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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #985A3F it is the complementary color #67A5C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #985A3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #985A3F: #9D5A3A, #AE6C4D, #BF7E60, #D09073 and #E1A286

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #985A3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #985A3F: #985A3F, #87482C, #763619, #652406 and #541200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 59 / 40

HEX #985A3F

RGB 152 90 63

HSL 18.2, 0.41%, 0.42%

LAB 44.73, 22.71, 26.34

 

Complementary color

CMYK 46 / 14 / 0 / 25

HEX #67A5C0

RGB 103 165 192

HSL 198.2, 0.41%, 0.58%

LAB 64.64, -12.69, -20.09

 

CMYK 0 / 43 / 63 / 38

HEX #9D5A3A

RGB 157 90 58

HSL 19.39, 0.46%, 0.42%

LAB 45.34, 24.45, 30.11

 

CMYK 0 / 38 / 56 / 32

HEX #AE6C4D

RGB 174 108 77

HSL 19.18, 0.39%, 0.49%

LAB 52.13, 23.06, 28.27

 

CMYK 0 / 34 / 50 / 25

HEX #BF7E60

RGB 191 126 96

HSL 18.95, 0.43%, 0.56%

LAB 58.83, 21.85, 26.62

 

CMYK 0 / 31 / 45 / 18

HEX #D09073

RGB 208 144 115

HSL 18.71, 0.5%, 0.63%

LAB 65.43, 20.8, 25.14

 

CMYK 0 / 28 / 40 / 12

HEX #E1A286

RGB 225 162 134

HSL 18.46, 0.6%, 0.7%

LAB 71.94, 19.88, 23.8

 

CMYK 0 / 41 / 59 / 40

HEX #985A3F

RGB 152 90 63

HSL 18.2, 0.41%, 0.42%

LAB 44.73, 22.71, 26.34

 

CMYK 0 / 47 / 67 / 47

HEX #87482C

RGB 135 72 44

HSL 18.46, 0.51%, 0.35%

LAB 37.78, 24.22, 28.34

 

CMYK 0 / 54 / 79 / 54

HEX #763619

RGB 118 54 25

HSL 18.71, 0.65%, 0.28%

LAB 30.78, 25.95, 30.54

 

CMYK 0 / 64 / 94 / 60

HEX #652406

RGB 101 36 6

HSL 18.95, 0.89%, 0.21%

LAB 23.81, 27.84, 31.97

 

CMYK 0 / 79 / 100 / 67

HEX #541200

RGB 84 18 0

HSL 12.86, 1%, 0.16%

LAB 17.07, 29.5, 25.96

 

CMYK 0 / 41 / 59 / 40

HEX #985A3F

RGB 152 90 63

HSL 18.2, 0.41%, 0.42%

LAB 44.73, 22.71, 26.34

 

CMYK 0 / 31 / 58 / 41

HEX #97683F

RGB 151 104 63

HSL 27.95, 0.41%, 0.42%

LAB 48.06, 14.23, 30.43

 

CMYK 0 / 22 / 58 / 41

HEX #97763F

RGB 151 118 63

HSL 37.5, 0.41%, 0.42%

LAB 51.72, 6.19, 34.84

 

CMYK 0 / 12 / 58 / 41

HEX #97853F

RGB 151 133 63

HSL 47.73, 0.41%, 0.42%

LAB 55.8, -2.27, 39.62

 

CMYK 0 / 2 / 58 / 41

HEX #97943F

RGB 151 148 63

HSL 57.95, 0.41%, 0.42%

LAB 60, -10.44, 44.39

 

CMYK 0 / 41 / 59 / 40

HEX #985A3F

RGB 152 90 63

HSL 18.2, 0.41%, 0.42%

LAB 44.73, 22.71, 26.34

 

CMYK 0 / 41 / 59 / 20

HEX #CB7854

RGB 203 120 84

HSL 18.15, 0.53%, 0.56%

LAB 58.76, 28.98, 33.49

 

CMYK 0 / 41 / 59 / 0

HEX #FE9669

RGB 254 150 105

HSL 18.12, 0.99%, 0.7%

LAB 72.16, 34.94, 40.29

 

CMYK 0 / 40 / 58 / 80

HEX #321E15

RGB 50 30 21

HSL 18.62, 0.41%, 0.14%

LAB 13.6, 8.49, 10.15

 

CMYK 0 / 41 / 58 / 60

HEX #653C2A

RGB 101 60 42

HSL 18.31, 0.41%, 0.28%

LAB 29.83, 15.98, 18.67

 

CMYK 0 / 41 / 59 / 40

HEX #985A3F

RGB 152 90 63

HSL 18.2, 0.41%, 0.42%

LAB 44.73, 22.71, 26.34

 

CMYK 29 / 0 / 58 / 41

HEX #6B973F

RGB 107 151 63

HSL 90, 0.41%, 0.42%

LAB 57.67, -30.28, 40.89

 

CMYK 58 / 53 / 0 / 41

HEX #3F4797

RGB 63 71 151

HSL 234.55, 0.41%, 0.42%

LAB 33.56, 21.56, -45.08

 

CMYK 0 / 41 / 59 / 40

HEX #985A3F

RGB 152 90 63

HSL 18.2, 0.41%, 0.42%

LAB 44.73, 22.71, 26.34

 

CMYK 58 / 0 / 41 / 41

HEX #3F9759

RGB 63 151 89

HSL 137.73, 0.41%, 0.42%

LAB 56, -40.62, 24.95

 

CMYK 41 / 58 / 0 / 41

HEX #593F97

RGB 89 63 151

HSL 257.73, 0.41%, 0.42%

LAB 33.8, 32.52, -44.57

 

CMYK 0 / 41 / 59 / 40

HEX #985A3F

RGB 152 90 63

HSL 18.2, 0.41%, 0.42%

LAB 44.73, 22.71, 26.34

 

CMYK 29 / 0 / 58 / 41

HEX #6B973F

RGB 107 151 63

HSL 90, 0.41%, 0.42%

LAB 57.67, -30.28, 40.89

 

CMYK 58 / 18 / 0 / 41

HEX #3F7C97

RGB 63 124 151

HSL 198.41, 0.41%, 0.42%

LAB 49.14, -11.51, -20.54

 

CMYK 29 / 58 / 0 / 41

HEX #6B3F97

RGB 107 63 151

HSL 270, 0.41%, 0.42%

LAB 35.82, 37.04, -41.22

 

CMYK 0 / 41 / 59 / 40

HEX #985A3F

RGB 152 90 63

HSL 18.2, 0.41%, 0.42%

LAB 44.73, 22.71, 26.34

 

CMYK 47 / 0 / 58 / 41

HEX #50973F

RGB 80 151 63

HSL 108.41, 0.41%, 0.42%

LAB 56.29, -39.75, 38.92

 

CMYK 58 / 18 / 0 / 41

HEX #3F7C97

RGB 63 124 151

HSL 198.41, 0.41%, 0.42%

LAB 49.14, -11.51, -20.54

 

CMYK 12 / 58 / 0 / 41

HEX #853F97

RGB 133 63 151

HSL 287.73, 0.41%, 0.42%

LAB 39.2, 43.98, -35.63

 

Description

Color code: HEX #985A3F | qconv.com Color code: HEX #985A3F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 90 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 90 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 59 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 59% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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