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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AAECE it is the complementary color #655131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AAECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AAECE shade: #9FAEC9, #B0C0DC, #C1D2EF, #D2E4FF and #E3F6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AAECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AAECE shade: #9AAECE, #899CBB, #788AA8, #677895 and #566682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AAECE shade: #9BAFCF, #9BA1CF, #A39BCF, #B19BCF and #BF9BCF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AAECE shade: #9BAFCF, #9BA1CF and #9B9BCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AAECE shade matches the following richer shades: #9BAFCF, #8FACDB, #83AAE7, #77A7F3 and #6BA4FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AAECE shade: #9BAFCF, #A7B2C3, #B3B5B7, #BFB7AB and #CBBA9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AAECE shade: #9BCBCF, #9BBECF, #9BB0CF, #9BA2CF and #A29BCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AAECE shade: #6382B4, #7F99C2, #9BAFCF, #B7C5DC and #D3DCEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AAECE shade: #9AAECE, #C59BCF and #C5CF9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AAECE shade: #9AAECE, #CF9BB0 and #B0CF9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AAECE shade: #9AAECE, #C59BCF, #CFBA9B and #A6CF9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AAECE shade: #9AAECE, #CF9BCA, #CFBA9B and #9BCFA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 16 / 0 / 19

HEX #9AAECE

RGB 154 174 206

HSL 216.92, 0.35%, 0.71%

LAB 70.59, 0.2, -18.53

 

Complementary color

CMYK 0 / 20 / 51 / 60

HEX #655131

RGB 101 81 49

HSL 36.92, 0.35%, 0.29%

LAB 35.74, 3.73, 21.89

 

CMYK 21 / 13 / 0 / 21

HEX #9FAEC9

RGB 159 174 201

HSL 218.57, 0.28%, 0.71%

LAB 70.77, 0.59, -15.47

 

CMYK 20 / 13 / 0 / 14

HEX #B0C0DC

RGB 176 192 220

HSL 218.18, 0.39%, 0.78%

LAB 77.34, 0.42, -15.82

 

CMYK 19 / 12 / 0 / 6

HEX #C1D2EF

RGB 193 210 239

HSL 217.83, 0.59%, 0.85%

LAB 83.79, 0.26, -16.17

 

CMYK 18 / 11 / 0 / 0

HEX #D2E4FF

RGB 210 228 255

HSL 216, 1%, 0.91%

LAB 90.05, -0.53, -15.09

 

CMYK 11 / 4 / 0 / 0

HEX #E3F6FF

RGB 227 246 255

HSL 199.29, 1%, 0.95%

LAB 95.77, -4.47, -6.45

 

CMYK 25 / 16 / 0 / 19

HEX #9AAECE

RGB 154 174 206

HSL 216.92, 0.35%, 0.71%

LAB 70.59, 0.2, -18.53

 

CMYK 27 / 17 / 0 / 27

HEX #899CBB

RGB 137 156 187

HSL 217.2, 0.27%, 0.64%

LAB 63.9, 0.41, -18.24

 

CMYK 29 / 18 / 0 / 34

HEX #788AA8

RGB 120 138 168

HSL 217.5, 0.22%, 0.56%

LAB 57.07, 0.63, -17.98

 

CMYK 31 / 19 / 0 / 42

HEX #677895

RGB 103 120 149

HSL 217.83, 0.18%, 0.49%

LAB 50.08, 0.88, -17.73

 

CMYK 34 / 22 / 0 / 49

HEX #566682

RGB 86 102 130

HSL 218.18, 0.2%, 0.42%

LAB 42.9, 1.18, -17.52

 

CMYK 25 / 15 / 0 / 19

HEX #9BAFCF

RGB 155 175 207

HSL 216.92, 0.35%, 0.71%

LAB 70.96, 0.2, -18.51

 

CMYK 25 / 22 / 0 / 19

HEX #9BA1CF

RGB 155 161 207

HSL 233.08, 0.35%, 0.71%

LAB 67.25, 7.97, -24.16

 

CMYK 21 / 25 / 0 / 19

HEX #A39BCF

RGB 163 155 207

HSL 249.23, 0.35%, 0.71%

LAB 66.32, 13.81, -25.54

 

CMYK 14 / 25 / 0 / 19

HEX #B19BCF

RGB 177 155 207

HSL 265.38, 0.35%, 0.71%

LAB 67.5, 18.24, -23.63

 

CMYK 8 / 25 / 0 / 19

HEX #BF9BCF

RGB 191 155 207

HSL 281.54, 0.35%, 0.71%

LAB 68.77, 22.78, -21.57

 

CMYK 25 / 15 / 0 / 19

HEX #9BAFCF

RGB 155 175 207

HSL 216.92, 0.35%, 0.71%

LAB 70.96, 0.2, -18.51

 

CMYK 25 / 22 / 0 / 19

HEX #9BA1CF

RGB 155 161 207

HSL 233.08, 0.35%, 0.71%

LAB 67.25, 7.97, -24.16

 

CMYK 25 / 25 / 0 / 19

HEX #9B9BCF

RGB 155 155 207

HSL 240, 0.35%, 0.71%

LAB 65.68, 11.35, -26.57

 

CMYK 25 / 15 / 0 / 19

HEX #9BAFCF

RGB 155 175 207

HSL 216.92, 0.35%, 0.71%

LAB 70.96, 0.2, -18.51

 

CMYK 35 / 21 / 0 / 14

HEX #8FACDB

RGB 143 172 219

HSL 217.11, 0.51%, 0.71%

LAB 69.8, 1.31, -26.95

 

CMYK 43 / 26 / 0 / 9

HEX #83AAE7

RGB 131 170 231

HSL 216.6, 0.68%, 0.71%

LAB 69, 2.48, -34.81

 

CMYK 51 / 31 / 0 / 5

HEX #77A7F3

RGB 119 167 243

HSL 216.77, 0.84%, 0.71%

LAB 68.04, 4.8, -42.9

 

CMYK 58 / 36 / 0 / 0

HEX #6BA4FF

RGB 107 164 255

HSL 216.89, 1%, 0.71%

LAB 67.2, 7.74, -50.8

 

CMYK 25 / 15 / 0 / 19

HEX #9BAFCF

RGB 155 175 207

HSL 216.92, 0.35%, 0.71%

LAB 70.96, 0.2, -18.51

 

CMYK 14 / 9 / 0 / 24

HEX #A7B2C3

RGB 167 178 195

HSL 216.43, 0.19%, 0.71%

LAB 72.23, -0.33, -9.94

 

CMYK 2 / 1 / 0 / 28

HEX #B3B5B7

RGB 179 181 183

HSL 210, 0.03%, 0.71%

LAB 73.58, -0.32, -1.27

 

CMYK 0 / 4 / 10 / 25

HEX #BFB7AB

RGB 191 183 171

HSL 36, 0.14%, 0.71%

LAB 74.75, 0.74, 7.1

 

CMYK 0 / 8 / 22 / 20

HEX #CBBA9F

RGB 203 186 159

HSL 36.82, 0.3%, 0.71%

LAB 76.26, 1.71, 15.88

 

CMYK 25 / 2 / 0 / 19

HEX #9BCBCF

RGB 155 203 207

HSL 184.62, 0.35%, 0.71%

LAB 78.57, -14.68, -7.11

 

CMYK 25 / 8 / 0 / 19

HEX #9BBECF

RGB 155 190 207

HSL 199.62, 0.35%, 0.71%

LAB 75.01, -7.89, -12.41

 

CMYK 25 / 15 / 0 / 19

HEX #9BB0CF

RGB 155 176 207

HSL 215.77, 0.35%, 0.71%

LAB 71.23, -0.35, -18.1

 

CMYK 25 / 22 / 0 / 19

HEX #9BA2CF

RGB 155 162 207

HSL 231.92, 0.35%, 0.71%

LAB 67.51, 7.41, -23.76

 

CMYK 22 / 25 / 0 / 19

HEX #A29BCF

RGB 162 155 207

HSL 248.08, 0.35%, 0.71%

LAB 66.24, 13.5, -25.67

 

CMYK 45 / 28 / 0 / 29

HEX #6382B4

RGB 99 130 180

HSL 217.04, 0.35%, 0.55%

LAB 53.93, 2.58, -29.8

 

CMYK 35 / 21 / 0 / 24

HEX #7F99C2

RGB 127 153 194

HSL 216.72, 0.35%, 0.63%

LAB 62.67, 0.9, -24.11

 

CMYK 25 / 15 / 0 / 19

HEX #9BAFCF

RGB 155 175 207

HSL 216.92, 0.35%, 0.71%

LAB 70.96, 0.2, -18.51

 

CMYK 17 / 10 / 0 / 14

HEX #B7C5DC

RGB 183 197 220

HSL 217.3, 0.35%, 0.79%

LAB 79.14, -0.06, -13.07

 

CMYK 10 / 6 / 0 / 8

HEX #D3DCEA

RGB 211 220 234

HSL 216.52, 0.35%, 0.87%

LAB 87.47, -0.34, -7.89

 

CMYK 25 / 16 / 0 / 19

HEX #9AAECE

RGB 154 174 206

HSL 216.92, 0.35%, 0.71%

LAB 70.59, 0.2, -18.53

 

CMYK 5 / 25 / 0 / 19

HEX #C59BCF

RGB 197 155 207

HSL 288.46, 0.35%, 0.71%

LAB 69.34, 24.75, -20.65

 

CMYK 5 / 0 / 25 / 19

HEX #C5CF9B

RGB 197 207 155

HSL 71.54, 0.35%, 0.71%

LAB 81.22, -12.06, 24.77

 

CMYK 25 / 16 / 0 / 19

HEX #9AAECE

RGB 154 174 206

HSL 216.92, 0.35%, 0.71%

LAB 70.59, 0.2, -18.53

 

CMYK 0 / 25 / 15 / 19

HEX #CF9BB0

RGB 207 155 176

HSL 335.77, 0.35%, 0.71%

LAB 69.36, 22.61, -3.31

 

CMYK 15 / 0 / 25 / 19

HEX #B0CF9B

RGB 176 207 155

HSL 95.77, 0.35%, 0.71%

LAB 79.74, -19.73, 22.51

 

CMYK 25 / 16 / 0 / 19

HEX #9AAECE

RGB 154 174 206

HSL 216.92, 0.35%, 0.71%

LAB 70.59, 0.2, -18.53

 

CMYK 5 / 25 / 0 / 19

HEX #C59BCF

RGB 197 155 207

HSL 288.46, 0.35%, 0.71%

LAB 69.34, 24.75, -20.65

 

CMYK 0 / 10 / 25 / 19

HEX #CFBA9B

RGB 207 186 155

HSL 35.77, 0.35%, 0.71%

LAB 76.53, 2.66, 18.46

 

CMYK 20 / 0 / 25 / 19

HEX #A6CF9B

RGB 166 207 155

HSL 107.31, 0.35%, 0.71%

LAB 79.1, -23.25, 21.53

 

CMYK 25 / 16 / 0 / 19

HEX #9AAECE

RGB 154 174 206

HSL 216.92, 0.35%, 0.71%

LAB 70.59, 0.2, -18.53

 

CMYK 0 / 25 / 2 / 19

HEX #CF9BCA

RGB 207 155 202

HSL 305.77, 0.35%, 0.71%

LAB 70.16, 27.12, -16.55

 

CMYK 0 / 10 / 25 / 19

HEX #CFBA9B

RGB 207 186 155

HSL 35.77, 0.35%, 0.71%

LAB 76.53, 2.66, 18.46

 

CMYK 25 / 0 / 23 / 19

HEX #9BCFA0

RGB 155 207 160

HSL 125.77, 0.35%, 0.71%

LAB 78.54, -26.13, 18.01

 

Description

Color code: HEX #9AAECE | qconv.com Color code: HEX #9AAECE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 174 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 174 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 16 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 16% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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