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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97C0D9 it is the complementary color #683F26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97C0D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97C0D9 shade: #9CC0D4, #ADD2E7, #BEE4FA, #CFF6FF and #E0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97C0D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97C0D9 shade: #97C0D9, #86AEC6, #759CB3, #648AA0 and #53788D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97C0D9 shade: #97C0D8, #97AED8, #979CD8, #A397D8 and #B597D8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97C0D9 shade: #97C0D8, #97AED8, #979CD8 and #9797D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97C0D9 shade matches the following richer shades: #97C0D8, #8BC2E4, #80C5F0 and #74C8FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97C0D9 shade: #97C0D8, #A2BDCD, #AEBAC1, #B9B7B6 and #C5B4AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97C0D9 shade: #97D8CD, #97D2D8, #97C0D8, #97AFD8 and #979DD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97C0D9 shade: #5B9BC2, #79ADCD, #97C0D8, #B5D2E4 and #D3E4EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97C0D9 shade: #97C0D9, #BC97D8 and #D8D697

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97C0D9 shade: #97C0D9, #D897C0 and #C0D897

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97C0D9 shade: #97C0D9, #BC97D8, #D8AF97 and #B3D897

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97C0D9 shade: #97C0D9, #D097D8, #D8AF97 and #A0D897

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 12 / 0 / 15

HEX #97C0D9

RGB 151 192 217

HSL 202.73, 0.46%, 0.72%

LAB 75.63, -7.77, -16.93

 

Complementary color

CMYK 0 / 39 / 63 / 59

HEX #683F26

RGB 104 63 38

HSL 22.73, 0.46%, 0.28%

LAB 30.97, 15.17, 22.64

 

CMYK 26 / 9 / 0 / 17

HEX #9CC0D4

RGB 156 192 212

HSL 201.43, 0.39%, 0.72%

LAB 75.77, -7.49, -13.97

 

CMYK 25 / 9 / 0 / 9

HEX #ADD2E7

RGB 173 210 231

HSL 201.72, 0.55%, 0.79%

LAB 82.24, -7.55, -14.37

 

CMYK 24 / 9 / 0 / 2

HEX #BEE4FA

RGB 190 228 250

HSL 202, 0.86%, 0.86%

LAB 88.61, -7.61, -14.76

 

CMYK 19 / 4 / 0 / 0

HEX #CFF6FF

RGB 207 246 255

HSL 191.25, 1%, 0.91%

LAB 94.48, -10.64, -8.5

 

CMYK 12 / 0 / 0 / 0

HEX #E0FFFF

RGB 224 255 255

HSL 180, 1%, 0.94%

LAB 97.87, -9.94, -3.38

 

CMYK 30 / 12 / 0 / 15

HEX #97C0D9

RGB 151 192 217

HSL 202.73, 0.46%, 0.72%

LAB 75.63, -7.77, -16.93

 

CMYK 32 / 12 / 0 / 22

HEX #86AEC6

RGB 134 174 198

HSL 202.5, 0.36%, 0.65%

LAB 69.05, -7.68, -16.58

 

CMYK 35 / 13 / 0 / 30

HEX #759CB3

RGB 117 156 179

HSL 202.26, 0.29%, 0.58%

LAB 62.35, -7.57, -16.23

 

CMYK 38 / 14 / 0 / 37

HEX #648AA0

RGB 100 138 160

HSL 202, 0.24%, 0.51%

LAB 55.51, -7.45, -15.89

 

CMYK 41 / 15 / 0 / 45

HEX #53788D

RGB 83 120 141

HSL 201.72, 0.26%, 0.44%

LAB 48.5, -7.29, -15.55

 

CMYK 30 / 11 / 0 / 15

HEX #97C0D8

RGB 151 192 216

HSL 202.15, 0.45%, 0.72%

LAB 75.6, -8.01, -16.44

 

CMYK 30 / 19 / 0 / 15

HEX #97AED8

RGB 151 174 216

HSL 218.77, 0.45%, 0.72%

LAB 70.74, 1.73, -23.81

 

CMYK 30 / 28 / 0 / 15

HEX #979CD8

RGB 151 156 216

HSL 235.38, 0.45%, 0.72%

LAB 65.99, 11.82, -31.11

 

CMYK 25 / 30 / 0 / 15

HEX #A397D8

RGB 163 151 216

HSL 251.08, 0.45%, 0.72%

LAB 65.65, 18.21, -31.56

 

CMYK 16 / 30 / 0 / 15

HEX #B597D8

RGB 181 151 216

HSL 267.69, 0.45%, 0.72%

LAB 67.21, 23.72, -29.02

 

CMYK 30 / 11 / 0 / 15

HEX #97C0D8

RGB 151 192 216

HSL 202.15, 0.45%, 0.72%

LAB 75.6, -8.01, -16.44

 

CMYK 30 / 19 / 0 / 15

HEX #97AED8

RGB 151 174 216

HSL 218.77, 0.45%, 0.72%

LAB 70.74, 1.73, -23.81

 

CMYK 30 / 28 / 0 / 15

HEX #979CD8

RGB 151 156 216

HSL 235.38, 0.45%, 0.72%

LAB 65.99, 11.82, -31.11

 

CMYK 30 / 30 / 0 / 15

HEX #9797D8

RGB 151 151 216

HSL 240, 0.45%, 0.72%

LAB 64.7, 14.67, -33.11

 

CMYK 30 / 11 / 0 / 15

HEX #97C0D8

RGB 151 192 216

HSL 202.15, 0.45%, 0.72%

LAB 75.6, -8.01, -16.44

 

CMYK 39 / 15 / 0 / 11

HEX #8BC2E4

RGB 139 194 228

HSL 202.92, 0.62%, 0.72%

LAB 75.87, -9.36, -22.58

 

CMYK 47 / 18 / 0 / 6

HEX #80C5F0

RGB 128 197 240

HSL 203.04, 0.79%, 0.72%

LAB 76.57, -10.46, -28.03

 

CMYK 54 / 20 / 0 / 2

HEX #74C8FB

RGB 116 200 251

HSL 202.67, 0.94%, 0.72%

LAB 77.27, -11.56, -32.89

 

CMYK 30 / 11 / 0 / 15

HEX #97C0D8

RGB 151 192 216

HSL 202.15, 0.45%, 0.72%

LAB 75.6, -8.01, -16.44

 

CMYK 21 / 8 / 0 / 20

HEX #A2BDCD

RGB 162 189 205

HSL 202.33, 0.3%, 0.72%

LAB 75.13, -5.67, -11.1

 

CMYK 10 / 4 / 0 / 24

HEX #AEBAC1

RGB 174 186 193

HSL 202.11, 0.13%, 0.72%

LAB 74.8, -2.74, -4.97

 

CMYK 0 / 1 / 2 / 27

HEX #B9B7B6

RGB 185 183 182

HSL 20, 0.02%, 0.72%

LAB 74.55, 0.52, 0.75

 

CMYK 0 / 9 / 14 / 23

HEX #C5B4AA

RGB 197 180 170

HSL 22.22, 0.19%, 0.72%

LAB 74.45, 4.38, 7.28

 

CMYK 30 / 0 / 5 / 15

HEX #97D8CD

RGB 151 216 205

HSL 169.85, 0.45%, 0.72%

LAB 81.89, -22.84, -1.17

 

CMYK 30 / 3 / 0 / 15

HEX #97D2D8

RGB 151 210 216

HSL 185.54, 0.45%, 0.72%

LAB 80.53, -17.36, -9.05

 

CMYK 30 / 11 / 0 / 15

HEX #97C0D8

RGB 151 192 216

HSL 202.15, 0.45%, 0.72%

LAB 75.6, -8.01, -16.44

 

CMYK 30 / 19 / 0 / 15

HEX #97AFD8

RGB 151 175 216

HSL 217.85, 0.45%, 0.72%

LAB 71.01, 1.18, -23.4

 

CMYK 30 / 27 / 0 / 15

HEX #979DD8

RGB 151 157 216

HSL 234.46, 0.45%, 0.72%

LAB 66.25, 11.25, -30.71

 

CMYK 53 / 20 / 0 / 24

HEX #5B9BC2

RGB 91 155 194

HSL 202.72, 0.46%, 0.56%

LAB 61.27, -9.45, -26.42

 

CMYK 41 / 16 / 0 / 20

HEX #79ADCD

RGB 121 173 205

HSL 202.86, 0.46%, 0.64%

LAB 68.29, -8.89, -21.67

 

CMYK 30 / 11 / 0 / 15

HEX #97C0D8

RGB 151 192 216

HSL 202.15, 0.45%, 0.72%

LAB 75.6, -8.01, -16.44

 

CMYK 21 / 8 / 0 / 11

HEX #B5D2E4

RGB 181 210 228

HSL 202.98, 0.47%, 0.8%

LAB 82.66, -5.81, -12.1

 

CMYK 12 / 5 / 0 / 6

HEX #D3E4EF

RGB 211 228 239

HSL 203.57, 0.47%, 0.88%

LAB 89.66, -3.49, -7.28

 

CMYK 30 / 12 / 0 / 15

HEX #97C0D9

RGB 151 192 217

HSL 202.73, 0.46%, 0.72%

LAB 75.63, -7.77, -16.93

 

CMYK 13 / 30 / 0 / 15

HEX #BC97D8

RGB 188 151 216

HSL 274.15, 0.45%, 0.72%

LAB 67.86, 25.91, -27.97

 

CMYK 0 / 1 / 30 / 15

HEX #D8D697

RGB 216 214 151

HSL 58.15, 0.45%, 0.72%

LAB 84.45, -8.98, 31.44

 

CMYK 30 / 12 / 0 / 15

HEX #97C0D9

RGB 151 192 217

HSL 202.73, 0.46%, 0.72%

LAB 75.63, -7.77, -16.93

 

CMYK 0 / 30 / 11 / 15

HEX #D897C0

RGB 216 151 192

HSL 322.15, 0.45%, 0.72%

LAB 69.85, 30.6, -11.37

 

CMYK 11 / 0 / 30 / 15

HEX #C0D897

RGB 192 216 151

HSL 82.15, 0.45%, 0.72%

LAB 83.21, -18.99, 29.48

 

CMYK 30 / 12 / 0 / 15

HEX #97C0D9

RGB 151 192 217

HSL 202.73, 0.46%, 0.72%

LAB 75.63, -7.77, -16.93

 

CMYK 13 / 30 / 0 / 15

HEX #BC97D8

RGB 188 151 216

HSL 274.15, 0.45%, 0.72%

LAB 67.86, 25.91, -27.97

 

CMYK 0 / 19 / 30 / 15

HEX #D8AF97

RGB 216 175 151

HSL 22.15, 0.45%, 0.72%

LAB 74.5, 11.45, 17.94

 

CMYK 17 / 0 / 30 / 15

HEX #B3D897

RGB 179 216 151

HSL 94.15, 0.45%, 0.72%

LAB 82.34, -23.7, 28.16

 

CMYK 30 / 12 / 0 / 15

HEX #97C0D9

RGB 151 192 217

HSL 202.73, 0.46%, 0.72%

LAB 75.63, -7.77, -16.93

 

CMYK 4 / 30 / 0 / 15

HEX #D097D8

RGB 208 151 216

HSL 292.62, 0.45%, 0.72%

LAB 69.82, 32.27, -24.78

 

CMYK 0 / 19 / 30 / 15

HEX #D8AF97

RGB 216 175 151

HSL 22.15, 0.45%, 0.72%

LAB 74.5, 11.45, 17.94

 

CMYK 26 / 0 / 30 / 15

HEX #A0D897

RGB 160 216 151

HSL 111.69, 0.45%, 0.72%

LAB 81.19, -30.28, 26.42

 

Description

Color code: HEX #97C0D9 | qconv.com Color code: HEX #97C0D9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 192 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 192 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 12 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 12% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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