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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #956227 it is the complementary color #6A9DD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #956227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #956227 shade: #9A6222, #AB7435, #BC8648, #CD985B and #DEAA6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #956227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #956227 shade: #956227, #845014, #733E01, #622C00 and #511A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #956227 shade: #966227, #964427 and #962727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #956227 shade: #966227, #968027, #8E9627, #709627 and #529627

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #956227 shade matches the following richer shades: #966227, #A56417 and #B56508

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #956227 shade: #966227, #876136, #776045, #685F54 and #595E64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #956227 shade: #962727, #964427, #966227, #968027 and #8F9627

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #956227 shade: #543716, #754D1E, #966227, #B7782F and #CE8D41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #956227 shade: #956227, #449627 and #362796

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #956227 shade: #956227, #279662 and #622796

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #956227 shade: #956227, #449627, #275B96 and #782796

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #956227 shade: #956227, #27962A, #275B96 and #962792

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 74 / 42

HEX #956227

RGB 149 98 39

HSL 32.18, 0.59%, 0.37%

LAB 46, 15.16, 40.61

 

Complementary color

CMYK 51 / 27 / 0 / 15

HEX #6A9DD8

RGB 106 157 216

HSL 212.18, 0.59%, 0.63%

LAB 63.46, -0.56, -35.27

 

CMYK 0 / 36 / 78 / 40

HEX #9A6222

RGB 154 98 34

HSL 32, 0.64%, 0.37%

LAB 46.61, 17.19, 43.75

 

CMYK 0 / 32 / 69 / 33

HEX #AB7435

RGB 171 116 53

HSL 32.03, 0.53%, 0.44%

LAB 53.39, 15.53, 42.48

 

CMYK 0 / 29 / 62 / 26

HEX #BC8648

RGB 188 134 72

HSL 32.07, 0.46%, 0.51%

LAB 60.08, 14.15, 41.02

 

CMYK 0 / 26 / 56 / 20

HEX #CD985B

RGB 205 152 91

HSL 32.11, 0.53%, 0.58%

LAB 66.67, 12.97, 39.54

 

CMYK 0 / 23 / 50 / 13

HEX #DEAA6E

RGB 222 170 110

HSL 32.14, 0.63%, 0.65%

LAB 73.16, 11.96, 38.13

 

CMYK 0 / 34 / 74 / 42

HEX #956227

RGB 149 98 39

HSL 32.18, 0.59%, 0.37%

LAB 46, 15.16, 40.61

 

CMYK 0 / 39 / 85 / 48

HEX #845014

RGB 132 80 20

HSL 32.14, 0.74%, 0.3%

LAB 39.06, 17.02, 41.58

 

CMYK 0 / 46 / 99 / 55

HEX #733E01

RGB 115 62 1

HSL 32.11, 0.98%, 0.23%

LAB 32.02, 19.22, 41.84

 

CMYK 0 / 55 / 100 / 62

HEX #622C00

RGB 98 44 0

HSL 26.94, 1%, 0.19%

LAB 24.95, 21.9, 35.34

 

CMYK 0 / 68 / 100 / 68

HEX #511A00

RGB 81 26 0

HSL 19.26, 1%, 0.16%

LAB 17.86, 24.44, 26.77

 

CMYK 0 / 35 / 74 / 41

HEX #966227

RGB 150 98 39

HSL 31.89, 0.59%, 0.37%

LAB 46.13, 15.62, 40.79

 

CMYK 0 / 55 / 74 / 41

HEX #964427

RGB 150 68 39

HSL 15.68, 0.59%, 0.37%

LAB 39.18, 32.42, 33.38

 

CMYK 0 / 74 / 74 / 41

HEX #962727

RGB 150 39 39

HSL 0, 0.59%, 0.37%

LAB 34.15, 45.79, 27.73

 

CMYK 0 / 35 / 74 / 41

HEX #966227

RGB 150 98 39

HSL 31.89, 0.59%, 0.37%

LAB 46.13, 15.62, 40.79

 

CMYK 0 / 15 / 74 / 41

HEX #968027

RGB 150 128 39

HSL 48.11, 0.59%, 0.37%

LAB 54.1, -1.51, 48.81

 

CMYK 5 / 0 / 74 / 41

HEX #8E9627

RGB 142 150 39

HSL 64.32, 0.59%, 0.37%

LAB 59.63, -17, 53.92

 

CMYK 25 / 0 / 74 / 41

HEX #709627

RGB 112 150 39

HSL 80.54, 0.59%, 0.37%

LAB 57.47, -29.78, 51.09

 

CMYK 45 / 0 / 74 / 41

HEX #529627

RGB 82 150 39

HSL 96.76, 0.59%, 0.37%

LAB 55.84, -40.95, 48.93

 

CMYK 0 / 35 / 74 / 41

HEX #966227

RGB 150 98 39

HSL 31.89, 0.59%, 0.37%

LAB 46.13, 15.62, 40.79

 

CMYK 0 / 39 / 86 / 35

HEX #A56417

RGB 165 100 23

HSL 32.54, 0.76%, 0.37%

LAB 48.48, 20.59, 50.37

 

CMYK 0 / 44 / 96 / 29

HEX #B56508

RGB 181 101 8

HSL 32.25, 0.92%, 0.37%

LAB 50.86, 26.75, 57.14

 

CMYK 0 / 35 / 74 / 41

HEX #966227

RGB 150 98 39

HSL 31.89, 0.59%, 0.37%

LAB 46.13, 15.62, 40.79

 

CMYK 0 / 28 / 60 / 47

HEX #876136

RGB 135 97 54

HSL 31.85, 0.43%, 0.37%

LAB 44.19, 10.38, 30.29

 

CMYK 0 / 19 / 42 / 53

HEX #776045

RGB 119 96 69

HSL 32.4, 0.27%, 0.37%

LAB 42.33, 5.28, 18.93

 

CMYK 0 / 9 / 19 / 59

HEX #685F54

RGB 104 95 84

HSL 33, 0.11%, 0.37%

LAB 40.84, 1.57, 7.6

 

CMYK 11 / 6 / 0 / 61

HEX #595E64

RGB 89 94 100

HSL 212.73, 0.06%, 0.37%

LAB 39.66, -0.61, -4.1

 

CMYK 0 / 74 / 74 / 41

HEX #962727

RGB 150 39 39

HSL 0, 0.59%, 0.37%

LAB 34.15, 45.79, 27.73

 

CMYK 0 / 55 / 74 / 41

HEX #964427

RGB 150 68 39

HSL 15.68, 0.59%, 0.37%

LAB 39.18, 32.42, 33.38

 

CMYK 0 / 35 / 74 / 41

HEX #966227

RGB 150 98 39

HSL 31.89, 0.59%, 0.37%

LAB 46.13, 15.62, 40.79

 

CMYK 0 / 15 / 74 / 41

HEX #968027

RGB 150 128 39

HSL 48.11, 0.59%, 0.37%

LAB 54.1, -1.51, 48.81

 

CMYK 5 / 0 / 74 / 41

HEX #8F9627

RGB 143 150 39

HSL 63.78, 0.59%, 0.37%

LAB 59.71, -16.56, 54.03

 

CMYK 0 / 35 / 74 / 67

HEX #543716

RGB 84 55 22

HSL 31.94, 0.58%, 0.21%

LAB 25.79, 9.29, 25.32

 

CMYK 0 / 34 / 74 / 54

HEX #754D1E

RGB 117 77 30

HSL 32.41, 0.59%, 0.29%

LAB 36.34, 12.21, 33.68

 

CMYK 0 / 35 / 74 / 41

HEX #966227

RGB 150 98 39

HSL 31.89, 0.59%, 0.37%

LAB 46.13, 15.62, 40.79

 

CMYK 0 / 34 / 74 / 28

HEX #B7782F

RGB 183 120 47

HSL 32.21, 0.59%, 0.45%

LAB 55.79, 18.25, 48.29

 

CMYK 0 / 32 / 68 / 19

HEX #CE8D41

RGB 206 141 65

HSL 32.34, 0.59%, 0.53%

LAB 63.8, 17.58, 49.22

 

CMYK 0 / 34 / 74 / 42

HEX #956227

RGB 149 98 39

HSL 32.18, 0.59%, 0.37%

LAB 46, 15.16, 40.61

 

CMYK 55 / 0 / 74 / 41

HEX #449627

RGB 68 150 39

HSL 104.32, 0.59%, 0.37%

LAB 55.27, -45.3, 48.16

 

CMYK 64 / 74 / 0 / 41

HEX #362796

RGB 54 39 150

HSL 248.11, 0.59%, 0.37%

LAB 25.07, 39.82, -58.32

 

CMYK 0 / 34 / 74 / 42

HEX #956227

RGB 149 98 39

HSL 32.18, 0.59%, 0.37%

LAB 46, 15.16, 40.61

 

CMYK 74 / 0 / 35 / 41

HEX #279662

RGB 39 150 98

HSL 151.89, 0.59%, 0.37%

LAB 55.2, -43.18, 18.82

 

CMYK 35 / 74 / 0 / 41

HEX #622796

RGB 98 39 150

HSL 271.89, 0.59%, 0.37%

LAB 30.03, 47.2, -50

 

CMYK 0 / 34 / 74 / 42

HEX #956227

RGB 149 98 39

HSL 32.18, 0.59%, 0.37%

LAB 46, 15.16, 40.61

 

CMYK 55 / 0 / 74 / 41

HEX #449627

RGB 68 150 39

HSL 104.32, 0.59%, 0.37%

LAB 55.27, -45.3, 48.16

 

CMYK 74 / 39 / 0 / 41

HEX #275B96

RGB 39 91 150

HSL 211.89, 0.59%, 0.37%

LAB 38.05, 3.72, -37.35

 

CMYK 20 / 74 / 0 / 41

HEX #782796

RGB 120 39 150

HSL 283.78, 0.59%, 0.37%

LAB 33.23, 51.69, -44.66

 

CMYK 0 / 34 / 74 / 42

HEX #956227

RGB 149 98 39

HSL 32.18, 0.59%, 0.37%

LAB 46, 15.16, 40.61

 

CMYK 74 / 0 / 72 / 41

HEX #27962A

RGB 39 150 42

HSL 121.62, 0.59%, 0.37%

LAB 54.46, -51.76, 45.91

 

CMYK 74 / 39 / 0 / 41

HEX #275B96

RGB 39 91 150

HSL 211.89, 0.59%, 0.37%

LAB 38.05, 3.72, -37.35

 

CMYK 0 / 74 / 3 / 41

HEX #962792

RGB 150 39 146

HSL 302.16, 0.59%, 0.37%

LAB 37.86, 57.56, -34.55

 

Description

Color code: HEX #956227 | qconv.com Color code: HEX #956227 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 98 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 98 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 74 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 74% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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