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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #947E63 it is the complementary color #6B819C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #947E63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #947E63: #997E5E, #AA9071, #BBA284, #CCB497 and #DDC6AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #947E63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #947E63: #947E63, #836C50, #725A3D, #61482A and #503617

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 33 / 42

HEX #947E63

RGB 148 126 99

HSL 33.06, 0.2%, 0.48%

LAB 54.15, 4.27, 17.85

 

Complementary color

CMYK 31 / 17 / 0 / 39

HEX #6B819C

RGB 107 129 156

HSL 213.06, 0.2%, 0.52%

LAB 53.2, -1.29, -17.04

 

CMYK 0 / 18 / 39 / 40

HEX #997E5E

RGB 153 126 94

HSL 32.54, 0.24%, 0.48%

LAB 54.56, 5.72, 21.33

 

CMYK 0 / 15 / 34 / 33

HEX #AA9071

RGB 170 144 113

HSL 32.63, 0.25%, 0.55%

LAB 61.38, 5.11, 20.11

 

CMYK 0 / 13 / 29 / 27

HEX #BBA284

RGB 187 162 132

HSL 32.73, 0.29%, 0.63%

LAB 68.07, 4.59, 19

 

CMYK 0 / 12 / 26 / 20

HEX #CCB497

RGB 204 180 151

HSL 32.83, 0.34%, 0.7%

LAB 74.64, 4.14, 17.96

 

CMYK 0 / 10 / 23 / 13

HEX #DDC6AA

RGB 221 198 170

HSL 32.94, 0.43%, 0.77%

LAB 81.11, 3.75, 16.99

 

CMYK 0 / 15 / 33 / 42

HEX #947E63

RGB 148 126 99

HSL 33.06, 0.2%, 0.48%

LAB 54.15, 4.27, 17.85

 

CMYK 0 / 18 / 39 / 49

HEX #836C50

RGB 131 108 80

HSL 32.94, 0.24%, 0.41%

LAB 47.14, 4.88, 19.09

 

CMYK 0 / 21 / 46 / 55

HEX #725A3D

RGB 114 90 61

HSL 32.83, 0.3%, 0.34%

LAB 39.96, 5.65, 20.46

 

CMYK 0 / 26 / 57 / 62

HEX #61482A

RGB 97 72 42

HSL 32.73, 0.4%, 0.27%

LAB 32.58, 6.64, 22.01

 

CMYK 0 / 33 / 71 / 69

HEX #503617

RGB 80 54 23

HSL 32.63, 0.55%, 0.2%

LAB 24.97, 7.99, 23.68

 

CMYK 0 / 15 / 33 / 42

HEX #947E63

RGB 148 126 99

HSL 33.06, 0.2%, 0.48%

LAB 54.15, 4.27, 17.85

 

CMYK 0 / 9 / 34 / 43

HEX #928561

RGB 146 133 97

HSL 44.08, 0.2%, 0.48%

LAB 55.84, -0.8, 21.22

 

CMYK 0 / 3 / 34 / 43

HEX #928D61

RGB 146 141 97

HSL 53.88, 0.2%, 0.48%

LAB 58.06, -5.24, 24.18

 

CMYK 1 / 0 / 34 / 43

HEX #909261

RGB 144 146 97

HSL 62.45, 0.2%, 0.48%

LAB 59.3, -8.8, 25.78

 

CMYK 7 / 0 / 34 / 43

HEX #889261

RGB 136 146 97

HSL 72.24, 0.2%, 0.48%

LAB 58.65, -12.07, 24.82

 

CMYK 0 / 15 / 33 / 42

HEX #947E63

RGB 148 126 99

HSL 33.06, 0.2%, 0.48%

LAB 54.15, 4.27, 17.85

 

CMYK 0 / 15 / 33 / 22

HEX #C7A985

RGB 199 169 133

HSL 32.73, 0.37%, 0.65%

LAB 71.02, 5.69, 22.66

 

CMYK 0 / 15 / 33 / 2

HEX #FAD5A7

RGB 250 213 167

HSL 33.25, 0.89%, 0.82%

LAB 87.34, 6.52, 27.55

 

CMYK 0 / 15 / 33 / 82

HEX #2E271F

RGB 46 39 31

HSL 32, 0.19%, 0.15%

LAB 16.16, 1.67, 6.49

 

CMYK 0 / 14 / 33 / 62

HEX #615341

RGB 97 83 65

HSL 33.75, 0.2%, 0.32%

LAB 36.19, 2.73, 12.69

 

CMYK 0 / 15 / 33 / 42

HEX #947E63

RGB 148 126 99

HSL 33.06, 0.2%, 0.48%

LAB 54.15, 4.27, 17.85

 

CMYK 25 / 0 / 34 / 43

HEX #6E9261

RGB 110 146 97

HSL 104.08, 0.2%, 0.48%

LAB 56.82, -22.2, 22.05

 

CMYK 28 / 34 / 0 / 43

HEX #696192

RGB 105 97 146

HSL 249.8, 0.2%, 0.48%

LAB 43.69, 14.62, -25.79

 

CMYK 0 / 15 / 33 / 42

HEX #947E63

RGB 148 126 99

HSL 33.06, 0.2%, 0.48%

LAB 54.15, 4.27, 17.85

 

CMYK 34 / 0 / 15 / 43

HEX #61927C

RGB 97 146 124

HSL 153.06, 0.2%, 0.48%

LAB 56.64, -21.53, 6.45

 

CMYK 15 / 34 / 0 / 43

HEX #7C6192

RGB 124 97 146

HSL 273.06, 0.2%, 0.48%

LAB 45.51, 20.8, -22.83

 

CMYK 0 / 15 / 33 / 42

HEX #947E63

RGB 148 126 99

HSL 33.06, 0.2%, 0.48%

LAB 54.15, 4.27, 17.85

 

CMYK 25 / 0 / 34 / 43

HEX #6E9261

RGB 110 146 97

HSL 104.08, 0.2%, 0.48%

LAB 56.82, -22.2, 22.05

 

CMYK 34 / 18 / 0 / 43

HEX #617792

RGB 97 119 146

HSL 213.06, 0.2%, 0.48%

LAB 49.27, -1.19, -17.25

 

CMYK 8 / 34 / 0 / 43

HEX #866192

RGB 134 97 146

HSL 285.31, 0.2%, 0.48%

LAB 46.57, 24.16, -21.11

 

CMYK 0 / 15 / 33 / 42

HEX #947E63

RGB 148 126 99

HSL 33.06, 0.2%, 0.48%

LAB 54.15, 4.27, 17.85

 

CMYK 34 / 0 / 32 / 43

HEX #619264

RGB 97 146 100

HSL 123.67, 0.2%, 0.48%

LAB 56.11, -26.31, 19.29

 

CMYK 34 / 18 / 0 / 43

HEX #617792

RGB 97 119 146

HSL 213.06, 0.2%, 0.48%

LAB 49.27, -1.19, -17.25

 

CMYK 0 / 34 / 1 / 43

HEX #926190

RGB 146 97 144

HSL 302.45, 0.2%, 0.48%

LAB 47.85, 27.85, -17.84

 

Description

Color code: HEX #947E63 | qconv.com Color code: HEX #947E63 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 126 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 126 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 33 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 33% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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