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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A6F3C it is the complementary color #6590C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A6F3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A6F3C shade: #9F6F37, #B0814A, #C1935D, #D2A570 and #E3B783

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A6F3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A6F3C shade: #9A6F3C, #895D29, #784B16, #673903 and #562700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A6F3C shade: #9A6F3C, #9A563C and #9A3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A6F3C shade: #9A6F3C, #9A893C, #939A3C, #799A3C and #609A3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A6F3C shade matches the following richer shades: #9A6F3C, #AC712B, #BD7219 and #CE7408

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A6F3C shade: #9A6F3C, #896E4D, #786C5F, #666B70 and #556981

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A6F3C shade: #9A3C3C, #9A553C, #9A6E3C, #9A873C and #949A3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A6F3C shade: #5F4425, #7D5A30, #9A6F3C, #B88448 and #C39865

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A6F3C shade: #9A6F3C, #559A3C and #493C9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A6F3C shade: #9A6F3C, #3C9A6E and #6E3C9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A6F3C shade: #9A6F3C, #559A3C, #3C689A and #813C9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A6F3C shade: #9A6F3C, #3C9A3F, #3C689A and #9A3C97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 61 / 40

HEX #9A6F3C

RGB 154 111 60

HSL 32.55, 0.44%, 0.42%

LAB 50.17, 11.3, 34.69

 

Complementary color

CMYK 48 / 26 / 0 / 24

HEX #6590C3

RGB 101 144 195

HSL 212.55, 0.44%, 0.58%

LAB 58.65, -0.61, -31

 

CMYK 0 / 30 / 65 / 38

HEX #9F6F37

RGB 159 111 55

HSL 32.31, 0.49%, 0.42%

LAB 50.71, 13.17, 38.09

 

CMYK 0 / 27 / 58 / 31

HEX #B0814A

RGB 176 129 74

HSL 32.35, 0.41%, 0.49%

LAB 57.49, 11.89, 36.58

 

CMYK 0 / 24 / 52 / 24

HEX #C1935D

RGB 193 147 93

HSL 32.4, 0.45%, 0.56%

LAB 64.16, 10.82, 35.11

 

CMYK 0 / 21 / 47 / 18

HEX #D2A570

RGB 210 165 112

HSL 32.45, 0.52%, 0.63%

LAB 70.72, 9.92, 33.73

 

CMYK 0 / 19 / 42 / 11

HEX #E3B783

RGB 227 183 131

HSL 32.5, 0.63%, 0.7%

LAB 77.18, 9.14, 32.43

 

CMYK 0 / 28 / 61 / 40

HEX #9A6F3C

RGB 154 111 60

HSL 32.55, 0.44%, 0.42%

LAB 50.17, 11.3, 34.69

 

CMYK 0 / 32 / 70 / 46

HEX #895D29

RGB 137 93 41

HSL 32.5, 0.54%, 0.35%

LAB 43.22, 12.7, 36.21

 

CMYK 0 / 38 / 82 / 53

HEX #784B16

RGB 120 75 22

HSL 32.45, 0.69%, 0.28%

LAB 36.14, 14.44, 37.45

 

CMYK 0 / 45 / 97 / 60

HEX #673903

RGB 103 57 3

HSL 32.4, 0.94%, 0.21%

LAB 28.94, 16.58, 37.95

 

CMYK 0 / 55 / 100 / 66

HEX #562700

RGB 86 39 0

HSL 27.21, 1%, 0.17%

LAB 21.69, 19.28, 31.36

 

CMYK 0 / 28 / 61 / 40

HEX #9A6F3C

RGB 154 111 60

HSL 32.55, 0.44%, 0.42%

LAB 50.17, 11.3, 34.69

 

CMYK 0 / 44 / 61 / 40

HEX #9A563C

RGB 154 86 60

HSL 16.6, 0.44%, 0.42%

LAB 44.02, 25.58, 27.26

 

CMYK 0 / 61 / 61 / 40

HEX #9A3C3C

RGB 154 60 60

HSL 0, 0.44%, 0.42%

LAB 38.6, 39.33, 20.4

 

CMYK 0 / 28 / 61 / 40

HEX #9A6F3C

RGB 154 111 60

HSL 32.55, 0.44%, 0.42%

LAB 50.17, 11.3, 34.69

 

CMYK 0 / 11 / 61 / 40

HEX #9A893C

RGB 154 137 60

HSL 49.15, 0.44%, 0.42%

LAB 57.16, -3.37, 42.72

 

CMYK 5 / 0 / 61 / 40

HEX #939A3C

RGB 147 154 60

HSL 64.47, 0.44%, 0.42%

LAB 61.34, -15.58, 47.17

 

CMYK 21 / 0 / 61 / 40

HEX #799A3C

RGB 121 154 60

HSL 81.06, 0.44%, 0.42%

LAB 59.44, -26.5, 44.53

 

CMYK 38 / 0 / 61 / 40

HEX #609A3C

RGB 96 154 60

HSL 97.02, 0.44%, 0.42%

LAB 57.97, -36.03, 42.48

 

CMYK 0 / 28 / 61 / 40

HEX #9A6F3C

RGB 154 111 60

HSL 32.55, 0.44%, 0.42%

LAB 50.17, 11.3, 34.69

 

CMYK 0 / 34 / 75 / 33

HEX #AC712B

RGB 172 113 43

HSL 32.56, 0.6%, 0.42%

LAB 52.68, 17.13, 46.51

 

CMYK 0 / 40 / 87 / 26

HEX #BD7219

RGB 189 114 25

HSL 32.56, 0.77%, 0.42%

LAB 54.99, 23.4, 56.41

 

CMYK 0 / 44 / 96 / 19

HEX #CE7408

RGB 206 116 8

HSL 32.73, 0.93%, 0.42%

LAB 57.68, 29.3, 63.43

 

CMYK 0 / 28 / 61 / 40

HEX #9A6F3C

RGB 154 111 60

HSL 32.55, 0.44%, 0.42%

LAB 50.17, 11.3, 34.69

 

CMYK 0 / 20 / 44 / 46

HEX #896E4D

RGB 137 110 77

HSL 33, 0.28%, 0.42%

LAB 48.27, 5.97, 22.43

 

CMYK 0 / 10 / 21 / 53

HEX #786C5F

RGB 120 108 95

HSL 31.2, 0.12%, 0.42%

LAB 46.37, 2.4, 8.99

 

CMYK 9 / 4 / 0 / 56

HEX #666B70

RGB 102 107 112

HSL 210, 0.05%, 0.42%

LAB 44.96, -0.83, -3.46

 

CMYK 34 / 19 / 0 / 49

HEX #556981

RGB 85 105 129

HSL 212.73, 0.21%, 0.42%

LAB 43.68, -1.23, -15.73

 

CMYK 0 / 61 / 61 / 40

HEX #9A3C3C

RGB 154 60 60

HSL 0, 0.44%, 0.42%

LAB 38.6, 39.33, 20.4

 

CMYK 0 / 45 / 61 / 40

HEX #9A553C

RGB 154 85 60

HSL 15.96, 0.44%, 0.42%

LAB 43.79, 26.14, 26.97

 

CMYK 0 / 29 / 61 / 40

HEX #9A6E3C

RGB 154 110 60

HSL 31.91, 0.44%, 0.42%

LAB 49.92, 11.87, 34.39

 

CMYK 0 / 12 / 61 / 40

HEX #9A873C

RGB 154 135 60

HSL 47.87, 0.44%, 0.42%

LAB 56.61, -2.27, 42.1

 

CMYK 4 / 0 / 61 / 40

HEX #949A3C

RGB 148 154 60

HSL 63.83, 0.44%, 0.42%

LAB 61.42, -15.15, 47.29

 

CMYK 0 / 28 / 61 / 63

HEX #5F4425

RGB 95 68 37

HSL 32.07, 0.44%, 0.26%

LAB 31.12, 7.69, 23.14

 

CMYK 0 / 28 / 62 / 51

HEX #7D5A30

RGB 125 90 48

HSL 32.73, 0.45%, 0.34%

LAB 41.03, 9.43, 29.58

 

CMYK 0 / 28 / 61 / 40

HEX #9A6F3C

RGB 154 111 60

HSL 32.55, 0.44%, 0.42%

LAB 50.17, 11.3, 34.69

 

CMYK 0 / 28 / 61 / 28

HEX #B88448

RGB 184 132 72

HSL 32.14, 0.44%, 0.5%

LAB 59.12, 13.53, 39.79

 

CMYK 0 / 22 / 48 / 24

HEX #C39865

RGB 195 152 101

HSL 32.55, 0.44%, 0.58%

LAB 65.75, 9.68, 32.9

 

CMYK 0 / 28 / 61 / 40

HEX #9A6F3C

RGB 154 111 60

HSL 32.55, 0.44%, 0.42%

LAB 50.17, 11.3, 34.69

 

CMYK 45 / 0 / 61 / 40

HEX #559A3C

RGB 85 154 60

HSL 104.04, 0.44%, 0.42%

LAB 57.43, -39.77, 41.73

 

CMYK 53 / 61 / 0 / 40

HEX #493C9A

RGB 73 60 154

HSL 248.3, 0.44%, 0.42%

LAB 31.76, 31.7, -49.76

 

CMYK 0 / 28 / 61 / 40

HEX #9A6F3C

RGB 154 111 60

HSL 32.55, 0.44%, 0.42%

LAB 50.17, 11.3, 34.69

 

CMYK 61 / 0 / 29 / 40

HEX #3C9A6E

RGB 60 154 110

HSL 151.91, 0.44%, 0.42%

LAB 57.27, -38.39, 15.03

 

CMYK 29 / 61 / 0 / 40

HEX #6E3C9A

RGB 110 60 154

HSL 271.91, 0.44%, 0.42%

LAB 35.75, 40.23, -43.12

 

CMYK 0 / 28 / 61 / 40

HEX #9A6F3C

RGB 154 111 60

HSL 32.55, 0.44%, 0.42%

LAB 50.17, 11.3, 34.69

 

CMYK 45 / 0 / 61 / 40

HEX #559A3C

RGB 85 154 60

HSL 104.04, 0.44%, 0.42%

LAB 57.43, -39.77, 41.73

 

CMYK 61 / 32 / 0 / 40

HEX #3C689A

RGB 60 104 154

HSL 211.91, 0.44%, 0.42%

LAB 43.05, 0.71, -31.78

 

CMYK 16 / 61 / 0 / 40

HEX #813C9A

RGB 129 60 154

HSL 284.04, 0.44%, 0.42%

LAB 38.26, 45.07, -38.98

 

CMYK 0 / 28 / 61 / 40

HEX #9A6F3C

RGB 154 111 60

HSL 32.55, 0.44%, 0.42%

LAB 50.17, 11.3, 34.69

 

CMYK 61 / 0 / 59 / 40

HEX #3C9A3F

RGB 60 154 63

HSL 121.91, 0.44%, 0.42%

LAB 56.52, -46.54, 39.01

 

CMYK 61 / 32 / 0 / 40

HEX #3C689A

RGB 60 104 154

HSL 211.91, 0.44%, 0.42%

LAB 43.05, 0.71, -31.78

 

CMYK 0 / 61 / 2 / 40

HEX #9A3C97

RGB 154 60 151

HSL 301.91, 0.44%, 0.42%

LAB 41.75, 51.09, -31.41

 

Description

Color code: HEX #9A6F3C | qconv.com Color code: HEX #9A6F3C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 111 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 111 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 61 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 61% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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