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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #957567 it is the complementary color #6A8A98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #957567. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #957567: #9A7562, #AB8775, #BC9988, #CDAB9B and #DEBDAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #957567. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #957567: #957567, #846354, #735141, #623F2E and #512D1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 31 / 42

HEX #957567

RGB 149 117 103

HSL 18.26, 0.18%, 0.49%

LAB 51.94, 10.4, 12.5

 

Complementary color

CMYK 30 / 9 / 0 / 40

HEX #6A8A98

RGB 106 138 152

HSL 198.26, 0.18%, 0.51%

LAB 55.59, -7.76, -11.11

 

CMYK 0 / 24 / 36 / 40

HEX #9A7562

RGB 154 117 98

HSL 20.36, 0.22%, 0.49%

LAB 52.37, 11.8, 16.09

 

CMYK 0 / 21 / 32 / 33

HEX #AB8775

RGB 171 135 117

HSL 20, 0.24%, 0.56%

LAB 59.22, 11.08, 14.91

 

CMYK 0 / 19 / 28 / 26

HEX #BC9988

RGB 188 153 136

HSL 19.62, 0.28%, 0.64%

LAB 65.94, 10.47, 13.84

 

CMYK 0 / 17 / 24 / 20

HEX #CDAB9B

RGB 205 171 155

HSL 19.2, 0.33%, 0.71%

LAB 72.54, 9.93, 12.86

 

CMYK 0 / 15 / 22 / 13

HEX #DEBDAE

RGB 222 189 174

HSL 18.75, 0.42%, 0.78%

LAB 79.03, 9.46, 11.94

 

CMYK 0 / 21 / 31 / 42

HEX #957567

RGB 149 117 103

HSL 18.26, 0.18%, 0.49%

LAB 51.94, 10.4, 12.5

 

CMYK 0 / 25 / 36 / 48

HEX #846354

RGB 132 99 84

HSL 18.75, 0.22%, 0.42%

LAB 44.9, 11.13, 13.69

 

CMYK 0 / 30 / 43 / 55

HEX #735141

RGB 115 81 65

HSL 19.2, 0.28%, 0.35%

LAB 37.68, 12.03, 15.05

 

CMYK 0 / 36 / 53 / 62

HEX #623F2E

RGB 98 63 46

HSL 19.62, 0.36%, 0.28%

LAB 30.28, 13.14, 16.65

 

CMYK 0 / 44 / 67 / 68

HEX #512D1B

RGB 81 45 27

HSL 20, 0.5%, 0.21%

LAB 22.67, 14.59, 18.59

 

CMYK 0 / 21 / 31 / 42

HEX #957567

RGB 149 117 103

HSL 18.26, 0.18%, 0.49%

LAB 51.94, 10.4, 12.5

 

CMYK 0 / 16 / 31 / 42

HEX #937B66

RGB 147 123 102

HSL 28, 0.18%, 0.49%

LAB 53.31, 5.98, 14.95

 

CMYK 0 / 12 / 31 / 42

HEX #938266

RGB 147 130 102

HSL 37.33, 0.18%, 0.49%

LAB 55.2, 1.99, 17.55

 

CMYK 0 / 6 / 31 / 42

HEX #938A66

RGB 147 138 102

HSL 48, 0.18%, 0.49%

LAB 57.4, -2.49, 20.53

 

CMYK 0 / 1 / 31 / 42

HEX #939166

RGB 147 145 102

HSL 57.33, 0.18%, 0.49%

LAB 59.35, -6.35, 23.15

 

CMYK 0 / 21 / 31 / 42

HEX #957567

RGB 149 117 103

HSL 18.26, 0.18%, 0.49%

LAB 51.94, 10.4, 12.5

 

CMYK 0 / 22 / 31 / 22

HEX #C89D8A

RGB 200 157 138

HSL 18.39, 0.36%, 0.66%

LAB 68.19, 13.26, 16.04

 

CMYK 0 / 22 / 31 / 2

HEX #FBC5AE

RGB 251 197 174

HSL 17.92, 0.91%, 0.83%

LAB 83.7, 16.09, 18.9

 

CMYK 0 / 21 / 32 / 82

HEX #2F2520

RGB 47 37 32

HSL 20, 0.19%, 0.15%

LAB 15.65, 3.75, 5.1

 

CMYK 0 / 21 / 31 / 62

HEX #624D44

RGB 98 77 68

HSL 18, 0.18%, 0.33%

LAB 34.64, 7.34, 8.69

 

CMYK 0 / 21 / 31 / 42

HEX #957567

RGB 149 117 103

HSL 18.26, 0.18%, 0.49%

LAB 51.94, 10.4, 12.5

 

CMYK 16 / 0 / 31 / 42

HEX #7C9366

RGB 124 147 102

HSL 90.67, 0.18%, 0.49%

LAB 58.14, -16.62, 21.21

 

CMYK 31 / 28 / 0 / 42

HEX #666A93

RGB 102 106 147

HSL 234.67, 0.18%, 0.49%

LAB 45.96, 8.43, -22.89

 

CMYK 0 / 21 / 31 / 42

HEX #957567

RGB 149 117 103

HSL 18.26, 0.18%, 0.49%

LAB 51.94, 10.4, 12.5

 

CMYK 31 / 0 / 22 / 42

HEX #669373

RGB 102 147 115

HSL 137.33, 0.18%, 0.49%

LAB 57.01, -22.29, 12.13

 

CMYK 22 / 31 / 0 / 42

HEX #736693

RGB 115 102 147

HSL 257.33, 0.18%, 0.49%

LAB 45.98, 15.04, -22.77

 

CMYK 0 / 21 / 31 / 42

HEX #957567

RGB 149 117 103

HSL 18.26, 0.18%, 0.49%

LAB 51.94, 10.4, 12.5

 

CMYK 16 / 0 / 31 / 42

HEX #7C9366

RGB 124 147 102

HSL 90.67, 0.18%, 0.49%

LAB 58.14, -16.62, 21.21

 

CMYK 31 / 10 / 0 / 42

HEX #668593

RGB 102 133 147

HSL 198.67, 0.18%, 0.49%

LAB 53.71, -7.46, -11.07

 

CMYK 16 / 31 / 0 / 42

HEX #7C6693

RGB 124 102 147

HSL 269.33, 0.18%, 0.49%

LAB 46.84, 18.03, -21.38

 

CMYK 0 / 21 / 31 / 42

HEX #957567

RGB 149 117 103

HSL 18.26, 0.18%, 0.49%

LAB 51.94, 10.4, 12.5

 

CMYK 24 / 0 / 31 / 42

HEX #6F9366

RGB 111 147 102

HSL 108, 0.18%, 0.49%

LAB 57.28, -21.52, 19.9

 

CMYK 31 / 10 / 0 / 42

HEX #668593

RGB 102 133 147

HSL 198.67, 0.18%, 0.49%

LAB 53.71, -7.46, -11.07

 

CMYK 6 / 31 / 0 / 42

HEX #8A6693

RGB 138 102 147

HSL 288, 0.18%, 0.49%

LAB 48.28, 22.8, -19.04

 

Description

Color code: HEX #957567 | qconv.com Color code: HEX #957567 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 117 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 117 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 31 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 31% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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