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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99B18F it is the complementary color #664E70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99B18F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #99B18F: #9EB18A, #AFC39D, #C0D5B0, #D1E7C3 and #E2F9D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99B18F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #99B18F: #99B18F, #889F7C, #778D69, #667B56 and #556943

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 19 / 31

HEX #99B18F

RGB 153 177 143

HSL 102.35, 0.18%, 0.63%

LAB 69.61, -14.72, 14.68

 

Complementary color

CMYK 9 / 30 / 0 / 56

HEX #664E70

RGB 102 78 112

HSL 282.35, 0.18%, 0.37%

LAB 36.82, 16.92, -15.69

 

CMYK 11 / 0 / 22 / 31

HEX #9EB18A

RGB 158 177 138

HSL 89.23, 0.2%, 0.62%

LAB 69.86, -13.72, 17.81

 

CMYK 10 / 0 / 19 / 24

HEX #AFC39D

RGB 175 195 157

HSL 91.58, 0.24%, 0.69%

LAB 76.42, -13.71, 16.85

 

CMYK 10 / 0 / 17 / 16

HEX #C0D5B0

RGB 192 213 176

HSL 94.05, 0.31%, 0.76%

LAB 82.88, -13.69, 15.95

 

CMYK 10 / 0 / 16 / 9

HEX #D1E7C3

RGB 209 231 195

HSL 96.67, 0.43%, 0.84%

LAB 89.23, -13.68, 15.1

 

CMYK 9 / 0 / 14 / 2

HEX #E2F9D6

RGB 226 249 214

HSL 99.43, 0.74%, 0.91%

LAB 95.49, -13.68, 14.28

 

CMYK 14 / 0 / 19 / 31

HEX #99B18F

RGB 153 177 143

HSL 102.35, 0.18%, 0.63%

LAB 69.61, -14.72, 14.68

 

CMYK 14 / 0 / 22 / 38

HEX #889F7C

RGB 136 159 124

HSL 99.43, 0.15%, 0.55%

LAB 62.92, -14.79, 15.64

 

CMYK 16 / 0 / 26 / 45

HEX #778D69

RGB 119 141 105

HSL 96.67, 0.15%, 0.48%

LAB 56.08, -14.87, 16.67

 

CMYK 17 / 0 / 30 / 52

HEX #667B56

RGB 102 123 86

HSL 94.05, 0.18%, 0.41%

LAB 49.08, -14.96, 17.78

 

CMYK 19 / 0 / 36 / 59

HEX #556943

RGB 85 105 67

HSL 91.58, 0.22%, 0.34%

LAB 41.91, -15.05, 18.98

 

CMYK 14 / 0 / 19 / 31

HEX #99B18F

RGB 153 177 143

HSL 102.35, 0.18%, 0.63%

LAB 69.61, -14.72, 14.68

 

CMYK 16 / 0 / 19 / 31

HEX #94B18F

RGB 148 177 143

HSL 111.18, 0.18%, 0.63%

LAB 69.27, -16.51, 14.16

 

CMYK 19 / 0 / 19 / 31

HEX #8FB190

RGB 143 177 144

HSL 121.76, 0.18%, 0.63%

LAB 68.97, -18.09, 13.14

 

CMYK 19 / 0 / 15 / 31

HEX #8FB196

RGB 143 177 150

HSL 132.35, 0.18%, 0.63%

LAB 69.1, -16.98, 10.04

 

CMYK 19 / 0 / 12 / 31

HEX #8FB19C

RGB 143 177 156

HSL 142.94, 0.18%, 0.63%

LAB 69.24, -15.83, 6.94

 

CMYK 14 / 0 / 19 / 31

HEX #99B18F

RGB 153 177 143

HSL 102.35, 0.18%, 0.63%

LAB 69.61, -14.72, 14.68

 

CMYK 14 / 0 / 19 / 11

HEX #C5E4B8

RGB 197 228 184

HSL 102.27, 0.45%, 0.81%

LAB 87.4, -18.14, 18.14

 

CMYK 13 / 0 / 21 / 91

HEX #151813

RGB 21 24 19

HSL 96, 0.12%, 0.08%

LAB 7.77, -2.61, 2.77

 

CMYK 13 / 0 / 19 / 71

HEX #414B3D

RGB 65 75 61

HSL 102.86, 0.1%, 0.27%

LAB 30.62, -7.12, 7.01

 

CMYK 13 / 0 / 19 / 51

HEX #6D7E66

RGB 109 126 102

HSL 102.5, 0.11%, 0.45%

LAB 50.84, -11.08, 11.01

 

CMYK 14 / 0 / 19 / 31

HEX #99B18F

RGB 153 177 143

HSL 102.35, 0.18%, 0.63%

LAB 69.61, -14.72, 14.68

 

CMYK 19 / 0 / 2 / 31

HEX #8FB1AE

RGB 143 177 174

HSL 174.71, 0.18%, 0.63%

LAB 69.71, -12.12, -2.3

 

CMYK 0 / 19 / 6 / 31

HEX #B18FA7

RGB 177 143 167

HSL 317.65, 0.18%, 0.63%

LAB 63.16, 16.92, -7.76

 

CMYK 14 / 0 / 19 / 31

HEX #99B18F

RGB 153 177 143

HSL 102.35, 0.18%, 0.63%

LAB 69.61, -14.72, 14.68

 

CMYK 19 / 14 / 0 / 31

HEX #8F99B1

RGB 143 153 177

HSL 222.35, 0.18%, 0.63%

LAB 63.17, 1.62, -13.69

 

CMYK 0 / 19 / 14 / 31

HEX #B18F99

RGB 177 143 153

HSL 342.35, 0.18%, 0.63%

LAB 62.75, 14.45, -0.44

 

CMYK 14 / 0 / 19 / 31

HEX #99B18F

RGB 153 177 143

HSL 102.35, 0.18%, 0.63%

LAB 69.61, -14.72, 14.68

 

CMYK 19 / 0 / 2 / 31

HEX #8FB1AE

RGB 143 177 174

HSL 174.71, 0.18%, 0.63%

LAB 69.71, -12.12, -2.3

 

CMYK 6 / 19 / 0 / 31

HEX #A78FB1

RGB 167 143 177

HSL 282.35, 0.18%, 0.63%

LAB 62.54, 15.35, -14.45

 

CMYK 0 / 19 / 17 / 31

HEX #B18F93

RGB 177 143 147

HSL 352.94, 0.18%, 0.63%

LAB 62.59, 13.45, 2.73

 

CMYK 14 / 0 / 19 / 31

HEX #99B18F

RGB 153 177 143

HSL 102.35, 0.18%, 0.63%

LAB 69.61, -14.72, 14.68

 

CMYK 19 / 4 / 0 / 31

HEX #8FAAB1

RGB 143 170 177

HSL 192.35, 0.18%, 0.63%

LAB 67.85, -7.73, -6.71

 

CMYK 6 / 19 / 0 / 31

HEX #A78FB1

RGB 167 143 177

HSL 282.35, 0.18%, 0.63%

LAB 62.54, 15.35, -14.45

 

CMYK 0 / 15 / 19 / 31

HEX #B1968F

RGB 177 150 143

HSL 12.35, 0.18%, 0.63%

LAB 64.28, 8.9, 7.42

 

Description

Color code: HEX #99B18F | qconv.com Color code: HEX #99B18F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 177 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 177 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 19 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 19% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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