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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A8CA6 it is the complementary color #657359. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A8CA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A8CA6 shade: #9F8CA1, #B09EB4, #C1B0C7, #D2C2DA and #E3D4ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A8CA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A8CA6 shade: #9A8CA6, #897A93, #786880, #67566D and #56445A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A8CA6 shade: #9A8CA6, #A18CA6, #A68CA4, #A68C9D and #A68C96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A8CA6 shade: #9A8CA6, #938CA6 and #8C8CA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A8CA6 shade matches the following richer shades: #9A8CA6, #9B7BB7, #9D6BC7, #9E5AD8 and #9F4AE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A8CA6 shade: #9A8CA6, #999C96, #97AD85, #96BD75 and #95CE64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A8CA6 shade: #8C8CA6, #938CA6, #9A8CA6, #A18CA6 and #A68CA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A8CA6 shade: #71617E, #867494, #9A8CA6, #AEA3B8 and #C3BACA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A8CA6 shade: #9A8CA6, #A68C93 and #8CA68F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A8CA6 shade: #9A8CA6, #A69A8C and #8CA69A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A8CA6 shade: #9A8CA6, #A68C93, #98A68C and #8CA69F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A8CA6 shade: #9A8CA6, #A68D8C, #98A68C and #8CA5A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 16 / 0 / 35

HEX #9A8CA6

RGB 154 140 166

HSL 272.31, 0.13%, 0.6%

LAB 60.23, 10.29, -11.8

 

Complementary color

CMYK 12 / 0 / 23 / 55

HEX #657359

RGB 101 115 89

HSL 92.31, 0.13%, 0.4%

LAB 46.64, -10.43, 12.68

 

CMYK 1 / 13 / 0 / 37

HEX #9F8CA1

RGB 159 140 161

HSL 294.29, 0.1%, 0.59%

LAB 60.52, 11.03, -8.48

 

CMYK 2 / 12 / 0 / 29

HEX #B09EB4

RGB 176 158 180

HSL 289.09, 0.13%, 0.66%

LAB 67.26, 10.65, -8.97

 

CMYK 3 / 12 / 0 / 22

HEX #C1B0C7

RGB 193 176 199

HSL 284.35, 0.17%, 0.74%

LAB 73.88, 10.29, -9.45

 

CMYK 4 / 11 / 0 / 15

HEX #D2C2DA

RGB 210 194 218

HSL 280, 0.24%, 0.81%

LAB 80.37, 9.97, -9.93

 

CMYK 4 / 11 / 0 / 7

HEX #E3D4ED

RGB 227 212 237

HSL 276, 0.41%, 0.88%

LAB 86.77, 9.66, -10.39

 

CMYK 7 / 16 / 0 / 35

HEX #9A8CA6

RGB 154 140 166

HSL 272.31, 0.13%, 0.6%

LAB 60.23, 10.29, -11.8

 

CMYK 7 / 17 / 0 / 42

HEX #897A93

RGB 137 122 147

HSL 276, 0.1%, 0.53%

LAB 53.32, 10.69, -11.39

 

CMYK 6 / 19 / 0 / 50

HEX #786880

RGB 120 104 128

HSL 280, 0.1%, 0.45%

LAB 46.25, 11.13, -10.97

 

CMYK 6 / 21 / 0 / 57

HEX #67566D

RGB 103 86 109

HSL 284.35, 0.12%, 0.38%

LAB 38.97, 11.64, -10.55

 

CMYK 4 / 24 / 0 / 65

HEX #56445A

RGB 86 68 90

HSL 289.09, 0.14%, 0.31%

LAB 31.46, 12.23, -10.13

 

CMYK 7 / 16 / 0 / 35

HEX #9A8CA6

RGB 154 140 166

HSL 272.31, 0.13%, 0.6%

LAB 60.23, 10.29, -11.8

 

CMYK 3 / 16 / 0 / 35

HEX #A18CA6

RGB 161 140 166

HSL 288.46, 0.13%, 0.6%

LAB 60.86, 12.74, -10.8

 

CMYK 0 / 16 / 1 / 35

HEX #A68CA4

RGB 166 140 164

HSL 304.62, 0.13%, 0.6%

LAB 61.26, 14.12, -9.01

 

CMYK 0 / 16 / 5 / 35

HEX #A68C9D

RGB 166 140 157

HSL 320.77, 0.13%, 0.6%

LAB 61.04, 12.79, -5.35

 

CMYK 0 / 16 / 10 / 35

HEX #A68C96

RGB 166 140 150

HSL 336.92, 0.13%, 0.6%

LAB 60.84, 11.52, -1.66

 

CMYK 7 / 16 / 0 / 35

HEX #9A8CA6

RGB 154 140 166

HSL 272.31, 0.13%, 0.6%

LAB 60.23, 10.29, -11.8

 

CMYK 11 / 16 / 0 / 35

HEX #938CA6

RGB 147 140 166

HSL 256.15, 0.13%, 0.6%

LAB 59.63, 7.87, -12.77

 

CMYK 16 / 16 / 0 / 35

HEX #8C8CA6

RGB 140 140 166

HSL 240, 0.13%, 0.6%

LAB 59.05, 5.49, -13.69

 

CMYK 7 / 16 / 0 / 35

HEX #9A8CA6

RGB 154 140 166

HSL 272.31, 0.13%, 0.6%

LAB 60.23, 10.29, -11.8

 

CMYK 15 / 33 / 0 / 28

HEX #9B7BB7

RGB 155 123 183

HSL 272, 0.29%, 0.6%

LAB 56.64, 24.08, -26.98

 

CMYK 21 / 46 / 0 / 22

HEX #9D6BC7

RGB 157 107 199

HSL 272.61, 0.45%, 0.6%

LAB 53.82, 37.46, -40.51

 

CMYK 27 / 58 / 0 / 15

HEX #9E5AD8

RGB 158 90 216

HSL 272.38, 0.62%, 0.6%

LAB 51.31, 50.86, -54.18

 

CMYK 31 / 68 / 0 / 9

HEX #9F4AE8

RGB 159 74 232

HSL 272.28, 0.77%, 0.6%

LAB 49.61, 62.52, -65.97

 

CMYK 7 / 16 / 0 / 35

HEX #9A8CA6

RGB 154 140 166

HSL 272.31, 0.13%, 0.6%

LAB 60.23, 10.29, -11.8

 

CMYK 2 / 0 / 4 / 39

HEX #999C96

RGB 153 156 150

HSL 90, 0.03%, 0.6%

LAB 63.96, -2.22, 2.75

 

CMYK 13 / 0 / 23 / 32

HEX #97AD85

RGB 151 173 133

HSL 93, 0.2%, 0.6%

LAB 68.14, -15.05, 18.08

 

CMYK 21 / 0 / 38 / 26

HEX #96BD75

RGB 150 189 117

HSL 92.5, 0.35%, 0.6%

LAB 72.34, -25.88, 32.23

 

CMYK 28 / 0 / 51 / 19

HEX #95CE64

RGB 149 206 100

HSL 92.26, 0.52%, 0.6%

LAB 76.95, -36.34, 46.48

 

CMYK 16 / 16 / 0 / 35

HEX #8C8CA6

RGB 140 140 166

HSL 240, 0.13%, 0.6%

LAB 59.05, 5.49, -13.69

 

CMYK 11 / 16 / 0 / 35

HEX #938CA6

RGB 147 140 166

HSL 256.15, 0.13%, 0.6%

LAB 59.63, 7.87, -12.77

 

CMYK 7 / 16 / 0 / 35

HEX #9A8CA6

RGB 154 140 166

HSL 272.31, 0.13%, 0.6%

LAB 60.23, 10.29, -11.8

 

CMYK 3 / 16 / 0 / 35

HEX #A18CA6

RGB 161 140 166

HSL 288.46, 0.13%, 0.6%

LAB 60.86, 12.74, -10.8

 

CMYK 0 / 16 / 1 / 35

HEX #A68CA4

RGB 166 140 164

HSL 304.62, 0.13%, 0.6%

LAB 61.26, 14.12, -9.01

 

CMYK 10 / 23 / 0 / 51

HEX #71617E

RGB 113 97 126

HSL 273.1, 0.13%, 0.44%

LAB 43.6, 12.39, -13.83

 

CMYK 9 / 22 / 0 / 42

HEX #867494

RGB 134 116 148

HSL 273.75, 0.13%, 0.52%

LAB 51.49, 13.36, -14.76

 

CMYK 7 / 16 / 0 / 35

HEX #9A8CA6

RGB 154 140 166

HSL 272.31, 0.13%, 0.6%

LAB 60.23, 10.29, -11.8

 

CMYK 5 / 11 / 0 / 28

HEX #AEA3B8

RGB 174 163 184

HSL 271.43, 0.13%, 0.68%

LAB 68.5, 7.97, -9.37

 

CMYK 3 / 8 / 0 / 21

HEX #C3BACA

RGB 195 186 202

HSL 273.75, 0.13%, 0.76%

LAB 76.67, 6.13, -6.92

 

CMYK 7 / 16 / 0 / 35

HEX #9A8CA6

RGB 154 140 166

HSL 272.31, 0.13%, 0.6%

LAB 60.23, 10.29, -11.8

 

CMYK 0 / 16 / 11 / 35

HEX #A68C93

RGB 166 140 147

HSL 343.85, 0.13%, 0.6%

LAB 60.75, 10.99, -0.07

 

CMYK 16 / 0 / 14 / 35

HEX #8CA68F

RGB 140 166 143

HSL 126.92, 0.13%, 0.6%

LAB 65.62, -13.61, 8.92

 

CMYK 7 / 16 / 0 / 35

HEX #9A8CA6

RGB 154 140 166

HSL 272.31, 0.13%, 0.6%

LAB 60.23, 10.29, -11.8

 

CMYK 0 / 7 / 16 / 35

HEX #A69A8C

RGB 166 154 140

HSL 32.31, 0.13%, 0.6%

LAB 64.25, 1.98, 8.93

 

CMYK 16 / 0 / 7 / 35

HEX #8CA69A

RGB 140 166 154

HSL 152.31, 0.13%, 0.6%

LAB 65.89, -11.47, 3.19

 

CMYK 7 / 16 / 0 / 35

HEX #9A8CA6

RGB 154 140 166

HSL 272.31, 0.13%, 0.6%

LAB 60.23, 10.29, -11.8

 

CMYK 0 / 16 / 11 / 35

HEX #A68C93

RGB 166 140 147

HSL 343.85, 0.13%, 0.6%

LAB 60.75, 10.99, -0.07

 

CMYK 8 / 0 / 16 / 35

HEX #98A68C

RGB 152 166 140

HSL 92.31, 0.13%, 0.6%

LAB 66.4, -9.82, 11.81

 

CMYK 16 / 0 / 4 / 35

HEX #8CA69F

RGB 140 166 159

HSL 163.85, 0.13%, 0.6%

LAB 66.02, -10.44, 0.6

 

CMYK 7 / 16 / 0 / 35

HEX #9A8CA6

RGB 154 140 166

HSL 272.31, 0.13%, 0.6%

LAB 60.23, 10.29, -11.8

 

CMYK 0 / 15 / 16 / 35

HEX #A68D8C

RGB 166 141 140

HSL 2.31, 0.13%, 0.6%

LAB 60.83, 9.23, 4.02

 

CMYK 8 / 0 / 16 / 35

HEX #98A68C

RGB 152 166 140

HSL 92.31, 0.13%, 0.6%

LAB 66.4, -9.82, 11.81

 

CMYK 16 / 1 / 0 / 35

HEX #8CA5A6

RGB 140 165 166

HSL 182.31, 0.13%, 0.6%

LAB 65.93, -8.42, -3.43

 

Description

Color code: HEX #9A8CA6 | qconv.com Color code: HEX #9A8CA6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 140 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 140 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 16 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 16% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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