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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #92E8C0 it is the complementary color #6D173F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #92E8C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #92E8C0 shade: #97E8BB, #A8FACE, #B9FFE1, #CAFFF4 and #DBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #92E8C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #92E8C0 shade: #92E8C0, #81D6AD, #70C49A, #5FB287 and #4EA074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #92E8C0 shade: #92E8C0, #92E8A8, #92E892, #A9E892 and #C0E892

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #92E8C0 shade: #92E8C0, #92E8D7, #92E1E8, #92CAE8 and #92B3E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #92E8C0 shade matches the following richer shades: #92E8C0, #87F3C0 and #7CFDC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #92E8C0 shade: #92E8C0, #9CDDBF, #A7D2BE, #B2C8BD and #BDBDBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #92E8C0 shade: #92E892, #92E8A9, #92E8C0, #92E8D7 and #92E2E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #92E8C0 shade: #4ED998, #70E1AC, #92E8C0, #B4EFD3 and #D6F6E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #92E8C0 shade: #92E8C0, #92A9E8 and #E89D92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #92E8C0 shade: #92E8C0, #C092E8 and #E8C092

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #92E8C0 shade: #92E8C0, #92A9E8, #E892BA and #E8D192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #92E8C0 shade: #92E8C0, #9492E8, #E892BA and #E5E892

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 17 / 9

HEX #92E8C0

RGB 146 232 192

HSL 152.09, 0.65%, 0.74%

LAB 85.82, -34.65, 11.33

 

Complementary color

CMYK 0 / 79 / 42 / 57

HEX #6D173F

RGB 109 23 63

HSL 332.09, 0.65%, 0.26%

LAB 24.4, 40.44, -2.55

 

CMYK 35 / 0 / 19 / 9

HEX #97E8BB

RGB 151 232 187

HSL 146.67, 0.64%, 0.75%

LAB 85.95, -34.22, 14.16

 

CMYK 33 / 0 / 18 / 2

HEX #A8FACE

RGB 168 250 206

HSL 147.8, 0.89%, 0.82%

LAB 92.2, -33.97, 13.27

 

CMYK 27 / 0 / 12 / 0

HEX #B9FFE1

RGB 185 255 225

HSL 154.29, 1%, 0.86%

LAB 94.85, -27.67, 7.39

 

CMYK 21 / 0 / 4 / 0

HEX #CAFFF4

RGB 202 255 244

HSL 167.55, 1%, 0.9%

LAB 96.25, -18.84, -0.26

 

CMYK 14 / 0 / 0 / 0

HEX #DBFFFF

RGB 219 255 255

HSL 180, 1%, 0.93%

LAB 97.55, -11.49, -3.89

 

CMYK 37 / 0 / 17 / 9

HEX #92E8C0

RGB 146 232 192

HSL 152.09, 0.65%, 0.74%

LAB 85.82, -34.65, 11.33

 

CMYK 40 / 0 / 19 / 16

HEX #81D6AD

RGB 129 214 173

HSL 151.06, 0.51%, 0.67%

LAB 79.49, -34.89, 12.25

 

CMYK 43 / 0 / 21 / 23

HEX #70C49A

RGB 112 196 154

HSL 150, 0.42%, 0.6%

LAB 73.06, -35.13, 13.23

 

CMYK 47 / 0 / 24 / 30

HEX #5FB287

RGB 95 178 135

HSL 148.92, 0.35%, 0.54%

LAB 66.54, -35.35, 14.29

 

CMYK 51 / 0 / 28 / 37

HEX #4EA074

RGB 78 160 116

HSL 147.8, 0.34%, 0.47%

LAB 59.91, -35.53, 15.44

 

CMYK 37 / 0 / 17 / 9

HEX #92E8C0

RGB 146 232 192

HSL 152.09, 0.65%, 0.74%

LAB 85.82, -34.65, 11.33

 

CMYK 37 / 0 / 28 / 9

HEX #92E8A8

RGB 146 232 168

HSL 135.35, 0.65%, 0.74%

LAB 85.33, -39.2, 23.13

 

CMYK 37 / 0 / 37 / 9

HEX #92E892

RGB 146 232 146

HSL 120, 0.65%, 0.74%

LAB 84.95, -42.83, 33.86

 

CMYK 27 / 0 / 37 / 9

HEX #A9E892

RGB 169 232 146

HSL 103.95, 0.65%, 0.74%

LAB 86.12, -35.44, 35.62

 

CMYK 17 / 0 / 37 / 9

HEX #C0E892

RGB 192 232 146

HSL 87.91, 0.65%, 0.74%

LAB 87.48, -27.42, 37.66

 

CMYK 37 / 0 / 17 / 9

HEX #92E8C0

RGB 146 232 192

HSL 152.09, 0.65%, 0.74%

LAB 85.82, -34.65, 11.33

 

CMYK 37 / 0 / 7 / 9

HEX #92E8D7

RGB 146 232 215

HSL 168.14, 0.65%, 0.74%

LAB 86.37, -29.77, 0.06

 

CMYK 37 / 3 / 0 / 9

HEX #92E1E8

RGB 146 225 232

HSL 184.88, 0.65%, 0.74%

LAB 84.89, -22.43, -11.09

 

CMYK 37 / 13 / 0 / 9

HEX #92CAE8

RGB 146 202 232

HSL 200.93, 0.65%, 0.74%

LAB 78.57, -10.71, -20.6

 

CMYK 37 / 23 / 0 / 9

HEX #92B3E8

RGB 146 179 232

HSL 216.98, 0.65%, 0.74%

LAB 72.35, 1.66, -30.1

 

CMYK 37 / 0 / 17 / 9

HEX #92E8C0

RGB 146 232 192

HSL 152.09, 0.65%, 0.74%

LAB 85.82, -34.65, 11.33

 

CMYK 44 / 0 / 21 / 5

HEX #87F3C0

RGB 135 243 192

HSL 151.67, 0.82%, 0.74%

LAB 88.48, -42.55, 15.03

 

CMYK 51 / 0 / 24 / 1

HEX #7CFDC1

RGB 124 253 193

HSL 152.09, 0.97%, 0.74%

LAB 90.96, -49.31, 17.94

 

CMYK 37 / 0 / 17 / 9

HEX #92E8C0

RGB 146 232 192

HSL 152.09, 0.65%, 0.74%

LAB 85.82, -34.65, 11.33

 

CMYK 29 / 0 / 14 / 13

HEX #9CDDBF

RGB 156 221 191

HSL 152.31, 0.49%, 0.74%

LAB 83.2, -26.75, 8.19

 

CMYK 20 / 0 / 10 / 18

HEX #A7D2BE

RGB 167 210 190

HSL 152.09, 0.32%, 0.74%

LAB 80.75, -18.1, 5.28

 

CMYK 11 / 0 / 5 / 22

HEX #B2C8BD

RGB 178 200 189

HSL 150, 0.17%, 0.74%

LAB 78.72, -9.56, 2.97

 

CMYK 0 / 0 / 0 / 26

HEX #BDBDBD

RGB 189 189 189

HSL 0, 0%, 0.74%

LAB 76.61, 0, -0.01

 

CMYK 37 / 0 / 37 / 9

HEX #92E892

RGB 146 232 146

HSL 120, 0.65%, 0.74%

LAB 84.95, -42.83, 33.86

 

CMYK 37 / 0 / 27 / 9

HEX #92E8A9

RGB 146 232 169

HSL 136.05, 0.65%, 0.74%

LAB 85.35, -39.02, 22.64

 

CMYK 37 / 0 / 17 / 9

HEX #92E8C0

RGB 146 232 192

HSL 152.09, 0.65%, 0.74%

LAB 85.82, -34.65, 11.33

 

CMYK 37 / 0 / 7 / 9

HEX #92E8D7

RGB 146 232 215

HSL 168.14, 0.65%, 0.74%

LAB 86.37, -29.77, 0.06

 

CMYK 37 / 3 / 0 / 9

HEX #92E2E8

RGB 146 226 232

HSL 184.19, 0.65%, 0.74%

LAB 85.16, -22.92, -10.68

 

CMYK 64 / 0 / 30 / 15

HEX #4ED998

RGB 78 217 152

HSL 151.94, 0.65%, 0.58%

LAB 78.18, -52.32, 21.24

 

CMYK 50 / 0 / 24 / 12

HEX #70E1AC

RGB 112 225 172

HSL 151.86, 0.65%, 0.66%

LAB 81.99, -44.4, 16.2

 

CMYK 37 / 0 / 17 / 9

HEX #92E8C0

RGB 146 232 192

HSL 152.09, 0.65%, 0.74%

LAB 85.82, -34.65, 11.33

 

CMYK 25 / 0 / 12 / 6

HEX #B4EFD3

RGB 180 239 211

HSL 151.53, 0.65%, 0.82%

LAB 89.92, -24.23, 7.51

 

CMYK 13 / 0 / 6 / 4

HEX #D6F6E7

RGB 214 246 231

HSL 151.88, 0.64%, 0.9%

LAB 94.3, -13.18, 3.71

 

CMYK 37 / 0 / 17 / 9

HEX #92E8C0

RGB 146 232 192

HSL 152.09, 0.65%, 0.74%

LAB 85.82, -34.65, 11.33

 

CMYK 37 / 27 / 0 / 9

HEX #92A9E8

RGB 146 169 232

HSL 223.95, 0.65%, 0.74%

LAB 69.69, 7.22, -34.21

 

CMYK 0 / 32 / 37 / 9

HEX #E89D92

RGB 232 157 146

HSL 7.67, 0.65%, 0.74%

LAB 71.79, 26.63, 17.16

 

CMYK 37 / 0 / 17 / 9

HEX #92E8C0

RGB 146 232 192

HSL 152.09, 0.65%, 0.74%

LAB 85.82, -34.65, 11.33

 

CMYK 17 / 37 / 0 / 9

HEX #C092E8

RGB 192 146 232

HSL 272.09, 0.65%, 0.74%

LAB 67.72, 33.36, -36.99

 

CMYK 0 / 17 / 37 / 9

HEX #E8C092

RGB 232 192 146

HSL 32.09, 0.65%, 0.74%

LAB 80.14, 8.03, 28.54

 

CMYK 37 / 0 / 17 / 9

HEX #92E8C0

RGB 146 232 192

HSL 152.09, 0.65%, 0.74%

LAB 85.82, -34.65, 11.33

 

CMYK 37 / 27 / 0 / 9

HEX #92A9E8

RGB 146 169 232

HSL 223.95, 0.65%, 0.74%

LAB 69.69, 7.22, -34.21

 

CMYK 0 / 37 / 20 / 9

HEX #E892BA

RGB 232 146 186

HSL 332.09, 0.65%, 0.74%

LAB 70.36, 37.81, -7.09

 

CMYK 0 / 10 / 37 / 9

HEX #E8D192

RGB 232 209 146

HSL 43.95, 0.65%, 0.74%

LAB 84.4, -0.83, 34.19

 

CMYK 37 / 0 / 17 / 9

HEX #92E8C0

RGB 146 232 192

HSL 152.09, 0.65%, 0.74%

LAB 85.82, -34.65, 11.33

 

CMYK 36 / 37 / 0 / 9

HEX #9492E8

RGB 148 146 232

HSL 241.4, 0.65%, 0.74%

LAB 63.9, 20.87, -43.23

 

CMYK 0 / 37 / 20 / 9

HEX #E892BA

RGB 232 146 186

HSL 332.09, 0.65%, 0.74%

LAB 70.36, 37.81, -7.09

 

CMYK 1 / 0 / 37 / 9

HEX #E5E892

RGB 229 232 146

HSL 62.09, 0.65%, 0.74%

LAB 90.07, -13.62, 41.5

 

Description

Color code: HEX #92E8C0 | qconv.com Color code: HEX #92E8C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 232 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 232 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 17 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 17% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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