB 128 154 121

HSL 107.27, 0.14%, 0.54%

LAB 60.85, -15.63, 14.36

 

CMYK 21 / 12 / 0 / 40

HEX #79879A

RGB 121 135 154

HSL 214.55, 0.14%, 0.54%

LAB 55.81, -0.78, -11.83

 

CMYK 5 / 21 / 0 / 40

HEX #92799A

RGB 146 121 154

HSL 285.45, 0.14%, 0.54%

LAB 54.15, 15.93, -14.13

 

CMYK 0 / 9 / 21 / 39

HEX #9B8D7A

RGB 155 141 122

HSL 34.55, 0.14%, 0.54%

LAB 59.36, 2.02, 12.04

 

CMYK 21 / 0 / 20 / 40

HEX #799A7B

RGB 121 154 123

HSL 123.64, 0.14%, 0.54%

LAB 60.43, -17.8, 12.59

 

CMYK 21 / 12 / 0 / 40

HEX #79879A

RGB 121 135 154

HSL 214.55, 0.14%, 0.54%

LAB 55.81, -0.78, -11.83

 

CMYK 0 / 21 / 2 / 40

HEX #9A7997

RGB 154 121 151

HSL 305.45, 0.14%, 0.54%

LAB 54.84, 18.17, -11.27

 

Description

Color code: HEX #9B8D7A | qconv.com Color code: HEX #9B8D7A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 141 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 141 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 21 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 21% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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