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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99D9C5 it is the complementary color #66263A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99D9C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99D9C5 shade: #9ED9C0, #AFEBD3, #C0FDE6, #D1FFF9 and #E2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99D9C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99D9C5 shade: #99D9C5, #88C7B2, #77B59F, #66A38C and #559179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99D9C5 shade: #9ADAC6, #9ADAB5, #9ADAA4, #A2DA9A and #B3DA9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99D9C5 shade: #9ADAC6, #9ADAD7, #9ACBDA, #9ABADA and #9AA9DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99D9C5 shade matches the following richer shades: #9ADAC6, #8FE5CA, #84F0CE and #79FBD3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99D9C5 shade: #9ADAC6, #A6CFC2, #B1C4BE, #BCB8B9 and #C7ADB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99D9C5 shade: #9ADAA4, #9ADAB5, #9ADAC6, #9ADAD7 and #9ACCDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99D9C5 shade: #5EC4A4, #7CCFB5, #9ADAC6, #B9E5D7 and #D7F0E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99D9C5 shade: #99D9C5, #9AA2DA and #DAAC9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99D9C5 shade: #99D9C5, #C69ADA and #DAC69A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99D9C5 shade: #99D9C5, #9AA2DA, #DA9AAF and #DAD29A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99D9C5 shade: #99D9C5, #A69ADA, #DA9AAF and #CEDA9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 9 / 15

HEX #99D9C5

RGB 153 217 197

HSL 161.25, 0.46%, 0.73%

LAB 82.07, -24.47, 3.36

 

Complementary color

CMYK 0 / 63 / 43 / 60

HEX #66263A

RGB 102 38 58

HSL 341.25, 0.46%, 0.27%

LAB 25.31, 30.88, 2.03

 

CMYK 27 / 0 / 12 / 15

HEX #9ED9C0

RGB 158 217 192

HSL 154.58, 0.44%, 0.74%

LAB 82.22, -24, 6.26

 

CMYK 26 / 0 / 10 / 8

HEX #AFEBD3

RGB 175 235 211

HSL 156, 0.6%, 0.8%

LAB 88.56, -23.81, 5.51

 

CMYK 24 / 0 / 9 / 1

HEX #C0FDE6

RGB 192 253 230

HSL 157.38, 0.94%, 0.87%

LAB 94.81, -23.65, 4.8

 

CMYK 18 / 0 / 2 / 0

HEX #D1FFF9

RGB 209 255 249

HSL 172.17, 1%, 0.91%

LAB 96.79, -15.73, -2

 

CMYK 11 / 0 / 0 / 0

HEX #E2FFFF

RGB 226 255 255

HSL 180, 1%, 0.94%

LAB 98, -9.32, -3.18

 

CMYK 29 / 0 / 9 / 15

HEX #99D9C5

RGB 153 217 197

HSL 161.25, 0.46%, 0.73%

LAB 82.07, -24.47, 3.36

 

CMYK 32 / 0 / 11 / 22

HEX #88C7B2

RGB 136 199 178

HSL 160, 0.36%, 0.66%

LAB 75.63, -24.67, 4.1

 

CMYK 34 / 0 / 12 / 29

HEX #77B59F

RGB 119 181 159

HSL 158.71, 0.3%, 0.59%

LAB 69.09, -24.88, 4.9

 

CMYK 37 / 0 / 14 / 36

HEX #66A38C

RGB 102 163 140

HSL 157.38, 0.25%, 0.52%

LAB 62.43, -25.1, 5.74

 

CMYK 41 / 0 / 17 / 43

HEX #559179

RGB 85 145 121

HSL 156, 0.26%, 0.45%

LAB 55.65, -25.34, 6.66

 

CMYK 29 / 0 / 9 / 15

HEX #9ADAC6

RGB 154 218 198

HSL 161.25, 0.46%, 0.73%

LAB 82.43, -24.46, 3.35

 

CMYK 29 / 0 / 17 / 15

HEX #9ADAB5

RGB 154 218 181

HSL 145.31, 0.46%, 0.73%

LAB 82.03, -27.88, 11.78

 

CMYK 29 / 0 / 25 / 15

HEX #9ADAA4

RGB 154 218 164

HSL 129.38, 0.46%, 0.73%

LAB 81.67, -31.01, 20.24

 

CMYK 26 / 0 / 29 / 15

HEX #A2DA9A

RGB 162 218 154

HSL 112.5, 0.46%, 0.73%

LAB 81.92, -30.08, 25.87

 

CMYK 18 / 0 / 29 / 15

HEX #B3DA9A

RGB 179 218 154

HSL 96.56, 0.46%, 0.73%

LAB 82.95, -24.22, 27.42

 

CMYK 29 / 0 / 9 / 15

HEX #9ADAC6

RGB 154 218 198

HSL 161.25, 0.46%, 0.73%

LAB 82.43, -24.46, 3.35

 

CMYK 29 / 0 / 1 / 15

HEX #9ADAD7

RGB 154 218 215

HSL 177.19, 0.46%, 0.73%

LAB 82.87, -20.76, -5.03

 

CMYK 29 / 7 / 0 / 15

HEX #9ACBDA

RGB 154 203 218

HSL 194.06, 0.46%, 0.73%

LAB 78.84, -12.44, -12.63

 

CMYK 29 / 15 / 0 / 15

HEX #9ABADA

RGB 154 186 218

HSL 210, 0.46%, 0.73%

LAB 74.22, -3.45, -19.58

 

CMYK 29 / 22 / 0 / 15

HEX #9AA9DA

RGB 154 169 218

HSL 225.94, 0.46%, 0.73%

LAB 69.69, 5.88, -26.5

 

CMYK 29 / 0 / 9 / 15

HEX #9ADAC6

RGB 154 218 198

HSL 161.25, 0.46%, 0.73%

LAB 82.43, -24.46, 3.35

 

CMYK 38 / 0 / 12 / 10

HEX #8FE5CA

RGB 143 229 202

HSL 161.16, 0.62%, 0.73%

LAB 85.07, -31.99, 4.99

 

CMYK 45 / 0 / 14 / 6

HEX #84F0CE

RGB 132 240 206

HSL 161.11, 0.78%, 0.73%

LAB 87.82, -39.02, 6.79

 

CMYK 52 / 0 / 16 / 2

HEX #79FBD3

RGB 121 251 211

HSL 161.54, 0.94%, 0.73%

LAB 90.67, -45.32, 8.25

 

CMYK 29 / 0 / 9 / 15

HEX #9ADAC6

RGB 154 218 198

HSL 161.25, 0.46%, 0.73%

LAB 82.43, -24.46, 3.35

 

CMYK 20 / 0 / 6 / 19

HEX #A6CFC2

RGB 166 207 194

HSL 160.98, 0.3%, 0.73%

LAB 79.97, -16.11, 2

 

CMYK 10 / 0 / 3 / 23

HEX #B1C4BE

RGB 177 196 190

HSL 161.05, 0.14%, 0.73%

LAB 77.61, -7.62, 0.79

 

CMYK 0 / 2 / 2 / 26

HEX #BCB8B9

RGB 188 184 185

HSL 345, 0.03%, 0.73%

LAB 75.12, 1.59, -0.02

 

CMYK 0 / 13 / 9 / 22

HEX #C7ADB5

RGB 199 173 181

HSL 341.54, 0.19%, 0.73%

LAB 73.13, 10.74, -0.63

 

CMYK 29 / 0 / 25 / 15

HEX #9ADAA4

RGB 154 218 164

HSL 129.38, 0.46%, 0.73%

LAB 81.67, -31.01, 20.24

 

CMYK 29 / 0 / 17 / 15

HEX #9ADAB5

RGB 154 218 181

HSL 145.31, 0.46%, 0.73%

LAB 82.03, -27.88, 11.78

 

CMYK 29 / 0 / 9 / 15

HEX #9ADAC6

RGB 154 218 198

HSL 161.25, 0.46%, 0.73%

LAB 82.43, -24.46, 3.35

 

CMYK 29 / 0 / 1 / 15

HEX #9ADAD7

RGB 154 218 215

HSL 177.19, 0.46%, 0.73%

LAB 82.87, -20.76, -5.03

 

CMYK 29 / 6 / 0 / 15

HEX #9ACCDA

RGB 154 204 218

HSL 193.13, 0.46%, 0.73%

LAB 79.11, -12.96, -12.22

 

CMYK 52 / 0 / 16 / 23

HEX #5EC4A4

RGB 94 196 164

HSL 161.18, 0.46%, 0.57%

LAB 72.59, -37.46, 7.05

 

CMYK 40 / 0 / 13 / 19

HEX #7CCFB5

RGB 124 207 181

HSL 161.2, 0.46%, 0.65%

LAB 77.43, -31.27, 5.01

 

CMYK 29 / 0 / 9 / 15

HEX #9ADAC6

RGB 154 218 198

HSL 161.25, 0.46%, 0.73%

LAB 82.43, -24.46, 3.35

 

CMYK 19 / 0 / 6 / 10

HEX #B9E5D7

RGB 185 229 215

HSL 160.91, 0.46%, 0.81%

LAB 87.61, -16.98, 2.11

 

CMYK 10 / 0 / 3 / 6

HEX #D7F0E8

RGB 215 240 232

HSL 160.8, 0.45%, 0.89%

LAB 92.84, -9.66, 1.07

 

CMYK 29 / 0 / 9 / 15

HEX #99D9C5

RGB 153 217 197

HSL 161.25, 0.46%, 0.73%

LAB 82.07, -24.47, 3.36

 

CMYK 29 / 26 / 0 / 15

HEX #9AA2DA

RGB 154 162 218

HSL 232.5, 0.46%, 0.73%

LAB 67.85, 9.8, -29.32

 

CMYK 0 / 21 / 29 / 15

HEX #DAAC9A

RGB 218 172 154

HSL 16.88, 0.46%, 0.73%

LAB 74.03, 14.23, 15.67

 

CMYK 29 / 0 / 9 / 15

HEX #99D9C5

RGB 153 217 197

HSL 161.25, 0.46%, 0.73%

LAB 82.07, -24.47, 3.36

 

CMYK 9 / 29 / 0 / 15

HEX #C69ADA

RGB 198 154 218

HSL 281.25, 0.46%, 0.73%

LAB 69.6, 27.83, -26.32

 

CMYK 0 / 9 / 29 / 15

HEX #DAC69A

RGB 218 198 154

HSL 41.25, 0.46%, 0.73%

LAB 80.53, 0.42, 24.64

 

CMYK 29 / 0 / 9 / 15

HEX #99D9C5

RGB 153 217 197

HSL 161.25, 0.46%, 0.73%

LAB 82.07, -24.47, 3.36

 

CMYK 29 / 26 / 0 / 15

HEX #9AA2DA

RGB 154 162 218

HSL 232.5, 0.46%, 0.73%

LAB 67.85, 9.8, -29.32

 

CMYK 0 / 29 / 20 / 15

HEX #DA9AAF

RGB 218 154 175

HSL 340.31, 0.46%, 0.73%

LAB 70.25, 26.96, -1.3

 

CMYK 0 / 4 / 29 / 15

HEX #DAD29A

RGB 218 210 154

HSL 52.5, 0.46%, 0.73%

LAB 83.62, -5.79, 28.81

 

CMYK 29 / 0 / 9 / 15

HEX #99D9C5

RGB 153 217 197

HSL 161.25, 0.46%, 0.73%

LAB 82.07, -24.47, 3.36

 

CMYK 24 / 29 / 0 / 15

HEX #A69ADA

RGB 166 154 218

HSL 251.25, 0.46%, 0.73%

LAB 66.73, 17.89, -30.97

 

CMYK 0 / 29 / 20 / 15

HEX #DA9AAF

RGB 218 154 175

HSL 340.31, 0.46%, 0.73%

LAB 70.25, 26.96, -1.3

 

CMYK 6 / 0 / 29 / 15

HEX #CEDA9A

RGB 206 218 154

HSL 71.25, 0.46%, 0.73%

LAB 84.79, -14.39, 30.22

 

Description

Color code: HEX #99D9C5 | qconv.com Color code: HEX #99D9C5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 217 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 217 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 9 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 9% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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