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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #988B7B it is the complementary color #677484. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #988B7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #988B7B: #9D8B76, #AE9D89, #BFAF9C, #D0C1AF and #E1D3C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #988B7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #988B7B: #988B7B, #877968, #766755, #655542 and #54432F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 19 / 40

HEX #988B7B

RGB 152 139 123

HSL 33.1, 0.12%, 0.54%

LAB 58.57, 2.12, 10.32

 

Complementary color

CMYK 22 / 12 / 0 / 48

HEX #677484

RGB 103 116 132

HSL 213.1, 0.12%, 0.46%

LAB 48.31, -1.1, -10.39

 

CMYK 0 / 11 / 25 / 38

HEX #9D8B76

RGB 157 139 118

HSL 32.31, 0.17%, 0.54%

LAB 58.92, 3.33, 13.71

 

CMYK 0 / 10 / 21 / 32

HEX #AE9D89

RGB 174 157 137

HSL 32.43, 0.19%, 0.61%

LAB 65.69, 2.94, 12.73

 

CMYK 0 / 8 / 18 / 25

HEX #BFAF9C

RGB 191 175 156

HSL 32.57, 0.21%, 0.68%

LAB 72.32, 2.6, 11.82

 

CMYK 0 / 7 / 16 / 18

HEX #D0C1AF

RGB 208 193 175

HSL 32.73, 0.26%, 0.75%

LAB 78.84, 2.3, 10.96

 

CMYK 0 / 6 / 14 / 12

HEX #E1D3C2

RGB 225 211 194

HSL 32.9, 0.34%, 0.82%

LAB 85.25, 2.03, 10.14

 

CMYK 0 / 9 / 19 / 40

HEX #988B7B

RGB 152 139 123

HSL 33.1, 0.12%, 0.54%

LAB 58.57, 2.12, 10.32

 

CMYK 0 / 10 / 23 / 47

HEX #877968

RGB 135 121 104

HSL 32.9, 0.13%, 0.47%

LAB 51.64, 2.48, 11.29

 

CMYK 0 / 13 / 28 / 54

HEX #766755

RGB 118 103 85

HSL 32.73, 0.16%, 0.4%

LAB 44.53, 2.91, 12.35

 

CMYK 0 / 16 / 35 / 60

HEX #655542

RGB 101 85 66

HSL 32.57, 0.21%, 0.33%

LAB 37.22, 3.45, 13.54

 

CMYK 0 / 20 / 44 / 67

HEX #54432F

RGB 84 67 47

HSL 32.43, 0.28%, 0.26%

LAB 29.67, 4.15, 14.9

 

CMYK 0 / 9 / 19 / 40

HEX #988B7B

RGB 152 139 123

HSL 33.1, 0.12%, 0.54%

LAB 58.57, 2.12, 10.32

 

CMYK 0 / 5 / 19 / 41

HEX #978F7B

RGB 151 143 123

HSL 42.86, 0.12%, 0.54%

LAB 59.58, -0.51, 11.71

 

CMYK 0 / 2 / 19 / 41

HEX #97947B

RGB 151 148 123

HSL 53.57, 0.12%, 0.54%

LAB 60.95, -3.28, 13.64

 

CMYK 1 / 0 / 19 / 41

HEX #96977B

RGB 150 151 123

HSL 62.14, 0.12%, 0.54%

LAB 61.7, -5.32, 14.67

 

CMYK 4 / 0 / 19 / 41

HEX #91977B

RGB 145 151 123

HSL 72.86, 0.12%, 0.54%

LAB 61.29, -7.26, 14.05

 

CMYK 0 / 9 / 19 / 40

HEX #988B7B

RGB 152 139 123

HSL 33.1, 0.12%, 0.54%

LAB 58.57, 2.12, 10.32

 

CMYK 0 / 8 / 19 / 20

HEX #CBBAA4

RGB 203 186 164

HSL 33.85, 0.27%, 0.72%

LAB 76.37, 2.46, 13.34

 

CMYK 0 / 9 / 19 / 0

HEX #FEE8CE

RGB 254 232 206

HSL 32.5, 0.96%, 0.9%

LAB 93.12, 3.45, 15.36

 

CMYK 0 / 8 / 20 / 80

HEX #322E28

RGB 50 46 40

HSL 36, 0.11%, 0.18%

LAB 19.16, 0.53, 4.52

 

CMYK 0 / 9 / 19 / 60

HEX #655C52

RGB 101 92 82

HSL 31.58, 0.1%, 0.36%

LAB 39.63, 1.76, 7.06

 

CMYK 0 / 9 / 19 / 40

HEX #988B7B

RGB 152 139 123

HSL 33.1, 0.12%, 0.54%

LAB 58.57, 2.12, 10.32

 

CMYK 14 / 0 / 19 / 41

HEX #82977B

RGB 130 151 123

HSL 105, 0.12%, 0.54%

LAB 60.17, -12.95, 12.3

 

CMYK 16 / 19 / 0 / 41

HEX #7F7B97

RGB 127 123 151

HSL 248.57, 0.12%, 0.54%

LAB 52.85, 7.5, -14.52

 

CMYK 0 / 9 / 19 / 40

HEX #988B7B

RGB 152 139 123

HSL 33.1, 0.12%, 0.54%

LAB 58.57, 2.12, 10.32

 

CMYK 19 / 0 / 8 / 41

HEX #7B978B

RGB 123 151 139

HSL 154.29, 0.12%, 0.54%

LAB 60.08, -12.35, 3.06

 

CMYK 8 / 19 / 0 / 41

HEX #8B7B97

RGB 139 123 151

HSL 274.29, 0.12%, 0.54%

LAB 53.91, 11.67, -12.82

 

CMYK 0 / 9 / 19 / 40

HEX #988B7B

RGB 152 139 123

HSL 33.1, 0.12%, 0.54%

LAB 58.57, 2.12, 10.32

 

CMYK 14 / 0 / 19 / 41

HEX #82977B

RGB 130 151 123

HSL 105, 0.12%, 0.54%

LAB 60.17, -12.95, 12.3

 

CMYK 19 / 10 / 0 / 41

HEX #7B8897

RGB 123 136 151

HSL 212.14, 0.12%, 0.54%

LAB 56.14, -1.38, -9.6

 

CMYK 5 / 19 / 0 / 41

HEX #907B97

RGB 144 123 151

HSL 285, 0.12%, 0.54%

LAB 54.37, 13.44, -12.07

 

CMYK 0 / 9 / 19 / 40

HEX #988B7B

RGB 152 139 123

HSL 33.1, 0.12%, 0.54%

LAB 58.57, 2.12, 10.32

 

CMYK 19 / 0 / 17 / 41

HEX #7B977D

RGB 123 151 125

HSL 124.29, 0.12%, 0.54%

LAB 59.73, -15.13, 10.49

 

CMYK 19 / 10 / 0 / 41

HEX #7B8897

RGB 123 136 151

HSL 212.14, 0.12%, 0.54%

LAB 56.14, -1.38, -9.6

 

CMYK 0 / 19 / 1 / 41

HEX #977B96

RGB 151 123 150

HSL 302.14, 0.12%, 0.54%

LAB 55.02, 15.74, -10.45

 

Description

Color code: HEX #988B7B | qconv.com Color code: HEX #988B7B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 139 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 139 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 19 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 19% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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