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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95372A it is the complementary color #6AC8D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95372A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #95372A: #9A3725, #AB4938, #BC5B4B, #CD6D5E and #DE7F71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95372A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #95372A: #95372A, #842517, #731304, #620100 and #510000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 72 / 42

HEX #95372A

RGB 149 55 42

HSL 7.29, 0.56%, 0.37%

LAB 36.54, 38.73, 28.63

 

Complementary color

CMYK 50 / 6 / 0 / 16

HEX #6AC8D5

RGB 106 200 213

HSL 187.29, 0.56%, 0.63%

LAB 75.56, -24.36, -15.08

 

CMYK 0 / 64 / 76 / 40

HEX #9A3725

RGB 154 55 37

HSL 9.23, 0.61%, 0.37%

LAB 37.36, 40.34, 32.71

 

CMYK 0 / 57 / 67 / 33

HEX #AB4938

RGB 171 73 56

HSL 8.87, 0.51%, 0.45%

LAB 43.81, 39.04, 29.92

 

CMYK 0 / 52 / 60 / 26

HEX #BC5B4B

RGB 188 91 75

HSL 8.5, 0.46%, 0.52%

LAB 50.31, 37.7, 27.52

 

CMYK 0 / 47 / 54 / 20

HEX #CD6D5E

RGB 205 109 94

HSL 8.11, 0.53%, 0.59%

LAB 56.81, 36.41, 25.45

 

CMYK 0 / 43 / 49 / 13

HEX #DE7F71

RGB 222 127 113

HSL 7.71, 0.62%, 0.66%

LAB 63.26, 35.21, 23.66

 

CMYK 0 / 63 / 72 / 42

HEX #95372A

RGB 149 55 42

HSL 7.29, 0.56%, 0.37%

LAB 36.54, 38.73, 28.63

 

CMYK 0 / 72 / 83 / 48

HEX #842517

RGB 132 37 23

HSL 7.71, 0.7%, 0.3%

LAB 30.13, 39.77, 31.81

 

CMYK 0 / 83 / 97 / 55

HEX #731304

RGB 115 19 4

HSL 8.11, 0.93%, 0.23%

LAB 24.06, 40.1, 33.99

 

CMYK 0 / 99 / 100 / 62

HEX #620100

RGB 98 1 0

HSL 0.61, 1%, 0.19%

LAB 18.45, 39.47, 28.38

 

CMYK 0 / 100 / 100 / 68

HEX #510000

RGB 81 0 0

HSL 0, 1%, 0.16%

LAB 14.11, 34.84, 22.06

 

CMYK 0 / 63 / 72 / 42

HEX #95372A

RGB 149 55 42

HSL 7.29, 0.56%, 0.37%

LAB 36.54, 38.73, 28.63

 

CMYK 0 / 52 / 72 / 42

HEX #934729

RGB 147 71 41

HSL 16.98, 0.56%, 0.37%

LAB 39.36, 29.68, 32.33

 

CMYK 0 / 39 / 72 / 42

HEX #935929

RGB 147 89 41

HSL 27.17, 0.56%, 0.37%

LAB 43.52, 19.56, 36.91

 

CMYK 0 / 28 / 72 / 42

HEX #936A29

RGB 147 106 41

HSL 36.79, 0.56%, 0.37%

LAB 47.84, 9.73, 41.5

 

CMYK 0 / 16 / 72 / 42

HEX #937C29

RGB 147 124 41

HSL 46.98, 0.56%, 0.37%

LAB 52.71, -0.54, 46.49

 

CMYK 0 / 63 / 72 / 42

HEX #95372A

RGB 149 55 42

HSL 7.29, 0.56%, 0.37%

LAB 36.54, 38.73, 28.63

 

CMYK 0 / 63 / 72 / 22

HEX #C84A38

RGB 200 74 56

HSL 7.5, 0.57%, 0.5%

LAB 48.84, 49.14, 37.02

 

CMYK 0 / 63 / 72 / 2

HEX #FB5D47

RGB 251 93 71

HSL 7.33, 0.96%, 0.63%

LAB 60.6, 59.06, 44.45

 

CMYK 0 / 64 / 72 / 82

HEX #2F110D

RGB 47 17 13

HSL 7.06, 0.57%, 0.12%

LAB 9.27, 14.94, 8.78

 

CMYK 0 / 63 / 71 / 62

HEX #62241C

RGB 98 36 28

HSL 6.86, 0.56%, 0.25%

LAB 23.48, 27.55, 19.6

 

CMYK 0 / 63 / 72 / 42

HEX #95372A

RGB 149 55 42

HSL 7.29, 0.56%, 0.37%

LAB 36.54, 38.73, 28.63

 

CMYK 23 / 0 / 72 / 42

HEX #719329

RGB 113 147 41

HSL 79.25, 0.56%, 0.37%

LAB 56.62, -27.8, 49.51

 

CMYK 72 / 52 / 0 / 42

HEX #294793

RGB 41 71 147

HSL 223.02, 0.56%, 0.37%

LAB 32, 16.13, -45.22

 

CMYK 0 / 63 / 72 / 42

HEX #95372A

RGB 149 55 42

HSL 7.29, 0.56%, 0.37%

LAB 36.54, 38.73, 28.63

 

CMYK 72 / 0 / 64 / 42

HEX #299335

RGB 41 147 53

HSL 126.79, 0.56%, 0.37%

LAB 53.6, -49.21, 40.24

 

CMYK 64 / 72 / 0 / 42

HEX #352993

RGB 53 41 147

HSL 246.79, 0.56%, 0.37%

LAB 25.1, 37.55, -56.41

 

CMYK 0 / 63 / 72 / 42

HEX #95372A

RGB 149 55 42

HSL 7.29, 0.56%, 0.37%

LAB 36.54, 38.73, 28.63

 

CMYK 23 / 0 / 72 / 42

HEX #719329

RGB 113 147 41

HSL 79.25, 0.56%, 0.37%

LAB 56.62, -27.8, 49.51

 

CMYK 72 / 9 / 0 / 42

HEX #298693

RGB 41 134 147

HSL 187.36, 0.56%, 0.37%

LAB 51.41, -22.15, -14.8

 

CMYK 50 / 72 / 0 / 42

HEX #4A2993

RGB 74 41 147

HSL 258.68, 0.56%, 0.37%

LAB 27.15, 40.9, -52.98

 

CMYK 0 / 63 / 72 / 42

HEX #95372A

RGB 149 55 42

HSL 7.29, 0.56%, 0.37%

LAB 36.54, 38.73, 28.63

 

CMYK 44 / 0 / 72 / 42

HEX #529329

RGB 82 147 41

HSL 96.79, 0.56%, 0.37%

LAB 54.89, -39.54, 47.19

 

CMYK 72 / 9 / 0 / 42

HEX #298693

RGB 41 134 147

HSL 187.36, 0.56%, 0.37%

LAB 51.41, -22.15, -14.8

 

CMYK 28 / 72 / 0 / 42

HEX #6A2993

RGB 106 41 147

HSL 276.79, 0.56%, 0.37%

LAB 31.25, 47.21, -46.14

 

Description

Color code: HEX #95372A | qconv.com Color code: HEX #95372A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 55 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 55 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 72 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 72% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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