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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93C0DE it is the complementary color #6C3F21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93C0DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #93C0DE: #98C0D9, #A9D2EC, #BAE4FF, #CBF6FF and #DCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93C0DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #93C0DE: #93C0DE, #82AECB, #719CB8, #608AA5 and #4F7892

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 14 / 0 / 13

HEX #93C0DE

RGB 147 192 222

HSL 204, 0.53%, 0.72%

LAB 75.56, -7.67, -19.76

 

Complementary color

CMYK 0 / 42 / 69 / 58

HEX #6C3F21

RGB 108 63 33

HSL 24, 0.53%, 0.28%

LAB 31.47, 16.65, 26.34

 

CMYK 30 / 12 / 0 / 15

HEX #98C0D9

RGB 152 192 217

HSL 203.08, 0.46%, 0.72%

LAB 75.69, -7.48, -16.83

 

CMYK 28 / 11 / 0 / 7

HEX #A9D2EC

RGB 169 210 236

HSL 203.28, 0.64%, 0.79%

LAB 82.15, -7.57, -17.19

 

CMYK 27 / 11 / 0 / 0

HEX #BAE4FF

RGB 186 228 255

HSL 203.48, 1%, 0.86%

LAB 88.52, -7.65, -17.55

 

CMYK 20 / 4 / 0 / 0

HEX #CBF6FF

RGB 203 246 255

HSL 190.38, 1%, 0.9%

LAB 94.24, -11.83, -8.89

 

CMYK 14 / 0 / 0 / 0

HEX #DCFFFF

RGB 220 255 255

HSL 180, 1%, 0.93%

LAB 97.61, -11.18, -3.79

 

CMYK 34 / 14 / 0 / 13

HEX #93C0DE

RGB 147 192 222

HSL 204, 0.53%, 0.72%

LAB 75.56, -7.67, -19.76

 

CMYK 36 / 14 / 0 / 20

HEX #82AECB

RGB 130 174 203

HSL 203.84, 0.41%, 0.65%

LAB 68.99, -7.54, -19.45

 

CMYK 39 / 15 / 0 / 28

HEX #719CB8

RGB 113 156 184

HSL 203.66, 0.33%, 0.58%

LAB 62.29, -7.38, -19.15

 

CMYK 42 / 16 / 0 / 35

HEX #608AA5

RGB 96 138 165

HSL 203.48, 0.28%, 0.51%

LAB 55.46, -7.18, -18.85

 

CMYK 46 / 18 / 0 / 43

HEX #4F7892

RGB 79 120 146

HSL 203.28, 0.3%, 0.44%

LAB 48.47, -6.93, -18.56

 

CMYK 34 / 14 / 0 / 13

HEX #93C0DE

RGB 147 192 222

HSL 204, 0.53%, 0.72%

LAB 75.56, -7.67, -19.76

 

CMYK 34 / 19 / 0 / 13

HEX #91B2DD

RGB 145 178 221

HSL 213.95, 0.53%, 0.72%

LAB 71.61, -0.92, -25.25

 

CMYK 34 / 25 / 0 / 13

HEX #91A5DD

RGB 145 165 221

HSL 224.21, 0.53%, 0.72%

LAB 68.13, 6.3, -30.6

 

CMYK 34 / 31 / 0 / 13

HEX #9199DD

RGB 145 153 221

HSL 233.68, 0.53%, 0.72%

LAB 64.98, 13.11, -35.48

 

CMYK 32 / 34 / 0 / 13

HEX #9691DD

RGB 150 145 221

HSL 243.95, 0.53%, 0.72%

LAB 63.31, 19.1, -38.06

 

CMYK 34 / 14 / 0 / 13

HEX #93C0DE

RGB 147 192 222

HSL 204, 0.53%, 0.72%

LAB 75.56, -7.67, -19.76

 

CMYK 33 / 11 / 0 / 93

HEX #0C1012

RGB 12 16 18

HSL 200, 0.2%, 0.06%

LAB 4.45, -0.9, -1.54

 

CMYK 33 / 13 / 0 / 73

HEX #2E3C45

RGB 46 60 69

HSL 203.48, 0.2%, 0.23%

LAB 24.46, -3.16, -7.39

 

CMYK 34 / 13 / 0 / 53

HEX #4F6878

RGB 79 104 120

HSL 203.41, 0.21%, 0.39%

LAB 42.64, -5, -11.92

 

CMYK 34 / 13 / 0 / 33

HEX #7194AB

RGB 113 148 171

HSL 203.79, 0.26%, 0.56%

LAB 59.55, -6.37, -15.96

 

CMYK 34 / 14 / 0 / 13

HEX #93C0DE

RGB 147 192 222

HSL 204, 0.53%, 0.72%

LAB 75.56, -7.67, -19.76

 

CMYK 14 / 34 / 0 / 13

HEX #BF91DD

RGB 191 145 221

HSL 276.32, 0.53%, 0.72%

LAB 66.94, 31.24, -32.14

 

CMYK 0 / 0 / 34 / 13

HEX #DDDD91

RGB 221 221 145

HSL 60, 0.53%, 0.72%

LAB 86.57, -11.32, 37.37

 

CMYK 34 / 14 / 0 / 13

HEX #93C0DE

RGB 147 192 222

HSL 204, 0.53%, 0.72%

LAB 75.56, -7.67, -19.76

 

CMYK 0 / 34 / 14 / 13

HEX #DD91BF

RGB 221 145 191

HSL 323.68, 0.53%, 0.72%

LAB 69.03, 35.36, -11.99

 

CMYK 14 / 0 / 34 / 13

HEX #BFDD91

RGB 191 221 145

HSL 83.68, 0.53%, 0.72%

LAB 84.4, -22.63, 34.12

 

CMYK 34 / 14 / 0 / 13

HEX #93C0DE

RGB 147 192 222

HSL 204, 0.53%, 0.72%

LAB 75.56, -7.67, -19.76

 

CMYK 14 / 34 / 0 / 13

HEX #BF91DD

RGB 191 145 221

HSL 276.32, 0.53%, 0.72%

LAB 66.94, 31.24, -32.14

 

CMYK 0 / 20 / 34 / 13

HEX #DDB091

RGB 221 176 145

HSL 24.47, 0.53%, 0.72%

LAB 75.12, 12.1, 22.1

 

CMYK 20 / 0 / 34 / 13

HEX #B0DD91

RGB 176 221 145

HSL 95.53, 0.53%, 0.72%

LAB 83.44, -28.03, 32.67

 

CMYK 34 / 14 / 0 / 13

HEX #93C0DE

RGB 147 192 222

HSL 204, 0.53%, 0.72%

LAB 75.56, -7.67, -19.76

 

CMYK 4 / 34 / 0 / 13

HEX #D591DD

RGB 213 145 221

HSL 293.68, 0.53%, 0.72%

LAB 69.2, 38.06, -28.46

 

CMYK 0 / 20 / 34 / 13

HEX #DDB091

RGB 221 176 145

HSL 24.47, 0.53%, 0.72%

LAB 75.12, 12.1, 22.1

 

CMYK 31 / 0 / 34 / 13

HEX #99DD91

RGB 153 221 145

HSL 113.68, 0.53%, 0.72%

LAB 82.13, -35.86, 30.7

 

Description

Color code: HEX #93C0DE | qconv.com Color code: HEX #93C0DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 192 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 192 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 14 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 14% 0% 13% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

88% - Meet Mikey. A better...
Link: http://meetmikey.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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