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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95C03D it is the complementary color #6A3FC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95C03D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #95C03D: #9AC038, #ABD24B, #BCE45E, #CDF671 and #DEFF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95C03D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #95C03D: #95C03D, #84AE2A, #739C17, #628A04 and #517800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 68 / 25

HEX #95C03D

RGB 149 192 61

HSL 79.69, 0.52%, 0.5%

LAB 72.51, -33.37, 58.62

 

Complementary color

CMYK 45 / 68 / 0 / 24

HEX #6A3FC2

RGB 106 63 194

HSL 259.69, 0.52%, 0.5%

LAB 38.75, 48.23, -62.08

 

CMYK 20 / 0 / 71 / 25

HEX #9AC038

RGB 154 192 56

HSL 76.76, 0.55%, 0.49%

LAB 72.8, -31.71, 60.9

 

CMYK 19 / 0 / 64 / 18

HEX #ABD24B

RGB 171 210 75

HSL 77.33, 0.6%, 0.56%

LAB 79.19, -32.17, 60.47

 

CMYK 18 / 0 / 59 / 11

HEX #BCE45E

RGB 188 228 94

HSL 77.91, 0.71%, 0.63%

LAB 85.5, -32.51, 59.7

 

CMYK 17 / 0 / 54 / 4

HEX #CDF671

RGB 205 246 113

HSL 78.5, 0.88%, 0.7%

LAB 91.72, -32.76, 58.76

 

CMYK 13 / 0 / 48 / 0

HEX #DEFF84

RGB 222 255 132

HSL 76.1, 1%, 0.76%

LAB 95.46, -28.8, 54.83

 

CMYK 22 / 0 / 68 / 25

HEX #95C03D

RGB 149 192 61

HSL 79.69, 0.52%, 0.5%

LAB 72.51, -33.37, 58.62

 

CMYK 24 / 0 / 76 / 32

HEX #84AE2A

RGB 132 174 42

HSL 79.09, 0.61%, 0.42%

LAB 66.02, -32.86, 58.73

 

CMYK 26 / 0 / 85 / 39

HEX #739C17

RGB 115 156 23

HSL 78.5, 0.74%, 0.35%

LAB 59.42, -32.15, 57.9

 

CMYK 29 / 0 / 97 / 46

HEX #628A04

RGB 98 138 4

HSL 77.91, 0.94%, 0.28%

LAB 52.71, -31.18, 55.61

 

CMYK 33 / 0 / 100 / 53

HEX #517800

RGB 81 120 0

HSL 79.5, 1%, 0.24%

LAB 45.88, -29.83, 50.64

 

CMYK 22 / 0 / 68 / 25

HEX #95C03D

RGB 149 192 61

HSL 79.69, 0.52%, 0.5%

LAB 72.51, -33.37, 58.62

 

CMYK 33 / 0 / 68 / 24

HEX #81C13D

RGB 129 193 61

HSL 89.09, 0.52%, 0.5%

LAB 71.65, -41.34, 57.37

 

CMYK 45 / 0 / 68 / 24

HEX #6BC13D

RGB 107 193 61

HSL 99.09, 0.52%, 0.5%

LAB 70.6, -48.79, 55.94

 

CMYK 56 / 0 / 68 / 24

HEX #55C13D

RGB 85 193 61

HSL 109.09, 0.52%, 0.5%

LAB 69.76, -55.13, 54.8

 

CMYK 67 / 0 / 68 / 24

HEX #3FC13D

RGB 63 193 61

HSL 119.09, 0.52%, 0.5%

LAB 69.14, -60.15, 53.96

 

CMYK 22 / 0 / 68 / 25

HEX #95C03D

RGB 149 192 61

HSL 79.69, 0.52%, 0.5%

LAB 72.51, -33.37, 58.62

 

CMYK 22 / 0 / 68 / 5

HEX #BDF34D

RGB 189 243 77

HSL 79.52, 0.87%, 0.63%

LAB 89.61, -40.12, 70.87

 

CMYK 23 / 0 / 69 / 85

HEX #1E270C

RGB 30 39 12

HSL 80, 0.53%, 0.1%

LAB 14.14, -9.5, 15.56

 

CMYK 22 / 0 / 68 / 65

HEX #465A1D

RGB 70 90 29

HSL 79.67, 0.51%, 0.23%

LAB 35.41, -18.12, 31.75

 

CMYK 23 / 0 / 68 / 45

HEX #6D8D2D

RGB 109 141 45

HSL 80, 0.52%, 0.36%

LAB 54.54, -26.25, 45.67

 

CMYK 22 / 0 / 68 / 25

HEX #95C03D

RGB 149 192 61

HSL 79.69, 0.52%, 0.5%

LAB 72.51, -33.37, 58.62

 

CMYK 68 / 0 / 33 / 24

HEX #3DC181

RGB 61 193 129

HSL 150.91, 0.52%, 0.5%

LAB 69.98, -50.42, 22.1

 

CMYK 6 / 68 / 0 / 24

HEX #B63DC1

RGB 182 61 193

HSL 295, 0.52%, 0.5%

LAB 48.43, 64.93, -45.4

 

CMYK 22 / 0 / 68 / 25

HEX #95C03D

RGB 149 192 61

HSL 79.69, 0.52%, 0.5%

LAB 72.51, -33.37, 58.62

 

CMYK 68 / 22 / 0 / 24

HEX #3D97C1

RGB 61 151 193

HSL 199.09, 0.52%, 0.5%

LAB 58.95, -13.23, -29.54

 

CMYK 0 / 68 / 22 / 24

HEX #C13D97

RGB 193 61 151

HSL 319.09, 0.52%, 0.5%

LAB 48.15, 61.07, -20.98

 

CMYK 22 / 0 / 68 / 25

HEX #95C03D

RGB 149 192 61

HSL 79.69, 0.52%, 0.5%

LAB 72.51, -33.37, 58.62

 

CMYK 68 / 0 / 33 / 24

HEX #3DC181

RGB 61 193 129

HSL 150.91, 0.52%, 0.5%

LAB 69.98, -50.42, 22.1

 

CMYK 47 / 68 / 0 / 24

HEX #673DC1

RGB 103 61 193

HSL 259.09, 0.52%, 0.5%

LAB 37.97, 48.46, -62.78

 

CMYK 0 / 68 / 35 / 24

HEX #C13D7D

RGB 193 61 125

HSL 330.91, 0.52%, 0.5%

LAB 47.18, 57.83, -6.77

 

CMYK 22 / 0 / 68 / 25

HEX #95C03D

RGB 149 192 61

HSL 79.69, 0.52%, 0.5%

LAB 72.51, -33.37, 58.62

 

CMYK 68 / 0 / 12 / 24

HEX #3DC1A9

RGB 61 193 169

HSL 169.09, 0.52%, 0.5%

LAB 70.87, -41.12, 1.73

 

CMYK 47 / 68 / 0 / 24

HEX #673DC1

RGB 103 61 193

HSL 259.09, 0.52%, 0.5%

LAB 37.97, 48.46, -62.78

 

CMYK 0 / 68 / 56 / 24

HEX #C13D55

RGB 193 61 85

HSL 349.09, 0.52%, 0.5%

LAB 46.08, 54.04, 16.15

 

Description

Color code: HEX #95C03D | qconv.com Color code: HEX #95C03D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 192 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 192 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 68 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 68% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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