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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9784D6 it is the complementary color #687B29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9784D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9784D6 shade: #9C84D1, #AD96E4, #BEA8F7, #CFBAFF and #E0CCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9784D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9784D6 shade: #9784D6, #8672C3, #7560B0, #644E9D and #533C8A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9784D6 shade: #9885D6, #AE85D6, #C485D6, #D685D3 and #D685BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9784D6 shade: #9885D6 and #8585D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9784D6 shade matches the following richer shades: #9885D6, #9077E3, #896AF1 and #825DFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9784D6 shade: #9885D6, #9F92C9, #A69FBC, #ADACAF and #B4B9A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9784D6 shade: #859ED6, #8589D6, #9685D6, #AC85D6 and #C285D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9784D6 shade: #6347C2, #7D66CC, #9885D6, #B2A4E1 and #CCC2EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9784D6 shade: #9784D6, #D685B4 and #94D685

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9784D6 shade: #9784D6, #D69685 and #85D696

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9784D6 shade: #9784D6, #D685B4, #C5D685 and #85D6A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9784D6 shade: #9784D6, #D6859C, #C5D685 and #85D6BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 38 / 0 / 16

HEX #9784D6

RGB 151 132 214

HSL 253.9, 0.5%, 0.68%

LAB 59.83, 25.1, -39.59

 

Complementary color

CMYK 15 / 0 / 67 / 52

HEX #687B29

RGB 104 123 41

HSL 73.9, 0.5%, 0.32%

LAB 48.6, -19.56, 41.04

 

CMYK 25 / 37 / 0 / 18

HEX #9C84D1

RGB 156 132 209

HSL 258.7, 0.46%, 0.67%

LAB 60.05, 25.3, -36.42

 

CMYK 24 / 34 / 0 / 11

HEX #AD96E4

RGB 173 150 228

HSL 257.69, 0.59%, 0.74%

LAB 66.75, 24.6, -36.43

 

CMYK 23 / 32 / 0 / 3

HEX #BEA8F7

RGB 190 168 247

HSL 256.71, 0.83%, 0.81%

LAB 73.33, 23.97, -36.47

 

CMYK 19 / 27 / 0 / 0

HEX #CFBAFF

RGB 207 186 255

HSL 258.26, 1%, 0.86%

LAB 79.39, 20.94, -31.3

 

CMYK 12 / 20 / 0 / 0

HEX #E0CCFF

RGB 224 204 255

HSL 263.53, 1%, 0.9%

LAB 85.13, 16.47, -22.41

 

CMYK 29 / 38 / 0 / 16

HEX #9784D6

RGB 151 132 214

HSL 253.9, 0.5%, 0.68%

LAB 59.83, 25.1, -39.59

 

CMYK 31 / 42 / 0 / 24

HEX #8672C3

RGB 134 114 195

HSL 254.81, 0.4%, 0.61%

LAB 53, 25.92, -39.68

 

CMYK 34 / 45 / 0 / 31

HEX #7560B0

RGB 117 96 176

HSL 255.75, 0.34%, 0.53%

LAB 46.02, 26.84, -39.81

 

CMYK 36 / 50 / 0 / 38

HEX #644E9D

RGB 100 78 157

HSL 256.71, 0.34%, 0.46%

LAB 38.89, 27.9, -39.99

 

CMYK 40 / 57 / 0 / 46

HEX #533C8A

RGB 83 60 138

HSL 257.69, 0.39%, 0.39%

LAB 31.59, 29.09, -40.19

 

CMYK 29 / 38 / 0 / 16

HEX #9885D6

RGB 152 133 214

HSL 254.07, 0.5%, 0.68%

LAB 60.16, 24.8, -39.06

 

CMYK 19 / 38 / 0 / 16

HEX #AE85D6

RGB 174 133 214

HSL 270.37, 0.5%, 0.68%

LAB 62.19, 31.24, -35.74

 

CMYK 8 / 38 / 0 / 16

HEX #C485D6

RGB 196 133 214

HSL 286.67, 0.5%, 0.68%

LAB 64.46, 37.9, -32.05

 

CMYK 0 / 38 / 1 / 16

HEX #D685D3

RGB 214 133 211

HSL 302.22, 0.5%, 0.68%

LAB 66.35, 42.89, -27.29

 

CMYK 0 / 38 / 12 / 16

HEX #D685BD

RGB 214 133 189

HSL 318.52, 0.5%, 0.68%

LAB 65.55, 39.07, -16.19

 

CMYK 29 / 38 / 0 / 16

HEX #9885D6

RGB 152 133 214

HSL 254.07, 0.5%, 0.68%

LAB 60.16, 24.8, -39.06

 

CMYK 38 / 38 / 0 / 16

HEX #8585D6

RGB 133 133 214

HSL 240, 0.5%, 0.68%

LAB 58.62, 19.55, -41.6

 

CMYK 29 / 38 / 0 / 16

HEX #9885D6

RGB 152 133 214

HSL 254.07, 0.5%, 0.68%

LAB 60.16, 24.8, -39.06

 

CMYK 37 / 48 / 0 / 11

HEX #9077E3

RGB 144 119 227

HSL 253.89, 0.66%, 0.68%

LAB 56.75, 34.12, -51.78

 

CMYK 43 / 56 / 0 / 5

HEX #896AF1

RGB 137 106 241

HSL 253.78, 0.83%, 0.68%

LAB 54, 43.72, -64.04

 

CMYK 49 / 63 / 0 / 0

HEX #825DFE

RGB 130 93 254

HSL 253.79, 0.99%, 0.68%

LAB 51.53, 53.13, -75.31

 

CMYK 29 / 38 / 0 / 16

HEX #9885D6

RGB 152 133 214

HSL 254.07, 0.5%, 0.68%

LAB 60.16, 24.8, -39.06

 

CMYK 21 / 27 / 0 / 21

HEX #9F92C9

RGB 159 146 201

HSL 254.18, 0.34%, 0.68%

LAB 63.46, 16.28, -26.61

 

CMYK 12 / 15 / 0 / 26

HEX #A69FBC

RGB 166 159 188

HSL 254.48, 0.18%, 0.68%

LAB 66.93, 8.3, -14.02

 

CMYK 1 / 2 / 0 / 31

HEX #ADACAF

RGB 173 172 175

HSL 260, 0.02%, 0.68%

LAB 70.51, 0.93, -1.42

 

CMYK 3 / 0 / 13 / 27

HEX #B4B9A1

RGB 180 185 161

HSL 72.5, 0.15%, 0.68%

LAB 74.17, -6.02, 11.59

 

CMYK 38 / 26 / 0 / 16

HEX #859ED6

RGB 133 158 214

HSL 221.48, 0.5%, 0.68%

LAB 65.2, 5.08, -31.33

 

CMYK 38 / 36 / 0 / 16

HEX #8589D6

RGB 133 137 214

HSL 237.04, 0.5%, 0.68%

LAB 59.65, 17.21, -39.98

 

CMYK 30 / 38 / 0 / 16

HEX #9685D6

RGB 150 133 214

HSL 252.59, 0.5%, 0.68%

LAB 59.99, 24.24, -39.35

 

CMYK 20 / 38 / 0 / 16

HEX #AC85D6

RGB 172 133 214

HSL 268.89, 0.5%, 0.68%

LAB 62, 30.64, -36.06

 

CMYK 9 / 38 / 0 / 16

HEX #C285D6

RGB 194 133 214

HSL 285.19, 0.5%, 0.68%

LAB 64.24, 37.29, -32.4

 

CMYK 49 / 63 / 0 / 24

HEX #6347C2

RGB 99 71 194

HSL 253.66, 0.5%, 0.52%

LAB 39.67, 42.5, -60.61

 

CMYK 39 / 50 / 0 / 20

HEX #7D66CC

RGB 125 102 204

HSL 253.53, 0.5%, 0.6%

LAB 49.76, 33.03, -50.01

 

CMYK 29 / 38 / 0 / 16

HEX #9885D6

RGB 152 133 214

HSL 254.07, 0.5%, 0.68%

LAB 60.16, 24.8, -39.06

 

CMYK 21 / 27 / 0 / 12

HEX #B2A4E1

RGB 178 164 225

HSL 253.77, 0.5%, 0.76%

LAB 70.49, 17.54, -28.95

 

CMYK 13 / 17 / 0 / 8

HEX #CCC2EB

RGB 204 194 235

HSL 254.63, 0.51%, 0.84%

LAB 80.41, 11.4, -19.04

 

CMYK 29 / 38 / 0 / 16

HEX #9784D6

RGB 151 132 214

HSL 253.9, 0.5%, 0.68%

LAB 59.83, 25.1, -39.59

 

CMYK 0 / 38 / 16 / 16

HEX #D685B4

RGB 214 133 180

HSL 325.19, 0.5%, 0.68%

LAB 65.25, 37.61, -11.57

 

CMYK 31 / 0 / 38 / 16

HEX #94D685

RGB 148 214 133

HSL 108.89, 0.5%, 0.68%

LAB 79.66, -36.1, 33.53

 

CMYK 29 / 38 / 0 / 16

HEX #9784D6

RGB 151 132 214

HSL 253.9, 0.5%, 0.68%

LAB 59.83, 25.1, -39.59

 

CMYK 0 / 30 / 38 / 16

HEX #D69685

RGB 214 150 133

HSL 12.59, 0.5%, 0.68%

LAB 67.87, 21.93, 18.61

 

CMYK 38 / 0 / 30 / 16

HEX #85D696

RGB 133 214 150

HSL 132.59, 0.5%, 0.68%

LAB 79.2, -38.1, 24.01

 

CMYK 29 / 38 / 0 / 16

HEX #9784D6

RGB 151 132 214

HSL 253.9, 0.5%, 0.68%

LAB 59.83, 25.1, -39.59

 

CMYK 0 / 38 / 16 / 16

HEX #D685B4

RGB 214 133 180

HSL 325.19, 0.5%, 0.68%

LAB 65.25, 37.61, -11.57

 

CMYK 8 / 0 / 38 / 16

HEX #C5D685

RGB 197 214 133

HSL 72.59, 0.5%, 0.68%

LAB 82.73, -18.45, 38.11

 

CMYK 38 / 0 / 22 / 16

HEX #85D6A7

RGB 133 214 167

HSL 145.19, 0.5%, 0.68%

LAB 79.54, -34.96, 15.53

 

CMYK 29 / 38 / 0 / 16

HEX #9784D6

RGB 151 132 214

HSL 253.9, 0.5%, 0.68%

LAB 59.83, 25.1, -39.59

 

CMYK 0 / 38 / 27 / 16

HEX #D6859C

RGB 214 133 156

HSL 342.96, 0.5%, 0.68%

LAB 64.54, 34.04, 0.96

 

CMYK 8 / 0 / 38 / 16

HEX #C5D685

RGB 197 214 133

HSL 72.59, 0.5%, 0.68%

LAB 82.73, -18.45, 38.11

 

CMYK 38 / 0 / 11 / 16

HEX #85D6BF

RGB 133 214 191

HSL 162.96, 0.5%, 0.68%

LAB 80.09, -29.98, 3.56

 

Description

Color code: HEX #9784D6 | qconv.com Color code: HEX #9784D6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 132 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 132 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 38 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 38% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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