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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AB3E5 it is the complementary color #654C1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AB3E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AB3E5 shade: #9FB3E0, #B0C5F3, #C1D7FF, #D2E9FF and #E3FBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AB3E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AB3E5 shade: #9AB3E5, #89A1D2, #788FBF, #677DAC and #566B99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AB3E5 shade: #9AB3E5, #9A9EE5, #A99AE5, #BD9AE5 and #D29AE5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AB3E5 shade: #9AB3E5, #9A9EE5 and #9A9AE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AB3E5 shade matches the following richer shades: #9AB3E5, #8FAFEF and #85ACF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AB3E5 shade: #9AB3E5, #A4B6DB, #AEBAD0, #B9BDC6 and #C3C0BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AB3E5 shade: #9ADBE5, #9AC7E5, #9AB3E5, #9A9FE5 and #A99AE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AB3E5 shade: #5881D4, #799ADC, #9AB3E5, #BACBED and #DBE4F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AB3E5 shade: #9AB3E5, #DB9AE5 and #D1E59A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AB3E5 shade: #9AB3E5, #E59AB3 and #B3E59A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AB3E5 shade: #9AB3E5, #DB9AE5, #E5CC9A and #A4E59A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AB3E5 shade: #9AB3E5, #E59AD8, #E5CC9A and #9AE5A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 22 / 0 / 10

HEX #9AB3E5

RGB 154 179 229

HSL 220, 0.59%, 0.75%

LAB 72.74, 3.09, -27.83

 

Complementary color

CMYK 0 / 25 / 74 / 60

HEX #654C1A

RGB 101 76 26

HSL 40, 0.59%, 0.25%

LAB 34, 4.84, 32.63

 

CMYK 29 / 20 / 0 / 12

HEX #9FB3E0

RGB 159 179 224

HSL 221.54, 0.51%, 0.75%

LAB 72.89, 3.28, -24.85

 

CMYK 28 / 19 / 0 / 5

HEX #B0C5F3

RGB 176 197 243

HSL 221.19, 0.74%, 0.82%

LAB 79.4, 3.01, -25.05

 

CMYK 24 / 16 / 0 / 0

HEX #C1D7FF

RGB 193 215 255

HSL 218.71, 1%, 0.88%

LAB 85.58, 1.16, -21.93

 

CMYK 18 / 9 / 0 / 0

HEX #D2E9FF

RGB 210 233 255

HSL 209.33, 1%, 0.91%

LAB 91.32, -3.11, -13.18

 

CMYK 11 / 2 / 0 / 0

HEX #E3FBFF

RGB 227 251 255

HSL 188.57, 1%, 0.95%

LAB 97.04, -7, -4.58

 

CMYK 33 / 22 / 0 / 10

HEX #9AB3E5

RGB 154 179 229

HSL 220, 0.59%, 0.75%

LAB 72.74, 3.09, -27.83

 

CMYK 35 / 23 / 0 / 18

HEX #89A1D2

RGB 137 161 210

HSL 220.27, 0.45%, 0.68%

LAB 66.11, 3.43, -27.69

 

CMYK 37 / 25 / 0 / 25

HEX #788FBF

RGB 120 143 191

HSL 220.56, 0.36%, 0.61%

LAB 59.34, 3.82, -27.58

 

CMYK 40 / 27 / 0 / 33

HEX #677DAC

RGB 103 125 172

HSL 220.87, 0.29%, 0.54%

LAB 52.43, 4.28, -27.51

 

CMYK 44 / 30 / 0 / 40

HEX #566B99

RGB 86 107 153

HSL 221.19, 0.28%, 0.47%

LAB 45.35, 4.83, -27.49

 

CMYK 33 / 22 / 0 / 10

HEX #9AB3E5

RGB 154 179 229

HSL 220, 0.59%, 0.75%

LAB 72.74, 3.09, -27.83

 

CMYK 33 / 31 / 0 / 10

HEX #9A9EE5

RGB 154 158 229

HSL 236.8, 0.59%, 0.75%

LAB 67.26, 14.85, -36.29

 

CMYK 26 / 33 / 0 / 10

HEX #A99AE5

RGB 169 154 229

HSL 252, 0.59%, 0.75%

LAB 67.43, 21.41, -35.94

 

CMYK 17 / 33 / 0 / 10

HEX #BD9AE5

RGB 189 154 229

HSL 268, 0.59%, 0.75%

LAB 69.17, 27.37, -33.1

 

CMYK 8 / 33 / 0 / 10

HEX #D29AE5

RGB 210 154 229

HSL 284.8, 0.59%, 0.75%

LAB 71.19, 33.83, -29.81

 

CMYK 33 / 22 / 0 / 10

HEX #9AB3E5

RGB 154 179 229

HSL 220, 0.59%, 0.75%

LAB 72.74, 3.09, -27.83

 

CMYK 33 / 31 / 0 / 10

HEX #9A9EE5

RGB 154 158 229

HSL 236.8, 0.59%, 0.75%

LAB 67.26, 14.85, -36.29

 

CMYK 33 / 33 / 0 / 10

HEX #9A9AE5

RGB 154 154 229

HSL 240, 0.59%, 0.75%

LAB 66.24, 17.13, -37.88

 

CMYK 33 / 22 / 0 / 10

HEX #9AB3E5

RGB 154 179 229

HSL 220, 0.59%, 0.75%

LAB 72.74, 3.09, -27.83

 

CMYK 40 / 27 / 0 / 6

HEX #8FAFEF

RGB 143 175 239

HSL 220, 0.75%, 0.75%

LAB 71.37, 4.95, -35.43

 

CMYK 47 / 31 / 0 / 2

HEX #85ACF9

RGB 133 172 249

HSL 219.83, 0.91%, 0.75%

LAB 70.41, 6.95, -42.41

 

CMYK 33 / 22 / 0 / 10

HEX #9AB3E5

RGB 154 179 229

HSL 220, 0.59%, 0.75%

LAB 72.74, 3.09, -27.83

 

CMYK 25 / 17 / 0 / 14

HEX #A4B6DB

RGB 164 182 219

HSL 220.36, 0.43%, 0.75%

LAB 73.84, 1.93, -20.64

 

CMYK 16 / 11 / 0 / 18

HEX #AEBAD0

RGB 174 186 208

HSL 218.82, 0.27%, 0.75%

LAB 75.25, 0.4, -12.47

 

CMYK 7 / 5 / 0 / 22

HEX #B9BDC6

RGB 185 189 198

HSL 221.54, 0.1%, 0.75%

LAB 76.55, 0.35, -5.02

 

CMYK 0 / 2 / 4 / 24

HEX #C3C0BC

RGB 195 192 188

HSL 34.29, 0.06%, 0.75%

LAB 77.83, 0.33, 2.37

 

CMYK 33 / 4 / 0 / 10

HEX #9ADBE5

RGB 154 219 229

HSL 188, 0.59%, 0.75%

LAB 83.54, -18.03, -11.47

 

CMYK 33 / 13 / 0 / 10

HEX #9AC7E5

RGB 154 199 229

HSL 204, 0.59%, 0.75%

LAB 78.1, -7.71, -19.66

 

CMYK 33 / 22 / 0 / 10

HEX #9AB3E5

RGB 154 179 229

HSL 220, 0.59%, 0.75%

LAB 72.74, 3.09, -27.83

 

CMYK 33 / 31 / 0 / 10

HEX #9A9FE5

RGB 154 159 229

HSL 236, 0.59%, 0.75%

LAB 67.52, 14.28, -35.89

 

CMYK 26 / 33 / 0 / 10

HEX #A99AE5

RGB 169 154 229

HSL 252, 0.59%, 0.75%

LAB 67.43, 21.41, -35.94

 

CMYK 58 / 39 / 0 / 17

HEX #5881D4

RGB 88 129 212

HSL 220.16, 0.59%, 0.59%

LAB 54.58, 10.73, -47.04

 

CMYK 45 / 30 / 0 / 14

HEX #799ADC

RGB 121 154 220

HSL 220, 0.59%, 0.67%

LAB 63.63, 5.92, -37.16

 

CMYK 33 / 22 / 0 / 10

HEX #9AB3E5

RGB 154 179 229

HSL 220, 0.59%, 0.75%

LAB 72.74, 3.09, -27.83

 

CMYK 22 / 14 / 0 / 7

HEX #BACBED

RGB 186 203 237

HSL 220, 0.59%, 0.83%

LAB 81.44, 1.39, -18.7

 

CMYK 11 / 7 / 0 / 4

HEX #DBE4F6

RGB 219 228 246

HSL 220, 0.6%, 0.91%

LAB 90.41, 0.45, -9.77

 

CMYK 33 / 22 / 0 / 10

HEX #9AB3E5

RGB 154 179 229

HSL 220, 0.59%, 0.75%

LAB 72.74, 3.09, -27.83

 

CMYK 4 / 33 / 0 / 10

HEX #DB9AE5

RGB 219 154 229

HSL 292, 0.59%, 0.75%

LAB 72.11, 36.63, -28.32

 

CMYK 9 / 0 / 33 / 10

HEX #D1E59A

RGB 209 229 154

HSL 76, 0.59%, 0.75%

LAB 87.93, -18.72, 34.44

 

CMYK 33 / 22 / 0 / 10

HEX #9AB3E5

RGB 154 179 229

HSL 220, 0.59%, 0.75%

LAB 72.74, 3.09, -27.83

 

CMYK 0 / 33 / 22 / 10

HEX #E59AB3

RGB 229 154 179

HSL 340, 0.59%, 0.75%

LAB 71.57, 31.49, -1.45

 

CMYK 22 / 0 / 33 / 10

HEX #B3E59A

RGB 179 229 154

HSL 100, 0.59%, 0.75%

LAB 85.98, -29.49, 31.5

 

CMYK 33 / 22 / 0 / 10

HEX #9AB3E5

RGB 154 179 229

HSL 220, 0.59%, 0.75%

LAB 72.74, 3.09, -27.83

 

CMYK 4 / 33 / 0 / 10

HEX #DB9AE5

RGB 219 154 229

HSL 292, 0.59%, 0.75%

LAB 72.11, 36.63, -28.32

 

CMYK 0 / 11 / 33 / 10

HEX #E5CC9A

RGB 229 204 154

HSL 40, 0.59%, 0.75%

LAB 83.01, 1.54, 28.15

 

CMYK 28 / 0 / 33 / 10

HEX #A4E59A

RGB 164 229 154

HSL 112, 0.59%, 0.75%

LAB 85.13, -34.55, 30.21

 

CMYK 33 / 22 / 0 / 10

HEX #9AB3E5

RGB 154 179 229

HSL 220, 0.59%, 0.75%

LAB 72.74, 3.09, -27.83

 

CMYK 0 / 33 / 6 / 10

HEX #E59AD8

RGB 229 154 216

HSL 310.4, 0.59%, 0.75%

LAB 72.71, 37.44, -20.18

 

CMYK 0 / 11 / 33 / 10

HEX #E5CC9A

RGB 229 204 154

HSL 40, 0.59%, 0.75%

LAB 83.01, 1.54, 28.15

 

CMYK 33 / 0 / 28 / 10

HEX #9AE5A6

RGB 154 229 166

HSL 129.6, 0.59%, 0.75%

LAB 84.82, -35.78, 23.54

 

Description

Color code: HEX #9AB3E5 | qconv.com Color code: HEX #9AB3E5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 179 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 179 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 22 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 22% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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